The Headless Eyes

The Headless Eyes is a 1971 American exploitation horror film written and directed by Kent Bateman.

The Headless Eyes
Promotional poster
Directed byKent Bateman
Produced byRon Sullivan (as Henri Pachard)[1]
Written byKent Bateman
Starring
Production
company
Laviniaque Films
Distributed byJ.E.R. Pictures
Cinema Shares International Distribution
Release date
  • October 27, 1971 (1971-10-27)
Running time
78 minutes
CountryUnited States
LanguageEnglish

Plot

The film depicts an artist named Arthur Malcolm (Bo Brundin) who sneaks into a woman's bedroom and tries to steal the money off her nightstand to pay his rent. Mistaking thief for rapist, the woman pushes his eye out with a spoon from her evening tea and knocks him out the second-story window. After being gawked at with his eye dangling from his head and the ultimate loss of his eye, Arthur becomes a serial killer and uses his victims' eyes in his artwork.

Cast

  • Bo Brundin as Arthur Malcolm
  • Gordon Ramon
  • Kelley Swartz
  • Mary Jane Early

Production

The film was produced by Ron Sullivan (credited as Henri Pachard), a cinematographer with a background in pornographic films.[1] The film's director, Kent Bateman, is the father of actors Justine and Jason Bateman.[1]

Release

The film was distributed by J.E.R. Pictures, an independent company based in Times Square, New York City, who paired it as a double feature with The Ghastly Ones (1968).[1] It opened in Canandaigua, New York on October 27, 1971 as part of this double feature.[2] Though it received an X rating due to violence, the film was a box-office success.[1]

Home media

The film was released on DVD by Wizard Video on July 16, 2013.[3] Code Red released a Blu-ray edition of the film featuring two alternate cuts on December 6, 2016.[4]

Reception

Joseph A. Ziemba from Bleeding Skull! gave the film a positive review, writing, "Unkempt and gloomy, yet somehow radiant, the mind-bending Headless Eyes is a touchpoint for every element that makes nonconformist 70s trash-horror cinema so enduring today. As soon as “The End” rolls around, you’ll want to watch it again."[5] On his website Fantastic Movie Musings and Ramblings, Dave Sindelar gave the film a negative review, calling it "pointless, pretentious, annoying, and no fun at all".[6]

Film scholars Bill Landis and Michelle Clifford write in Sleazoid Express (2002): "With murder scenes choreographed like slow-moving sex assaults, The Headless Eyes is true to the psychosexual underpinnings of blood horror...  Ultimately, [it] earns its place in the exploitation pantheon because it's as isolated, weird, and discordant as its main character."[7]

gollark: That's not even an OOM off!
gollark: Hip editation lasers, I imagine.
gollark: A much better* idea is to do CPU inference on one of the osmarks.net offload servers.
gollark: ÆÆÆÆÆÆÆÆÆÆÆA.
gollark: Guess I'll just [HORRIBLE WORKAROUND].

References

  1. Landis & Clifford 2002, p. 123.
  2. "The Ghastly Ones/The Headless Eyes advert". The Daily Messenger. Canandaigua, New York. October 26, 1971. p. 13 via Newspapers.com.
  3. "The Headless Eyes (1971) - Kent Bateman". AllMovie. Retrieved 27 July 2018.
  4. "The Headless Eyes Blu-ray". Blu-ray.com. Archived from the original on February 9, 2019.
  5. Ziemba, Joseph. "Headless Eyes (1971)". Bleeding Skull.com. Joseph A. Ziemba. Retrieved 15 August 2018.
  6. Sindelar, Dave. "The Headless Eyes (1971)". Fantastic Movie Musings.com. Dave Sindelar. Retrieved 15 August 2018.
  7. Landis & Clifford 2002, p. 124.

Sources

  • Landis, Bill; Clifford, Michelle (2002). Sleazoid Express: A Mind-Twisting Tour Through the Grindhouse Cinema of Times Square. New York: Simon & Schuster. ISBN 978-0-743-21583-1.CS1 maint: ref=harv (link)
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