The Royal Family and the Poor

The Royal Family and the Poor are a band from Liverpool, England, centred on multi-instrumentalist Mike Keane. After recording two singles and two albums for Factory Records in the 1980s, they continued to release music into the 21st century.

The Royal Family and the Poor
OriginLiverpool, England
GenresPost-punk, new wave, electronica
Years active1978 (1978)–present
LabelsFactory Records, Project Tapes, Gaia Communications, Boutique, Gothic Moon Records
MembersMike Keane
Past membersArthur McDonald
Nathan McGough
Ambrose Reynolds
Jeff Turner
Karen Halewood
John Walsh
Phil Hurst
Kif
Simon Crab
Andy Frizell
Merlin Shepherd

History

The band was formed in 1978 by Keane, who played guitar, bass guitar, synthesizer, piano, and percussion, and also programmed drum machines.[1] The band also included members of Liverpool's Situationist Youth Collective, including Nathan McGough and art graduate Arthur McDonald.[2] In his book Shadowplayers, James Nice describes the band as "less of a group than a pseudo-Situationist provocation".[3] Initially, the band's music consisted of McDonald's Situationist lyrics over Keane's synthesizer played through a record player.[3] A crudely recorded demo tape recorded in 1979 resulted in Tony Wilson signing them to his Factory label.[3] It was Wilson who gave the band their name, taken from Fred and Judy Vermorel's book Sex Pistols, the Inside Story.[4] Their first release was as part of A Factory Quartet, providing six tracks produced by Martin Hannett on the compilation double album, shared with the Durutti Column, Kevin Hewick, and Blurt. Released in December 1980, it featured six tracks by the band.[3] Their debut EP, Art - Dream - Dominion, the last record produced for Factory by Donald Johnson (Art) and BeMusic (Dream, Dominion), was released in February 1982.[1][3]

McGough left to join the Pale Fountains, later becoming the manager of Happy Mondays.[4] The band's original line-up disbanded, and Keane toured in support of China Crisis under the name the Legend Agency, playing over backing tapes.[4] He recorded tracks intended for released as the Legend Agency with Matt Johnson, but they were not released.[4] Keane struggled with heroin addiction, and took a break from music, walking what he described as a "pilgrimage" on the Pilgrim's Way to Canterbury.[4] He returned to record for Factory in 1983, on what would be released the following year as the occult-themed album The Project Phase 1 – The Temple of the 13th Tribe, produced by Peter Hook and featuring Lita Hara of Stockholm Monsters and Jon Neesam (of Walkingseeds).[3] A second album, The Project – Phase 2 – We Love the Moon, was released in 1986, accompanied by a single, "We Love the Moon". The band then moved to Keane's own Gaia Communications label,[4] continuing their occult-themed and more electronic-oriented music on several further albums, including In the Sea of E (1987),[1] Songs for the Children of Baphomet (2001) and North-West Soul (2004), with Keane the only constant member. In 2010, McDonald reemerged to self-release an album titled The Pope's Daughter, though Keane was not involved.

Other members at various times included bassist Ambrose Reynolds (who had previously played in Liverpool bands such as Big in Japan, Hollycaust, Nightmares in Wax and Walkie Talkies, and was also a member of Pink Industry), Jeff Turner (saxophone, clarinet, guitar, violin), Karen Halewood (synthesizer, vocals), John Walsh (bass guitar), Phil Hurst (drums) and Kif (drums).[1]

Discography

Studio albums
  • The Project Phase 1 – The Temple of the 13th Tribe (1984, Factory Records)
  • The Project – Phase 2 – We Love the Moon (1986, Factory Records)
  • The Genetic Terrorists (1986, Project Tapes)
  • In the Sea of E (1987, Gaia Communications)
  • Songs for the Children of Baphomet (2001, Gaia Communications)
  • North-West Soul (2004, Boutique)
  • The Pope's Daughter (2010, Gothic Moon Records)
  • Haunted with Teresa Kelly (2012, Gothic Moon Records)

Live albums
  • Live 1983–1985 (1986, Recloose Organisation)

Compilation albums
  • Anthology 1978 – 2001 (2001, Gaia Communications)
  • The Project Phase 5 – Portuguese Radio Show – October 1988 (2003, Boutique)

Singles and EPs
  • Art - Dream - Dominion 12" EP (1982, Factory Records)
  • "We Love the Moon" 7" single (1986, Factory Records)
  • The Project - Phase 4 12" EP (1988, Gaia Communications)

Compilation appearances
  • "Dirge", "Vaneigem Mix", "Dirge", "Death Factory", "Dirge" and "Rackets" on A Factory Quartet (1980, Factory Records)
gollark: 1. Try reading a 100KB minified JS bundle.
gollark: So what?
gollark: Half the uses of PHP can just be replaced with a static site generator, too.
gollark: If there are passwords distributed in software given to users - and they're important - they will be found.
gollark: Security through obscurity does not work.

References
  1. Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 454, 488
  2. The Wire, Volumes 245–250, 2004, p. 106
  3. Nice, James (2010) Shadowplayers: The Rise and Fall of Factory Records, Aurum, ISBN 978-1-84513-540-9, p. 102-3, 260–1
  4. Nice, James (2003) "The Royal Family and the Poor Biography". Retrieved 8 August 2011
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.