The Gallows

The Gallows is a 2015 American found footage supernatural horror film written and directed by Chris Lofing and Travis Cluff. The film stars Reese Mishler, Pfeifer Brown, Ryan Shoos and Cassidy Gifford-Weirda .

This article is about the 2015 film. For the wooden scaffold used for hangings, see Gallows. For other uses, see Gallows (disambiguation).

The Gallows
Theatrical release poster
Directed by	Chris Lofing Travis Cluff
Produced by	Jason Blum Guymon Casady Dean Schnider Benjamin Forkner Chris Lofing Travis Cluff
Written by	Chris Lofing Travis Cluff
Starring	Reese Mishler Pfeifer Brown Ryan Shoos Ariel Castro Cassidy Gifford-Weirda
Music by	Zach Lemmon
Cinematography	Edd Lukas
Edited by	Chris Lofing
Production company	New Line Cinema Blumhouse Productions Entertainment 360 Tremendum Pictures
Distributed by	Warner Bros. Pictures
Release date	June 30, 2015 (2015-06-30) (Fresno) July 10, 2015 (2015-07-10) (United States)
Running time	81 minutes[1]
Country	United States
Language	English
Budget	$100,000[2]
Box office	$43 million[2]

The Gallows was released in the United States by Warner Bros. Pictures and New Line Cinema on July 10, 2015. It was largely disliked by critics and audiences but grossed $43 million worldwide against a $100,000 budget. A sequel, The Gallows Act II, was released in October 2019.

Plot

On October 29, 1993, Beatrice High School student Charlie Grimille is accidentally hanged and killed after a prop malfunction during a presentation of the play The Gallows. His parents, along with the whole audience, witness the tragic event.

Twenty years later, on October 28, 2013, the school attempts to put on a new performance of The Gallows. Reese Houser is excited, as this gives him a chance to grow closer to his crush Pfeifer Ross. His friend Ryan Shoos is dismissive of the play and comes up with the idea to vandalize the set. Reese is reluctant to take part but agrees when Ryan promises that he'll be able to console Pfeifer afterwards, giving them a chance to kiss.

Later that night, Reese, Ryan, and Ryan's girlfriend Cassidy Spilker sneak into the school, begin to dismantle the set, only to hear Pfeifer, who saw Reese's car, in the hallway. Knowing they cannot continue the vandalism with Pfeifer there, the group tries to leave but finds that they have been locked inside, and there is no cell phone reception. Disturbed, Cassidy admits the trio's real reason for being in the school, which angers Pfeifer.

As the group tries to look for a way out of the school, they see the set reassembled then find news coverage of Charlie's death that includes an interview with his girlfriend Alexis. They also discover that Charlie was not supposed to have performed that day, and was only on stage because he was the understudy for the main actor, Reese's father Rick.

The group becomes separated when Reese runs off with the light, with Ryan being left alone. As he searches for Reese, he sees various things, such as a half-finished plate of food, a cup of coffee, a hidden room with a mattress and bed frame, and what looks like a body hanging from above. When the group is reunited, they hear footsteps above them that stop above Cassidy. She is then yanked into the air by seemingly nothing, leaving her with burns on her neck that look like rope burns.

They all come back to the stage, where Pfeifer points out an air conditioning duct that they can escape through. Angry and frightened, Ryan calls for Charlie, terrifying the group. When he climbs up a ladder to reach the vent, he is thrown off by an unseen force, and his leg is badly broken. When Reese, Pfeifer, and Cassidy leave Ryan, the door is slammed shut, and they are locked out of the stage where Ryan lays helpless. The group eventually get on stage, finding only Ryan's phone. The audience then sees footage from the phone.

Ryan sees the door slam, then a figure holding a noose. The figure disappears before he is pulled away by the neck by a fly rig. As the night progresses Cassidy is killed by Charlie Grimille dressed as the Hangman, a character from The Gallows. Reese and Pfeifer unsuccessfully try to escape the spirit and end up on the stage, where the spirit begins to choke her. Realizing that the spirit is Charlie and that he wants them to act out the final scene (in which Reese and Charlie's characters are hanged), Reese and Pfeifer reenact the scene. However, when Reese puts the noose around his neck for the final portion, he is hanged and killed by Charlie. Once he is dead, Pfeifer and Charlie, now appearing as an adult, both bow, and Alexis, who was watching the performance, gives a standing ovation.

The police enter a house where Pfeifer and Alexis are living and watching footage of Charlie’s death, showing that Pfeifer is the daughter of Charlie and Alexis. When one of the officers attempts to question Pfeifer and Alexis about Charlie, Pfeifer warns him, saying, "You shouldn’t say that name." The officer then calls for his partner, who witnesses him being dragged by a noose, killing him. Upon turning around, Charlie appears, then attacks and kills the policeman, as the screen cuts to black.

Cast

• Reese Mishler as Reese Houser
• Pfeifer Brown as Pfeifer Ross
• Ryan Shoos as Ryan Shoos
• Cassidy Gifford-Weirda as Cassidy Spilker
• Price T. Morgan as Price
• Jesse Cross as Charlie Grimille (1993)
• Melissa Bratton as Alexis Ross (2013)
  • Alexis Schneider as Alexis Ross / Mary (1993)
• Theo Burkhardt as Rick Houser (2013)
  • John Tanskly as Rick Houser (1993)
• Emily Jones as Ryan's mother
• Travis Cluff as Mr. Schwendiman
• Mackie Burt as Cheerleader
• Ariel Castro as Killer

Production

On June 24, 2014, New Line Cinema acquired distribution rights to the film.[3] On December 10, 2014, it was announced the film would be released on July 10, 2015, in the United States.[4] Though the film is set in Lofing's hometown of Beatrice, Nebraska, all of the scenes in the theatrical version of the film were shot in Fresno, California.[5] Several scenes in the first cut of the film were shot in Beatrice, but those scenes were dropped when Blumhouse Productions picked up the film. Those scenes were featured in the DVD and Blu-ray releases of The Gallows.[5] The actors performed their own stunts, and no major CGI was used in the film, Lofing said.[5]

Release

Box office

The Gallows grossed $22.7 million in North America and $20.2 million in other territories for a worldwide total of $43 million, against a budget of $100,000.[2]

The Gallows opened on July 10, 2015, simultaneously with animated film Minions and the sci-fi drama Self/less. The film grossed $900,000 during its Thursday night showings, and $4.5 million on its opening day.[6] The film opened at number five at the box office in its opening weekend, with $9.8 million.[7]

Critical response

According to the review aggregator website Rotten Tomatoes, 15% of critics have given the film a positive review based on 115 reviews, with an average rating of 3.15/10. The site's critics consensus reads, "Narratively contrived and visually a mess, The Gallows sends viewers on a shaky tumble to the bottom of the found-footage horror barrel."[8] At Metacritic, which assigns and normalizes scores of critic reviews, the film has a weighted average score of 30 out of 100 based on 22 critics, indicating "generally unfavorable reviews".[9] According to CinemaScore, audiences gave the film a grade of "C" on an A+ to F scale.[10]

Geoff Berkshire of Variety gave the film a negative review, saying "The Gallows isn't without a certain amount of atmosphere, it simply feels borrowed wholesale. That would matter less with a better script, but the four main characters are paper-thin even by genre norms."[11] Stephen Whitty of the Newark Star-Ledger gave the film one out of four stars, saying "The plot is a collection of contrivances (Oh no, the lights all went out! My cell phone won't work! I'm running for my life, I'd better keep filming!) and the scares are simple, sudden, stupid shocks."[12] Kyle Anderson of Entertainment Weekly gave the film a C, saying "This is another found-footage movie that, with a little art direction and some actual cinematography, could easily have been a decent little terrorizer. Instead, it comes mostly unglued thanks to its hacky gimmick."[13] Bruce Demara of the Toronto Star gave the film two out of four stars, saying "Despite its initial promise and some decent scares - you're in for a sharp and sudden drop in satisfaction in the final throes."[14] Mick LaSalle of the San Francisco Chronicle gave the film two out of four stars, saying "The filmmakers needed to set themselves free even more than the characters, but they never find the path out. They probably never realized they were trapped."[15]

Simon Abrams of The Village Voice gave the film a negative review, saying "The Gallows is only good enough to make you wish its creators did something novel with its formulaic style, plot, and characterizations."[16] Neil Genzlinger of The New York Times said, "The Gallows starts with a decent if improbable premise, and it ends with a pretty good jolt. But in between, the film sure wears out the already tired found-footage device."[17] Tirdad Derakhshani of The Philadelphia Inquirer gave the film a negative review, saying "The Gallows is one lazy film. There's no real effort or inventiveness here, whether we're talking about the character names, the jokes, the set pieces, or the predictable plot twist."[18] Richard Roeper of the Chicago Sun-Times gave the film three out of four stars, saying "In a quick 80 minutes, we get the back story, we meet the four core characters (all of the young actors do fine work), get the wits scared out of us about a half-dozen times and wind up with a VERY creepy ending."[19] Barry Hertz of The Globe and Mail gave the film one out of four stars, saying "As the latest entry in the tired "found footage" horror subgenre, this on-the-cheap film has never met a cliché it didn't embrace like sweet death itself."[20] A.A. Dowd of The A.V. Club gave the film a D+, saying "Making audiences care about the characters is always a more effective fear-generating strategy than just knocking off a bunch of dimwits in the dark."[21]

Sequel

Main article: The Gallows Act II

In August 2017, it was announced that The Gallows Act II was filmed secretly.[22] The film was released on October 25, 2019 in theaters, on demand and digital by Lionsgate.[23]

References

1. "THE GALLOWS (15)". British Board of Film Classification. June 30, 2015. Retrieved June 30, 2015.
2. "The Gallows". Box Office Mojo. Retrieved October 25, 2015.
3. "New Line acquires the rights to Blumhouse's found footage horror Superstition". Flickeringmyth.com. 2014-06-24. Retrieved 2015-04-09.
4. "Sundance Selects Nabs 'General Tso'; Warner Bros Shifts 'Pan' Release, Titles Horror Pic, More". Deadline. 2014-12-10. Retrieved 2015-04-09.
5. Wolgamott, L. Kent (2015-07-09). "Beatrice native's debut film 'The Gallows' to hit theaters". Lincoln Journal Star. Retrieved 2015-07-13.
6. McClintock, Pamela (1999-02-22). "'Minions' Land Record $46.2M Friday: Box Office - Hollywood Reporter". The Hollywood Reporter. Retrieved 2015-07-12.
7. "Weekend Box Office Results for July 10-12, 2015". Box Office Mojo. Retrieved 2015-07-13.
8. "The Gallows (2015)". Rotten Tomatoes. Fandango. Retrieved May 17, 2020.
9. "The Gallows Reviews". Metacritic. CBS Interactive. Retrieved July 10, 2015.
10. McClintock, Pamela (1999-02-22). "'Minions' Boasts Record $115.2M Box-Office Debut - Hollywood Reporter". The Hollywood Reporter. Retrieved 2015-07-13.
11. Geoff Berkshire (2015-07-09). "'The Gallows' Review: Another Derivative Found-Footage Horror Movie". Variety. Retrieved 2015-08-16.
12. Stephen Whitty (2015-07-09). "'The Gallows' review: Horrifying? No, just horrible". NJ.com. Retrieved 2015-08-16.
13. Anderson, Kyle (2015-07-09). "'The Gallows': EW review". Entertainment Weekly. Retrieved 2015-08-16.
14. "The Gallows snaps under weight of silly ending". Toronto Star. 2015-07-09. Retrieved 2015-08-16.
15. Mick LaSalle (2015-07-09). "'The Gallows': two good ideas in search of a third". SFGate. Retrieved 2015-08-16.
16. Abrams, Simon (2015-07-09). "It Wouldn't Be a Tragedy If Found-Footage Horror 'The Gallows' Hadn't Been Found". Village Voice. Retrieved 2015-08-16.
17. Neil Genzlinger (2015-07-10). "Review: 'The Gallows' Somehow Finds More Horror Footage". The New York Times. Retrieved 2015-08-16.
18. Tirdad Derakhshani. "'The Gallows': Herky-jerky, lazy, loud horror". Philly.com. Retrieved 2015-08-16.
19. "'The Gallows': YouБ─≥ll hang on every eerie, twisty scare". Entertainment.suntimes.com. 2015-07-09. Retrieved 2015-08-16.
20. Barry Hertz (2015-07-10). "The Gallows: Another 'found footage' horror film fails in its originality". The Globe and Mail. Retrieved 2015-08-16.
21. A.A. Dowd (2015-07-09). "The Gallows". The A.V. Club. Retrieved 2015-08-16.
22. Squires, John (August 29, 2017). "Looks Like 'The Gallows 2' Was Filmed in Secret". Bloody Disgusting. Retrieved February 3, 2018.
23. Squires, John (September 11, 2019). "[Trailer] Sequel 'The Gallows: Act II' Brings the Hangman Back to Life in October". Bloody Disgusting. Retrieved September 11, 2019.

External links

• The Gallows on IMDb
• The Gallows at Rotten Tomatoes
• The Gallows at Metacritic