The Soldier's Just Came Back
The Soldier's Just Came Back is the fifth live album by the Japanese band Loudness. It was released in 2001 only in Japan and recorded during the successful Spiritual Canoe tour with the original line-up.[1] At the same time a VHS with the videotape of the concert was released by Nippon Columbia.
The Soldier's Just Came Back | ||||
---|---|---|---|---|
Live album by | ||||
Released | June 20, 2001 | |||
Recorded | March 28, 2001 | |||
Venue | Nakano Sun Plaza, Tokyo, Japan | |||
Genre | Heavy metal | |||
Length | 73:11 | |||
Language | Japanese / English | |||
Label | Nippon Columbia | |||
Producer | Toshi Nakashita, Eiichi Yamakawa | |||
Loudness chronology | ||||
|
The Soldier's Just Came Back | ||||
---|---|---|---|---|
Cover of the VHS | ||||
Video by | ||||
Released | August 22, 2001 | |||
Recorded | Nakano Sun Plaza, Tokyo, March 28, 2001 | |||
Genre | Heavy metal | |||
Length | 97:01 | |||
Label | Nippon Columbia | |||
Director | Shingo Goto | |||
Producer | Masayuki Mori, Kazuhito Kobashi, Hiroshi Sei | |||
Loudness video chronology | ||||
|
Track listings
CD
- "Loudness" - 5:40
- "In the Mirror" - 4:47
- "Crazy Doctor" - 4:20
- "Dream Fantasy" - 4:30
- "Crazy Night" - 6:48
- "The End of Earth" - 4:38
- "How Many More Times" - 5:56
- "Lonely Player" - 7:53
- "Esper" - 3:48
- "So Lonely (Japanese Version)" - 7:53
- "Stay Wild" - 5:47
- "S.D.I." - 4:56
- "Speed" - 7:11
- "Farewell" - 2:59
VHS
- "Opening"
- "Loudness"
- "In the Mirror"
- "Show Me the Way"
- "Esper"
- "Milky Way"
- "Mr. Yesman"
- "Black Wall"
- "Devil Soldier"
- "Street Woman"
- "Lonely Player"
- "The End of Earth"
- "The Winds of Victory"
- "Drum Solo"
- "How Many More Times"
- "Guitar Solo"
- "Crazy Doctor"
- "Dream Fantasy"
- "Crazy Night"
- "So Lonely (Japanese version)"
- "Stay Wild"
- "S.D.I."
- "Speed"
- "Farewell"
Personnel
- Loudness
- Minoru Niihara - vocals
- Akira Takasaki - guitars
- Masayoshi Yamashita - bass
- Munetaka Higuchi - drums
- Production
- Toshi Nakashita - producer
- Masatoshi Sakimoto - engineer, mixing at ESP Musical Academy Studio
- Hiroyuki Hosaka - mastering
- Eiichi Yamakawa - executive producer
gollark: But I also really don't like writing much code, and want to generalize and combine features as much as possible. Which causes more problems.
gollark: The main causes of this are:- I wanted it to be interactable with externally via an API of some kind, and operating on text strings for that is kind of æ æa æ ææææ æææ.- I wanted some kind of structured data handling mechanism, partly for APIous purposes - see DokuWiki's `struct` plugin, and a cool feature a random journaling website has where you can use `CAPSTHING: bees` in a page and get tables out- I also thought that the design of all previous Minoteaurs, which made pages entirely text strings, hampered rich editing capabilities (such as "to-do lists" where you could easily check/uncheck things, and arbitrarily-nested-bullet-point "outliner" stuff)
gollark: However, design of this in any detail requires making decisions, which immediately induces apionic "bee" incursions.
gollark: If you want to know what the reworks are to be, and you do, then basically: I wanted to alter the content model, so that pages could contain multiple units of content, and of different kinds.
gollark: Thank you.
References
- "Loudness - The Soldier's Just Came Back". Metal-Archives.com. Retrieved 2010-03-31.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.