The Red Phallus
The Red Phallus is a 2018 Bhutanese Dzongkha-language drama film written and directed by Tashi Gyeltshen.
The Red Phallus | |
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Directed by | Tashi Gyeltshen |
Produced by |
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Written by | Tashi Gyeltshen |
Starring |
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Music by | |
Cinematography | Jigme T. Tenzing |
Edited by | Saman Alvitigala |
Production company |
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Distributed by | Asian Shadows |
Release date |
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Running time | 82 minutes |
Country |
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Language | Dzongkha |
Plot
Sangay (Tshering Euden) is a highschool student living with her widowed and controlling father Ap Atsara (Dorji Gyeltshen), who plays the character of Atsara — a sacred character in various festivals and also carves wooden phalli for various rituals. Sangay is bullied in school, partially for her father's profession. Sangay is having an affair with a married man named Passa (Singye) who's occupation as a butcher means his status in the society is very low. Passa is initially kind to Sangay but he eventually starts to berate her when she hesitates to run away to Thimphu with him.
Release and reception
The film was shown in several international film festivals. Tashi Gyeltshen decided not to release the film in Bhutan after Bhutan's censor board cut 12 minutes of the film.[1] The film was picked up by Asian Shadows for international distribution.[2]
Critical reception
Variety critic Richard Kuipers said that "[t]hough a tad slow at times, "Phallus" leaves a lasting impression". He also praised Tshering Euden's performance as the lead character.[3] Writing for The Hollywood Reporter, Clarence Tsui described the film as a "taut and gripping debut."[4] Davide Abbatescianni of Cineuropa criticized the performance of the male leads, character development and the rhythm of the narration but praised the sound design and "visual rigour" of the film.[5] Alexander Knoth of Asian Movie Pulse praises the film as a "courageous feature mastering a gritty atmosphere" and the crew, writing "[t]he whole crew did an amazing job capturing the feeling of the environment and turning it into a metaphor for the cruel interpersonal proceedings that take place."[6] In his review of the film for Eastern Kicks, Andrew Heskins gave it three out of five stars, calling it "[a]chingly beautiful but equally as slow".[7]
Accolades
The film won the FIPRESCI award at the 23rd Busan International Film Festival[8] and was nominated for the 2019 Best International Feature Film in Edinburgh International Film Festival.[9]
References
- Korbecka, Maja (22 October 2019). "Tashi Gyeltshen interview: "I was always afraid the meaning of the film might be lost"". Eastern Kicks. Archived from the original on 24 March 2020. Retrieved 24 March 2020.
- Shackleton, Liz (4 October 2018). "Asian Shadows picks up New Currents entry 'Red Phallus' (exclusive)". Screen Daily. Archived from the original on 4 October 2018. Retrieved 23 March 2020.
- Kuipers, Richard (17 March 2019). "Film Review: 'The Red Phallus'". Variety. Archived from the original on 19 March 2019. Retrieved 8 November 2019.
- Tsui, Clarence (17 October 2018). "'The Red Phallus': Film Review | Busan 2018". Hollywood Reporter. Archived from the original on 18 October 2018. Retrieved 8 November 2019.
- Abbatescianni, Davide (12 February 2019). "Review: The Red Phallus". Cineuropa. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
- Knoth, Alexander (15 November 2019). "Film Review: The Red Phallus (2018) by Tashi Gyeltshen". Asian Movie Pulse. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
- Heskins, Andrew (6 January 2020). "Film review: The Red Phallus". Eastern Kicks. Archived from the original on 25 March 2020. Retrieved 25 March 2020.
- Roshni, R. K. (12 December 2018). "Loss of humanity central to The Red Phallus". The Hindu. Archived from the original on 23 March 2020. Retrieved 8 November 2019.
- "The Red Phallus". Edinburgh International Film Festival. Archived from the original on 23 March 2020. Retrieved 23 March 2020.
External links
- The Red Phallus on IMDb
- The Red Phallus on Rotten Tomatoes
- The Red Phallus on Chinese Shadows