The Curse (1924 film)
The Curse (German: Der Fluch) is a 1924 Austrian drama film directed by Robert Land and starring Lilian Harvey, Oscar Beregi and Albert Heine. It was shot at the Sievering Studios.
| The Curse | |
|---|---|
.jpg) | |
| Directed by | Robert Land |
| Produced by | Robert Land |
| Written by |
|
| Starring |
|
| Cinematography | Nicolas Farkas |
Production company | Land-Film |
Release date |
|
| Country | Austria |
| Language |
|
The film marked the screen debut of Lilian Harvey who would go on to become one of the top stars at the German box office during the late Weimar and early Nazi eras. Harvey was in Vienna at the time because she was appearing in a stage revue show,[1]
Synopsis
A young Jewish woman in an Eastern European shtetl struggles to reconcile her aspirations with her duty to her family. As her lifestyle grows wilder, her mother is shocked by her immoral behaviour and commits suicide by drowning - repeating "the curse" which has haunted the family for centuries.[2]
Cast
- Lilian Harvey as Ruth
- Oscar Beregi as Jehuda Nachmann
- Albert Heine as Esra
- Ferdinand Bonn as Rabbi Eliser
- Isak Deutsch as Zuhälter
- Alice Hetsey as Haushälterin
- Anny Hornik as Lea
- Reinhold Häussermann as Schadchen
- Ria Jászonyi as Rahel
- Olga Lewinsky as Geburtshelferin
- Ferdinand Mayerhofer as Arzt
- Milena Mudin as Dirne Miriam
- Anton Pointner
- Eugen Preiß as Tempeldiener
- Otto Schmöle as Torwächter
- Hans Thimig as Sinche
gollark: I don't think you can *in general*, but you'll probably know in some cases what the content might be. Lots of network protocols and such include checksums and headers and defined formats, which can be validated, and English text could be detected.
gollark: But having access to several orders of magnitude of computing power than exists on Earth, and quantum computers (which can break the hard problems involved in all widely used asymmetric stuff) would.
gollark: Like how in theory on arbitrarily big numbers the fastest way to do multiplication is with some insane thing involving lots of Fourier transforms, but on averagely sized numbers it isn't very helpful.
gollark: It's entirely possible that the P = NP thing could be entirely irrelevant to breaking encryption, actually, as it might not provide a faster/more computationally efficient algorithm for key sizes which are in use.
gollark: Well, that would be inconvenient.
References
- Bock & Bergfelder p. 186
- Prawer p. 21
Bibliography
- Ascheid, Antje (2003). Hitler's Heroines: Stardom and Womanhood in Nazi Cinema. Philadelphia: Temple University Press. ISBN 978-1-56639-984-5.
- Bock, Hans-Michael; Bergfelder, Tim, eds. (2009). The Concise Cinegraph: Encyclopaedia of German Cinema. New York: Berghahn Books. ISBN 978-1-57181-655-9.
- Prawer, Siegbert Salomon (2005). Between Two Worlds: The Jewish Presence in German and Austrian Film, 1910–1933. New York: Berghahn Books. ISBN 978-1-84545-074-8.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.