The Miller's Daughter (1905 film)

The Miller's Daughter is a 1905 American silent film produced by Edison Manufacturing Company. Edison employees Wallace McCutcheon and Edwin S. Porter are generally credited as directors.[1] The film is based on the melodrama Hazel Kirke by Steele MacKaye.

Plot

In the original play, Hazel Kirke, daughter of miller Dunstan Kirke, is expected to marry Aaron Rodney because he rescued their mill from insolvency. She instead marries Arthur Carrington, Lord Travers against her father's wishes. Carrington's mother also disapproves, and tells Hazel the marriage is illegal because her son is already married. Despondent, Hazel tries to drown herself, but Carrington rescues her.[2]

In Porter's adaptation, Carringford is a sophisticated urbanite and Rodney is a simple farmer. Both court Hazel, but she plans to marry Carringford against her father's wishes. On the wedding day, Carrington's real wife appears with proof they are married. Hazel is disowned and goes to live in the city slums. She tries to make a living sewing, but her sewing machine is repossessed. She returns home to beg forgiveness but is again rejected by her father. She plans to commit suicide in the millrace, but Rodney saves her. After she marries and has a baby, she goes to her father with his new grandchild, and he forgives her.

Film historian Charles Musser writes of Porter's adaptation, "[Hazel] must learn the role of the dutiful daughter, wife, and mother. The father assumes a godlike role. The change in title from the woman's name to her designated relationship to her father corresponds to this essential repositioning."[3]

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gollark: You'd probably just have to emulate all the low level human bits to make things work right.
gollark: That would be an entirely different issue to just having AGI in the first place.
gollark: If you can match or beat human performance at tasks people care about I don't think consciousness is a particularly important (or tractable) issue.
gollark: Why do brains get special treatment in terms of being "alive"? Are they really anything but just a bunch of meat?

References
  1. Niver, Kemp (1967). Motion Pictures From The Library of Congress Paper Print Collection 1894-1912. University of California Press, ISBN 978-0520009479
  2. Bordman, Gerald; Hischak, Thomas S. (2004). The Oxford Companion to American Theatre. Oxford University Press, ISBN 9780195169867
  3. Musser, Charles (1991). Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. University of California Press, ISBN 9780520060807


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