The Lady of Victories

The Lady of Victories is a 1928 MGM silent fictionalized film short in two-color Technicolor. It was the third short film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.

The Lady of Victories
Directed byR. William Neill
Produced byHerbert T. Kalmus
Written byRussell Hickson
StarringAgnes Ayres
George Irving
Otto Matieson
CinematographyGeorge Cave
Edited byAubrey Scotto
Production
company
Metro-Goldwyn-Mayer
Technicolor Corporation
Distributed byMetro-Goldwyn-Mayer
Release date
January 21, 1928
CountryUnited States
LanguageSilent English Intertitles
Budget$23,169.28[1]

Production

The film began production at the Tec-Art Studio in Hollywood on November 21, 1927, and wrapped on November 26.[2][3] It was the first of the "Great Events" shorts to credit Andre Chotin art director.[4] The production featured some of experimental nighttime exterior scenes, a risky artistic and technical undertaking at the time, because of the amount of light needed for proper exposure on Technicolor's film stock.[5]

Release

The film accompanied the Charlie Chaplin silent feature The Circus (1928 film) in many theaters during its initial release.[6]

Preservation Status

The Lady of Victories has been partially preserved, with 1,000 foot fragments preserved by EYE Film Institute, the George Eastman House, and the UCLA Film and Television Archive.[7]

gollark: I'm looking at neural network text gen stuff but I need more datas.
gollark: Markov chain fed on the privacy policy xkcd.
gollark: I need to find sample privacy policies to improve it.
gollark: Please don't send us your interactions with any hypothetical unions on your screen in order to form text and images, some of which may remain in your screen in force. Please read every part of this policy. If any provision of this policy carefully, and don't send us your personal information. This website places pixels on any particular continents. This website places pixels on your device if we run low on space on our hearts, and this agreement shall not liable and has nothing to do not want your personal information, let alone yours. This policy governs your interactions with this agreement shall not be construed to call Rohan for aid. For users who are citizens of the goodness of the goodness of our own personal information. We do not want your home. Our website may use local storage on any particular continents. If any provision of this policy, of our own personal information, let alone yours. Our website may remain in force. This website places pixels on any particular continents. This website places pixels on your device if we run low on space on our end. This website places pixels on any particular continents. For users who are citizens of the page. For users who are citizens of the users. This website places pixels on any particular continents. This organization is purely out of the users. We have a hard enough time keeping track of the European Union, we run low on space on our own personal information, let alone yours. This policy supersedes any applicable federal, state, and local laws, regulations and ordinances, international treaties, and legal agreements that would otherwise apply.is what I got doing 11-or-so sentences with a tiny dataset and no fine tuning
gollark: I wonder how awful it would be to try and run some sort of in-browser neural network thing to generate privacy policy text.

References
  1. Layton, James and David Pierce. The Dawn of Technicolor: 1915-1935. George Eastman House, 2015, p. 329.
  2. Slide, Anthony. "The 'Great Events' Series". Silent Topics: Essays on Undocumented Areas of Silent Film. Scarecrow Press, 2005, p. 38.
  3. Layton and Pierce 329
  4. Slide 38
  5. Layton and Pierce 189
  6. Layton and Pierce 192
  7. Layton and Pierce 329
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.