The Murder Men (film)
The Murder Men (later presented as an episode of the TV show Cain's Hundred which was called Blues for a Junkman, in 1962)[1] is a 1961 film starring Peter Mark Richman, James Coburn, and Dorothy Dandridge.
The Murder Men | |
---|---|
Directed by | John Peyser |
Written by | Mel Goldberg |
Starring | Peter Mark Richman James Coburn Dorothy Dandridge |
Music by | Jeff Alexander |
Cinematography | Harold E. Wellman |
Edited by | William B. Gulick John Sheets |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Plot
Norma Sherman, is a night-club singer and addict who, upon being released from jail, attempts to win back the love of her husband.[2]
Cast
- Peter Mark Richman as Nick Cain
- James Coburn as Arthur Troy
- Dorothy Dandridge as Norma Sherman (archive footage)
- Joe Mantell (archive footage)
- Ivan Dixon (archive footage)
- Ed Asner as Dave Keller (archive footage)
Reviews
One commentator called Dorothy Dandridge's role in this film "one of (her) most interesting late performances".[3] This was her last film.
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gollark: My point is that presumably SolarFlame5 is worried about some activity advertising companies could do with their data, but there's not a reason Google couldn't do it too. Outside of selling data, but the issue with that is that ultimately you're (probably) worried some company will do something other than just "sell it on" with it.
gollark: I mean, that's probably not guaranteed either, but how do you know that Google won't use it for whatever evil purpose the advertising companies which might otherwise have your data would?
gollark: But you know what Google will do... why exactly?
gollark: I mean, why do you not mind if Google has it, but do mind if other advertising companies do?
References
- Aberjhani; Sandra L. West (2003). "Dorothy Dandridge". Encyclopedia of the Harlem Renaissance. Infobase. pp. 81–82. Retrieved February 9, 2011.
- Gwendolyn Audrey Foster (1999). Captive bodies: postcolonial subjectivity in cinema. SUNY press. p. 184. Retrieved February 9, 2011.
- Foster, page 184
External links
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