The Sixth Race
The Sixth Race (Spanish: La sexta carrera) is a 1953 Mexican drama film directed by Miguel M. Delgado and starring Rosario Granados.[1] It is set in the world of horse racing.
| The Sixth Race | |
|---|---|
| Directed by | Miguel M. Delgado |
| Produced by | Eduardo Galindo Jesús Galindo |
| Written by | Jorge Andere Daher Ramón Pérez Peláez |
| Starring | Rosario Granados |
| Music by | José de la Vega |
| Cinematography | Agustín Jiménez |
| Edited by | José W. Bustos |
Production company | Producciones Galindo Hermanos |
Release date | 24 July 1953 |
| Country | Mexico |
| Language | Spanish |
Cast
- Amparo Arozamena
- Manolo Fábregas
- Rosario Granados
- Prudencia Grifell
- Wolf Ruvinskis
- Andrés Soler
- Fernando Soto
- Manuel Sánchez Navarro
gollark: It also does have the whole "anything which implements the right functions implements an interface" thing, which seems very horrible to me as a random change somewhere could cause compile errors with no good explanation.
gollark: - `make`/`new` are basically magic- `range` is magic too - what it does depends on the number of return values you use, or something. Also, IIRC user-defined types can't implement it- Generics are available for all of, what, three builtin types? Maps, slices and channels, if I remember right.- `select` also only works with the built-in channels- Constants: they can only be something like four types, and what even is `iota` doing- The multiple return values can't be used as tuples or anything. You can, as far as I'm aware, only return two (or, well, more than one) things at once, or bind two returns to two variables, nothing else.- no operator overloading- it *kind of* has exceptions (panic/recover), presumably because they realized not having any would be very annoying, but they're not very usable- whether reading from a channel is blocking also depends how many return values you use because of course
gollark: What, you mean no it doesn't have weird special cases everywhere?
gollark: It pretends to be "simple", but it isn't because there are bizarre special cases everywhere to make stuff appear to work.
gollark: So of course, lol no generics.
References
- Amador p.131
Bibliography
- María Luisa Amador. Cartelera cinematográfica, 1950-1959. UNAM, 1985.
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