The Cinema Travellers

The Cinema Travellers is a 2016 documentary film about the travelling cinemas of India, directed by Shirley Abraham and Amit Madheshiya. The film is produced by Cave Pictures, India, a company co-founded by Shirley Abraham and Amit Madheshiya in 2015. It was pitched at the 2013 Sheffield Doc/Fest MeetMarket. The film premiered as an Official Selection[1] at the 2016 Cannes Film Festival and won L'Œil d'or Special Mention: Le Prix du documentaire. In 2016, it was the only Indian film playing as an Official Selection at Cannes.

The Cinema Travellers
Directed byAmit Madheshiya
Shirley Abraham
Produced byAmit Madheshiya
Shirley Abraham
Written byAmit Madheshiya
Shirley Abraham
CinematographyAmit Madheshiya
Edited byAmit Madheshiya
Shirley Abraham
Production
company
Cave Pictures
Release date
  • May 15, 2016 (2016-05-15) (Cannes)
Running time
96 minutes
CountryIndia
LanguageHindi, Marathi

Story

Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last travelling cinemas of the world running.

Film festivals

The Cinema Travellers had its world premiere on May 15, 2016 at the Salle Buñuel in the Palais des Festival at 2016 Cannes Film Festival. Following that, the film has been invited to play at 2016 Toronto International Film Festival, and 2016 New York Film Festival, becoming the only Indian documentary film to achieve this rare trifecta of topmost film festivals.

Cannes Film Festival May 2016 Official Selection (Winner)
Sydney Film Festival June 2016 Official Selection
Toronto International Film Festival Sep 2016 Official Selection
Batumi International Art House Film Festival Sep 2016 Winner
Vilnius Documentary Film Festival Sep 2016 Opening Film
New York Film Festival Oct 2016 Official Selection
New Hampshire Film Festival Oct 2016 Winner
Busan International Film Festival Oct 2016 Official Selection
Mumbai Film Festival Oct 2016 Winner
Guelph Film Festival Nov 2016 Opening Film
Canberra International Film Festival Nov 2016 Closing Film
Hawaii International Film Festival Nov 2016 Winner
Denver Film Festival Nov 2016 Official Selection
International Documentary Festival of Amsterdam Nov 2016 Official Selection
Anchorage International Film Festival Dec 2016 Winner
Dubai International Film Festival Dec 2016 Official Selection
Kochi Biennale, Artist's Cinema Dec 2016 Opening Film
Göteborg Film Festival Jan 2017 Official Selection
Docedge Feb 2017 Opening Film
CPH:DOX Mar 2017 Artists and Auteurs
Chiayi International Art Doc Film Festival Mar 2017 Past at Present
Ljubljana Doc Film Festival Mar 2017 Closing Film
DOC10 Apr 2017 Ten essential documentary gems
Royal Anthropological Institute Film Festival Apr 2017 Winner
Festival International de Films de Fribourg Apr 2017 A cinematic cabinet of curiosities

Reception

The Cinema Travellers premiered at Cannes Film Festival to a rousing response. The first audiences of the film gave it a standing ovation. Glowing press reviews followed. Graham Fuller of Screen Daily declared, “Whatever masterpieces, if any, bow at this year’s Cannes Film Festival, it is likely none will communicate the excitement engendered by movies more headily than The Cinema Travellers.” He lauded the film for being “rigorous, aesthetically and intellectually.” [2] E. Nina Rothe of The Huffington Post called it a “masterpiece,” and further, “a film from the heart and a testament to everything humanity should believe in wholeheartedly.”[3] Nick Schager of Variety found the film an “intimate, poignant documentary.” Schager wrote, “Recalling Giuseppe Tornatore’s 1988 Oscar winner “Cinema Paradiso” in its effusive love of 20th-century celluloid splendor, this five-years-in-the-making film should entice theatrical-loving cinephiles.”[4] The film’s narrative form drew attention from reviewers. Benjamin Lee of The Guardian gave it four stars and wrote “There’s not a moment that feels forced or tweaked to ensure an emotional beat gets checked off, which results in both immersion and authenticity at every stage of the film.” He summed up the film as “evocative, subtle and heartfelt”.[5] David Ehrlich of Indiewire called the film, “wise and wistful.”[6] Alex Ritman of The Hollywood Reporter wrote, “Its triumph lies in how it also captures the magic of this unique, collective movie-watching experience.” [7] Rating the film 9.5 on 10, Alex Billington of First Showing found the film, “jaw dropping,” and wrote, “Everyone else who loves the cinematic experience as much as I do needs to revel in the glory of this doc.” [8]Tom Brook of BBC Talking Movies[9] interviewed the directors in Cannes and included the film in his special coverage from the festival. LA Times included the film in its wrap-up report from Cannes calling it one of “The most involving films on film history.” [10]

Shirley Abraham and Amit Madheshiya with Gianfranco Rosi, president of the L’Oeil d’or jury – Cannes Documentary Award

Awards
Cannes Film Festival L'Œil d'or: Le Prix du documentaire Special Mention May 2016
Batumi International Art House Film Festival Best Documentary Award Sep 2016
New Hampshire Film Festival Grand Jury Award Oct 2016
Mumbai Film Festival Young Critics' Choice Award Oct 2016
Mumbai Film Festival India Gold Special Mention Oct 2016
Hawaii International Film Festival Golden Orchid Award for Best Documentary Nov 2016
Anchorage International Film Festival Doc Jury Award Dec 2016
Royal Anthropological Institute Film Festival Audience Prize April 2017
Documentary Edge Festival Special Mention: Best International Director May 2017
National Film Awards India Special Jury Award: Best Non Fiction Film May 2017
Indian Film Festival Stuttgart Best Documentary July 2017
Festival Du Film D'asie Du Sud Student Jury Prize Oct 2017
Santa Cruz Film Festival Festival Director's Award Oct 2017
Weyauwega International Film Festival Best Documentary Feature Nov 2017
gollark: osmarksCA™ is environmentally friendly, ethical, not yellow or magenta, available in plain text, award-winning, and accessible.
gollark: Don't worry: we're contractually bound to not use it for evil.
gollark: Exciting news: you can now add osmarksCA™ to your browsers!
gollark: https://media.discordapp.net/attachments/426116061415342080/899212559134130196/Screenshot_20211016-125326321_1.jpg?width=793&height=623
gollark: It's also trying to use TLS 1.1 and 3DES.

References
  1. "Festival de Cannes 2016". Festival de Cannes 2016. Retrieved 2016-08-28.
  2. "'The Cinema Travellers': Cannes Review". Retrieved 2016-08-28.
  3. Activist, E. Nina Rothe Cultural (2016-05-10). "Five Reasons I'm Sad to Miss the Cannes Film Festival... and a Few Why I'm Not". The Huffington Post. Retrieved 2016-08-28.
  4. Schager, Nick (2016-05-15). "Cannes Film Review: 'The Cinema Travelers'". Retrieved 2016-08-28.
  5. Lee, Benjamin (2016-05-16). "The Cinema Travellers review – intimate documentary is ode to enduring power of film". The Guardian. ISSN 0261-3077. Retrieved 2016-08-28.
  6. Ehrlich, David (2016-05-16). "Cannes Review: Wise Doc 'The Cinema Travelers' Finds the Future of Film in the Remote Corners of India". Retrieved 2016-08-28.
  7. "Cannes Hidden Gem: 'Cinema Travelers' Captures a Fading Film Tradition". Retrieved 2016-08-28.
  8. "Cannes 2016: 'The Cinema Travelers' Doc Profiles a Passion for 35mm". Retrieved 2016-08-28.
  9. Brook, Tom. "Talking Movies". www.bbc.com. Retrieved 2016-08-28.
  10. Times, Los Angeles. "'I, Daniel Blake' wins Cannes' Palme d'Or as a jury goes its own way". latimes.com. Retrieved 2016-08-28.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.