The Cross and the Switchblade (film)

The Cross and the Switchblade is a 1970 Crime film starring Pat Boone as David Wilkerson and Erik Estrada as Nicky Cruz, the teen gang member whose life was transformed by Wilkerson's ministry. The film was based on a non-fiction book of the same name, The Cross and the Switchblade.[1]

The Cross and the Switchblade
Theatrical release poster
Directed byDon Murray
Produced byKen Curtis
Tom Harris
Dick Ross
Screenplay byDon Murray
James Bonnet
Based onThe Cross and the Switchblade  by David Wilkerson with John and Elizabeth Sherrill
StarringPat Boone
Erik Estrada
Jacqueline Giroux
Jo-Ann Robinson
Dino de Filippi
Music byRalph Carmichael
CinematographyJulian C. Townsend
Edited byAngelo Ross
Production
company
QED Productions
Dick Ross and Associates
Distributed byGateway Films (U.S.)
20th Century Fox (UK)
Release date
  • June 17, 1970 (1970-06-17) (U.S.)
Running time
106 min. (approx.)
LanguageEnglish

Summary

In 1958, pentecostal pastor David Wilkerson's of Assemblies of God is touched by an article in Life Magazine about seven teenagers who are members of a criminal gang.[2][3][4] Alone and with little money, he will go to Brooklyn, sometimes at the risk of his life, to talk about Jesus with members of street gang.[5] A meeting will particularly mark him, that of Nicky Cruz, a member of a street gang, the "Mau maus".

Plot

The film is based on the true story of David Wilkerson (Pat Boone), a small-town preacher who gets caught in the shadows of a crime-ridden neighborhood in New York City.[6][7] He encounters the Mau Maus, a gang led by Nicky Cruz (Erik Estrada), and David brings a message of hope to the angry youths. Guided by the street-wise Little Bo (Jo-Ann Robinson), David quickly learns about the neighborhood and how to approach the cynical juveniles. David came to New York City from a Pittsburgh suburb with little money, and is put up in a small street chapel owned by a pastor with a loving family who supports David in his work and offers to help with food and shelter. Cruz at first dismisses Wilkerson as a joke, then as a conspiracy to break up the Mau Maus, serving to only intensify his desire to be rid of the "preacher man".

Nicky's girlfriend Rosa prostitutes herself in order to support her heroin addiction, and later begs David to help her sober her drug habits. The pastor's wife convinces Rosa to stay with them, while they stand vigil as she goes through difficult withdrawals. After Rosa is sober, she tries to convince Nicky that David comes to them out of love, but Nicky becomes more and more frustrated. When David tries an attempt to reach out to all gang members in the area through a revival, the sheriff convinces the NYPD not to survey their neighborhood in order to have the gangs think they are being left alone. Nicky agrees with Big Cat, the leader of the rival Bishops, that they should rumble at the revival since no one would expect that. However, during David's sermon, his message that no one can be labeled and Christ's death on the Cross reaches Nicky, and he stops the gangs from fighting. The film concludes by saying that in the question of the Cross and the Switchblade, the Cross proved stronger.

Nicky Cruz would go on to become an ordained minister, preaching the Gospel due to the initial efforts of David Wilkerson. In the end, they start a center called Teen Challenge to support teens.

Cast
ActorRole
Pat BooneDavid Wilkerson
Erik EstradaNicky Cruz
Jacqueline GirouxRosa
Dino DeFilippiIsrael
Jo-Ann RobinsonLittle Bo
Gil FrazierBig Cat

Production

By 1968 Wilkerson's book had sold more than four million copies.[8] By 1975 that figure would be over six million.[9]

Pat Boone read a copy of the book after seeing it an airport newsstand on the way to Mexico City. He was immediately taken with it, calling it "a modern day sequel to the Acts of the Apostles in the New Testament."[10] He and an associate, Clint Davidson, took out an option on the book but were unable to raise finance. Boone said "the uniform response was that 'religion is poison at the box office'."[11]

However plans started to take shape when Rick Ross and Associates became involved. Ross had spent 15 years making films for Billy Graham's organisation.[12] The American Baptist Convention helped distribute the film.[13] In June 1969 Don Murray was working on a screenplay.[14]

Filming took place in Harlem in October 1969. "I've been trying to get this story filmed for five years," said Boone. "Working in Harlem has been wonderful – everyone, including the police, has been very cooperative. Maybe they sense this isn't a religious or a 'church' drama."[15]

It was the first credit for Erik Estrada.[16]

It was Pat Boone's last lead in a feature for over twenty years.[17]

Reception

The film received positive reviews from Christians and moviegoers alike. Pat Boone regards the film as one of his favourites. "I took a huge gamble with that film," he says. "Financially it didn't pay off because I did it for next to nothing – I virtually did it as a charity but I don't regret it at all. Within its limitations it was a very well made film."[18]

The Los Angeles Times said the film was "hard to take" adding that Boone was "unconvincing" as Wilkerson. "Dressed and groomed like a movie star throughout [he] is the biggest obstacle of all to the suspension of disbelief."[19] The critic for the New York Times said "I liked it... the script... has a pungent, savy edge and some amusing dialogue... the colour photography is excellent... three of the youngsters can really act."[20]

Box office

The film was a box office success aired in 30 languages in 150 countries.[21]

A comic book version of the film was also issued.[22]

gollark: This is clear racism. Deploying bees.
gollark: ABR could let people self-assign color roles.
gollark: How exciting.
gollark: People probably can't distinguish that many colors very well. So we can just have a pool of 60 or so.
gollark: You misspelt "more" somehow?

References
  1. CROSS AND THE SWITCHBLADE, The Monthly Film Bulletin; London Vol. 39, Iss. 456, (Jan 1, 1972): 248.
  2. Randall Herbert Balmer, Encyclopedia of Evangelicalism: Revised and expanded edition, Baylor University Press, USA, 2004, p. 744
  3. Terry Lindvall, Andrew Quicke, Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986, NYU Press, USA, 2011, p. 157
  4. Howard Thompson, Pat Boone Plays Preacher-Hero in 'Cross and Switchblade', nytimes.com, USA, June 8, 1972
  5. Allan Anderson, An Introduction to Pentecostalism: Global Charismatic Christianity, Cambridge University Press, UK, 2013, p. 163
  6. Randall Herbert Balmer, Encyclopedia of Evangelicalism: Revised and expanded edition, Baylor University Press, USA, 2004, p. 744
  7. Terry Lindvall, Andrew Quicke, Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986, NYU Press, USA, 2011, p. 157
  8. Pentecostal Narcotic Program Success Cited: Rehabilitation Figures Amazingly High From National Teen Challenge Centers Pentecostal Narcotic Program Success Cited THRAPP, DAN L. Los Angeles Times 14 Apr 1968: g4.
  9. 36 BEST-SELLING RELIGIOUS BOOKS Los Angeles Times 28 July 1975: c3.
  10. Boone p 82
  11. Boone p 83
  12. Mr. Clean of Filmland Los Angeles Times 11 Aug 1970: b1.
  13. Digest Making Movies Fit for Its Readers By PAUL GARDNER Special to The New York Times. 8 Sep 1972: 38.
  14. Youth Rally-Will Feature TV Actor Los Angeles Times 29 June 1969: oc14.
  15. Dennis Hopper's 'Last Movie' By A. H. WEILER. New York Times 12 Oct 1969: D15
  16. Erik Estrada changes his luck with 'CHiPs' Beck, Andee. Chicago Tribune 16 July 1978: i3.
  17. Vagg, Stephen (10 September 2019). "The Surprisingly Interesting Cinema of Pat Boone". Diabolique Magazine.
  18. Verswijver, Leo (Feb 27, 2003). "Movies Were Always Magical": Interviews with 19 Actors, Directors, and Producers from the Hollywood of the 1930s through the 1950s. McFarland. p. 6.
  19. 'Switchblade Goes Into N.Y. Ghettos Thomas, Kevin. Los Angeles Times 3 June 1970: e19.
  20. Pat Boone Plays Preacher-Hero in 'Cross and Switchblade' Thompson, Howard. New York Times 8 June 1972: 61.
  21. Terry Lindvall, Andrew Quicke, Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986, NYU Press, USA, 2011, p. 159
  22. Jughead, Archie and Their Friends Get Religion and Help in Spreading the Word By EDWARD B. FISKE. New York Times 23 Aug 1973: 39.

Notes
  • Boone, Pat (1972). A New life. S John Bacon.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.