The Feather Book of Dionisio Minaggio

The Feather Book of Dionisio Minaggio, also referred to in Italian as Il bestiario barocco (The Baroque Bestiary), is a collection of 156 pictures made almost entirely from bird feathers augmented with pieces of bird skin, feet, and beaks. They were created between 1616 and 1618 by Dionisio Minaggio, the chief gardener of the Duchy of Milan and were originally bound into a book. The majority of pictures in the book are of birds indigenous to the Lombardy region of Italy at the time, but it also contained sets of other images depicting hunters, tradesmen, musicians, and commedia dell'arte characters.

Title page of The Feather Book. The bird depicted is a female blue rock thrush.[1]

Subjects

There are 156 plates in all, one of which served as the title page. Only Plate 54, a landscape, does not contain any birds or people. Although the images of musicians (Plates 77–84) and commedia dell'arte characters (Plates 100–114) were numbered consecutively, the images of hunters and tradesmen were interspersed amongst those with birds as the central figures.

Birds

The book contained 113 images with birds as the central figures, including the title page which depicts a female blue rock thrush in a tree with a shepherd beneath it tending his flock. According to Eleanor MacLean, former Librarian of the Blacker-Wood Library of Zoology and Ornithology at McGill University, which now holds the collection, the bird images contain "possibly the oldest preserved bird skins in existence, which makes them of importance taxonomically as well as artistically."[2] The majority of the images show the birds in static profile poses. However some of them depict birds in flight or interacting with people or other birds. There is also a depiction of a woodpecker confronting a snake and another of a woodpecker sticking his tongue into a tree looking for insects. According to MacLean, these represent some of the earliest attempts to illustrate the behaviour of birds in addition to their appearance.

Tradesmen and hunters

Four tradesmen are depicted in the book—a dentist and his patient, a knife-sharpener, a cobbler and his customer (with a small finch perched in the tree above them), and a chimney sweep (with a Brambling in the tree above).[3] Of the 16 images depicting hunters, the majority are related to bird hunting with several containing birds as part of the scene, notably ducks, an owl, a falcon, and a large unidentified bird standing under a tree. In this latter image (Plate 76) the large bird is being attacked by a hunter on horseback wielding a scimitar.[4] In 1927, the Canadian ornithologist and physician Casey A. Wood proposed that it depicted the dodo which became extinct in the late 17th century, although later work has shown that this was very probably a misinterpretation.[5] There are two images related to boar hunting and one showing a monkey running down a tree as an archer in oriental dress fires an arrow into the trunk. (Plate 51).

Commedia dell'arte actors and musicians

There are 14 images depicting commedia dell'arte characters, each with their own label. They have been the subject of multiple studies by theatre historians and several of them have been identified as depicting specific actors, probably members of troupes who performed in Milan at the time the book was made.[6] The first of the 13 images (Plate 100) depicts Leander, an innamorato character, famously played by Benedetto Ricci of the Fedeli troupe. However, in addition to his character label, the title "Lichomezi" (Milanese dialect for "Comedians") appears at the top of the page suggesting that these images were meant to be a set.[7]

Of the eight musician images, two depict men playing the violin. The remainder depict the cornett, harp, cello, archlute, mandolin, and bagpipes. According to theatre historian M.A. Katritzky, they may well have depicted the musicians who accompanied the visiting Commedia dell'arte troupes.[6]

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gollark: Okay, go on.
gollark: Well, it would be Gibson in power, until we can run an election.

References
  1. McGill University Digital Library. The Feather Book: Birds 1-30, Retrieved 15 October 2013.
  2. MacLean, Eleanor (2006). "The Feather Book of Dionisio Minaggio", paper delivered at the colloquium Feather Creations. Materials, Production and Circulation, Hispanic Society-Institute of Fine Arts in New York, 17–19 June 2004. Published 4 February 2006 in the journal Nuevo Mundo Mundos Nuevos. Retrieved 15 October 2013.
  3. McGill University Digital Library. The Feather Book: The Tradesmen, Retrieved 5 November 2013.
  4. McGill University Digital Library. The Feather Book: The Hunters, Retrieved 5 November 2013.
  5. Parish, Jolyon C. (2012). The Dodo and the Solitaire: A Natural History, pp. 105-106. Indiana University Press. ISBN 0253000998
  6. Katritzky, M. A. (2006). The Art of Commedia: A Study in the Commedia Dell'Arte 1560-1620, pp. 244-245. Rodopi. ISBN 9042017988
  7. McGill University Digital Library. The Feather Book: The Comedians, Retrieved 5 November 2013.

Further reading

  • Corrigan, Beatrice (1969). Commedia Dell'arte Portraits in the McGill Feather Book. Northwestern University Press. OCLC 469705156
  • Violani, Carlo (1988). Un bestiario barocco: quadri di piume del Seicento milanese, catalogue of the exhibit held at the Museo civico di storia naturale di Milano. OCLC 19678229
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