The Collaboration: Hollywood's Pact with Hitler

The Collaboration: Hollywood's Pact with Hitler is a 2013 non-fiction book by Ben Urwand. It was published on September 9, 2013 by Belknap Press, an imprint of Harvard University Press. It is about cooperation between 1930s U.S. filmmakers and Nazi Germany.

The Collaboration: Hollywood's Pact with Hitler
First edition cover
AuthorBen Urwand
Audio read byOliver Wyman[1]
Cover artistHulton-Deutsch Collection/Corbis Images[2]
CountryUnited States
LanguageEnglish
SubjectMotion picture industry
Nazi Germany
PublisherBelknap Press
Publication date
September 9, 2013
Media typePrint (hardcover and paperback)
Pages324
ISBN978-0-674-72474-7 (hardcover)
791.430973/0943
LC ClassPN1993.5.G3 U79 2013

According to the book the assistance was done for monetary reasons and because some film industry executives who were Jewish believed that antisemitism would increase if films were too obviously pleading for assistance for Jews.[3] Urwand believes that the studio heads willingly assisted the Nazis.[4] The author argued that the filmmakers feared that German authorities would prohibit American films and put anti-American content in German films if American film companies refused to co-operate, which means American filmmakers would have had no way to have a say in the German market.[5] Edward Helmore of The Observer wrote that "Urwand's interpretation of the relationship is disputed by other scholars of the period."[4]

Ofer Ashkenazi of Hebrew University wrote in a review of the book that in addition to "shameless profit-seeking" the American film executives also considered "a logical, albeit not heroic, survival strategy" as the industry also faced anti-Semitic sentiment.[6]

Background

Archival materials were used as part of the book, including letters.[7]

Reception

Publishers Weekly designated the review with a star and wrote that "Urwand deserves immense credit for this groundbreaking—and truly unique—take on the WWII era."[8]

Kirkus Reviews described it as "a keen, unsettling look" at the subject, and that it "keeps the focus on a few films for an elucidating study."[9]

Melvin Jules Bukiet wrote in The Washington Post that the work shows "two-dimensional pictures of minorly venal minor men" who are "merely humans" and that "Urwand is too eager to find scandal."[3]

David Denby wrote in The New Yorker that the book's conclusions were flawed, stating "I’m surprised that Harvard University Press could have published anything as poorly argued as" the book.[10]

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References

Notes
  1. "The Collaboration (Audiobook) by Ben Urwand". Audible. Retrieved 2019-11-21.
  2. "Markets and the Movie Industry". Harvard Magazine. Retrieved 2019-11-21.
  3. Bukiet, Melvin Jules. ""The Collaboration: Hollywood's Pact with Hitler," by Ben Urwand". Washington Post. Retrieved 2019-10-15.
  4. Helmore, Edward (2013-06-29). "Hollywood and Hitler: did the studio bosses bow to Nazi wishes?". The Observer. Retrieved 2019-10-15.
  5. Ashkenazi, p. 2/4.
  6. Ashkenazi, p. 4/4.
  7. Quinn, Anthony (2013-10-16). "The Collaboration: Hollywood's Pact with Hitler by Ben Urwand – review". The Guardian. Retrieved 2019-10-15.
  8. "The Collaboration: Hollywood's Pact with Hitler". Publishers Weekly. 2013-07-22. Retrieved 2019-10-15.
  9. "THE COLLABORATION". Kirkus Reviews. 2013-07-07. Retrieved 2019-10-15. - Review date is July 15, 2013, while online publishing is July 7, 2013.
  10. Denby, David (2013-09-23). "How Could Harvard Have Published Ben Urwand's "The Collaboration"?". The New Yorker. Retrieved 2019-10-15.


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