The Boy Inside

The Boy Inside (王様とボク, Osama to Boku, lit. "The King and I") is a 2012 Japanese film directed and written by Tetsu Maeda. It is Maeda's thirteenth film, and the plot centers on a teenager named Morio who has the IQ of a 6-year-old and his childhood friend who tries to get him to fit into the society. This film is based on the manga with same name by Yamada Naito. The film was released in Japan on September 22, 2012.

The Boy Inside
Directed byTetsu Maeda
Produced byYosuke Miyake
Yasumasa Osada
Motoo Kawabata
Shuji Omata, Satoshi Akagi
Written byTetsu Maeda
StarringMasaki Suda
Tori Matsuzaka
Hiroki Aiba
Fumi Nikaidō
Shunsuke Murata
Music byYoka Seijishio
CinematographyYoko Itakura
Distributed byUnited Entertainment
Release date
  • September 22, 2012 (2012-09-22)
Running time
84 minutes
CountryJapan
LanguageJapanese

Plot

The story involves of three boys. They were all friends since they were little. One day, something which changed their entire life had happened. One of the boys called Morio, a six-year-old boy, fell from the swing when they were playing. He remained unconscious for about 12 years in a hospital. Morio’s friends and family tried to escape from the tragedy and forget about this accident. The other two boys, Mikihiko and Tomonari, had grown up and nearly forgot about Morio. Finally, Morio woke up and regained consciousness suddenly. However, Morio’s intelligence quotient stayed at 6 years old. Mikihiko decided to help Morio to catch up with the society. Therefore, Mikihiko had to sacrifice a lot of things in order to spend time and look after Morio, for instance, he broke up with his girlfriend Kie, quitted university and his free time etc. Nevertheless, Mikihiko failed to let Morio became accustomed to the society because Morio still had a childish and naive heart. Morio came back to the hospital and Mikihiko continued to live his own life at the end. Eventually, Mikihiko realised that everyone, even the ones who are childish as Morio could not escape from the reality of growing up and has to face the world which was ugly as sin.

Manga

This movie is adapted from a Japanese manga with the same name, “The Boy Inside”, created by Yamada Naito, who writes in both Japan and France. The manga was first published in 1992 in Weekly Young Sunday (Shogakukan) and reissued in 1997 and was announced to be released in the form of movie in September 2012.[1][2]

Theme

“After being hurt and getting lost, we become adults.”, wrote on the movie's promotional poster. The film talks about various difficulties each teenager faces when they are about to turn to an adult. It focuses on the emotional struggles of teenage life.

It is believed that each teenager has a period of time which they experience the feeling of confusion and reluctance to be a grown up. They refuse to become an adult because they know being an adult is different. Like those young friends of Morio in the film, they refused to make friends with Mikihiko, since he’s an adult. They regard adults as devils and are not willing to let Morio go with Mikihiko when they are having party.

This is a struggle occurs inside every teen/child's heart. They don't understand an adult's way of life which is always fully scheduled with work and social life, but not genuine fun and innocent games. They try their best to fight with the changes when they grow up. But it is hard because sometimes life would leave you no choice but to follow the mainstream. Even though you are not willing to, one day you will find yourself engaged in the adult's life, like Morio in the film. Though he only possess the mind of a 6-year-old, he eventually took off his “crown”, his party hat, indicating giving up of his childhood.

Also, it is awkward for Mikihiko to try his best to make contact with Morio after he woke up. This implies that the grown-ups are often eager to search for the innocence once they had but the fact is they always fail to do so as they have lost in the huge wheel of adults’affairs.

Cast

Soundtrack

The theme song of the movie is"ours~ Our Footprints" (『ours～ボクらの足跡～』 ) by Good Coming.

gollark: It doesn't make it clearer because you (can) miss the important special bits and might just skim over errors in essentially-copy-pasted error handling/synchronization/etc.
gollark: Go makes basically *everything* more explicit and verbose compared to modern high level languages generally.
gollark: Go is very explicit about some things, but having verbosity everywhere cloaks what you actually want to do in vast amounts of boilerplate.
gollark: I would prefer some sort of parallel `map` function, but Go literally will not let you write one. With that, you could just do `urls.par_map(rss.fetch_feed)` (pseudorustaceocode) or something, thus skipping fiddly and problematic sync stuff and making your *intent* clearer.
gollark: I think they're overused and not actually very good synchronization primitives. Please explain how you would use them.

References
  1. Manga News Archived 2013-07-02 at the Wayback Machine
  2. YESASIA: Osama to Boku (in Chinese)
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