The Blood Demon

The Blood Demon (Die Schlangengrube und das Pendel in West Germany), also known as The Torture Chamber of Dr. Sadism, The Snake Pit and the Pendulum,[4] and Castle of the Walking Dead, is a 1967 West German horror film directed by Harald Reinl and starring Christopher Lee, Karin Dor, and Lex Barker.[5][6]

The Blood Demon
German theatrical release poster
Directed byHarald Reinl
Produced byErwin Gitt
Screenplay byManfred R. Köhler
Based onThe Pit and the Pendulum
by Edgar Allan Poe
Starring
Music byPeter Thomas
Cinematography
  • Ernst W. Kalinke
  • Dieter Liphardt
Edited byHermann Haller
Production
company
Distributed by
Release date
  • 5 October 1967 (1967-10-05) (West Germany)
  • 21 May 1969 (1969-05-21) (United States)
Running time
81 minutes[3]
CountryWest Germany
Language
  • English
  • German

The film, written by Manfred R. Köhler, is based on Edgar Allan Poe's 1842 short story The Pit and the Pendulum and concerns the saga of Count Regula (Lee) who, after being drawn and quartered for murdering 12 maidens, returns to life seeking revenge.[7] The film was advertised in Rhode Island newspapers as Crimson Demon, due to a practice at the time of deleting the word "Blood" from film titles.[7]

It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Gabriel Pellon and Rolf Zehetbauer.

Plot

The setting in time is the 18th century, and the probable story location is Germany.[8] Baroness Lilian von Brabant and her lawyer Roger Mont Elise receive an invitation to the Blood Castle,[9] in Sander Valley, where a large inheritance is awaiting the Baroness. Both decide to go; the Baroness because of the inheritance and Roger seeing a chance to get more information regarding his birth.[9] Upon arriving at the valley, they meet the monk Fabian, who has a proclivity for profanities. Fabian offers to assist them in finding their way to the castle, the place where, 40 years ago, Count Regula had murdered 12 virgin maidens, in an attempt to use their blood to achieve immortality.[2][10] However, he was one maiden short of his goal,[2][1] and he was drawn, quartered and beheaded for his crime.[11][10] As he was dying, the Count threatened revenge against those responsible for his death.[12]

On their way to the castle, passing through a dead forest full of corpses, with human limbs and torsos hanging from the dead tree branches,[13] they get attacked by mysterious hooded creatures riding horses who try to abduct the women. Despite Roger's successful efforts to protect the Baroness and her maid Babette from the creatures,[11] the two women mysteriously vanish. Fabian, who is revealed to be a robber rather than a monk, is so terrified by the unexplained disappearance of the women that he offers to help Roger find them. The two men finally locate the women locked in an iron chamber at Blood Castle, although they get caught before they can rescue them.[11][10]

External shots for the film were taken at the medieval town of Rothenburg ob der Tauber.[14]

After their capture, the Count's evil, green-blooded[12] servant Anatol informs the two men that he is planning to bring the Count back to life after 40 years.[12] Anatol, using his own green blood,[13] finally achieves his goal of reviving the Count.[12] Following his resurrection, the Count appears to the prisoners wearing an iron mask, informing the men that he needs the blood of maiden number 13 to achieve his goal of immortality. The maiden is revealed to be the Baroness.[10]

After the pronouncements by the Count, the prisoners make an escape attempt, but they are unsuccessful. As punishment, the Baroness is locked into a snake and spider pit, where she loses her sanity. Roger, imprisoned in a pit with a pendulum, manages to overcome the odds and survive. He also recovers the diamond-encrusted cross of the Baroness, which he uses to destroy the Count and Anatol, finally succeeding in freeing the prisoners. The Baroness recovers and falls into Roger's embrace, while Fabian leaves the crumbling castle with Babette.[11][10]

Cast
  • Christopher Lee as Count Regula
  • Karin Dor as Baroness Lilian von Brabant
  • Lex Barker as Roger Mont Elise / Roger von Marienberg
  • Carl Lange as Anatol
  • Dieter Eppler as the Coachman
  • Christiane Rücker as Babette
  • Vladimir Medar as Peter Fabian
  • Klaus W. Krause (uncredited) as Voice of Peter Fabian
  • Horst Naumann (uncredited) as Voice of Roger Mont Elise / Roger von Marienberg
  • Bruno W. Pantel (uncredited) as Voice of Moritatensänger
  • Herbert Weicker (uncredited) as Voice of Count Frederic Regula / Graf von Andomai

Release

The film was distributed as a single bill until Kane W. Lynn, president of low-budget distribution company Hemisphere Pictures, combined it in a double feature with the film Mad Doctor from Blood Island.[7][10]

Critical reception
The Externsteine in the Teutoburg Forest appear in the film.[15]

TLA Video & DVD Guide describes the film as "an effective bit of Grand Guignol".[5] European Nightmares: Horror Cinema in Europe Since 1945 describes it as "a more traditional Gothic Horror film".[16]

Halloween calls it a "delight for hardcore adult fans",[17] and the Katholisches Institut für Medieninformationen includes the description of the film as a "German attempt at a horror film by Edgar Allan Poe, more laughable than creepy".[18]

Fright Night on Channel 9 calls it "a really great double feature" when seen as a double bill with Mad Doctor from Blood Island.[19] The review goes on to mention that the film "dripped with a rich and evocative Euro-atmosphere" and that "this flick defines the term" and calls it a "Wizard of Oz-like journey into horror". The review also calls the film a "skillful blend of horror and adventure" and a picture which offers "creepy delights" such a "forest of hanging corpses", "a castle full of torture traps" and a "sinister one-legged messenger on a cobbled village street".[10]

According to TV Guide, the plot was weak but the film had "fascinating visuals" including an "eerie forest of the dead".[2] Monsters & Vampires mentioned that "the movie had some good chilled moments, particularly a ghostly ride through a literally dead forest, with branches filled with severed limbs and torsos."[13] Film critic Leonard Maltin described the film as "atmospheric".[8]

Newspaper practice

In the state of Rhode Island in the United States, as well as some other U.S. states, a practice was adopted by newspapers of the era under which the word "Blood" was deleted from the title of film advertisements and another was substituted in its place. Film titles such as Blood Demon became Crimson Demon, Mad Doctor from Blood Island became Mad Doctor from Crimson Island, and Blood of Dracula's Castle became Red of Dracula's Castle, the only exception being Roger Corman's film Bloody Mama which retained its original title. The newspapers, when faced with enquiries regarding this unusual advertising practice, did not provide any answers. Theater managers were indifferent to the policy because it did not seem to have an impact at the box office.[7]

gollark: <@218047149512982531> * bytes
gollark: ?remind 1y "Initiate Protocol 137-Theta"
gollark: * TCPUNCH
gollark: Maybe running punching at layer 5 or 6 might make more sense, actually.
gollark: Perhaps an extension to HTTP with a PUNCH method, like the HTCPCP.

See also

References
  1. Peter Cowie (1977). World Filmography: 1967. Fairleigh Dickinson Univ Press. p. 154. ISBN 978-0-498-01565-6.
  2. "The Blood Demon". TV Guide.
  3. "BLOOD DEMON (X)". British Board of Film Classification. 16 October 1969. Retrieved 24 March 2016.
  4. Barb Karg; Arjean Spaite (17 December 2008). The Everything Vampire Book: From Vlad the Impaler to the Vampire Lestat - A History of Vampires in Literature, Film, and Legend. Everything Books. p. 224. ISBN 1-4405-0169-6.
  5. David Bleiler (8 April 2014). TLA Video & DVD Guide 2005: The Discerning Film Lover's Guide. St. Martin's Press. pp. 3175–3176. ISBN 978-1-4668-6782-6.
  6. Dawn B. Sova (1 January 2007). Critical Companion to Edgar Allan Poe: A Literary Reference to His Life and Work. Infobase Publishing. p. 143. ISBN 978-1-4381-0842-1.
  7. Fred Olen Ray (1 January 1991). The New Poverty Row: Independent Filmmakers as Distributors. McFarland. p. 74. ISBN 978-0-89950-628-9.
  8. Michael Klossner (1 January 2002). The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 Through 2000. McFarland & Company. p. 342. ISBN 978-0-7864-1223-5. The 18th century; probably Germany. A doctor executed for mass murder is resurrected and tries to wipe out the last survivors in the families of his enemies. The connection to the Poe story was very loose. Maltin found it atmospheric.
  9. Don G. Smith (1999). The Poe Cinema: A Critical Filmography of Theatrical Releases Based on the Works of Edgar Allan Poe. McFarland & Company. pp. 176–177. ISBN 978-0-7864-0453-7. ... Baroness Lilian and her attorney, Roger, are invited by a mysterious messenger to the legendary Blood Castle (former home of Count Regula). Since Roger hopes to learn the secret of his birth and Lilian hopes to receive ...
  10. James Arena (13 December 2011). Fright Night on Channel 9: Saturday Night Horror Films on New York's WOR-TV, 1973-1987. McFarland. pp. 88–90. ISBN 978-0-7864-8891-9.
  11. The American Film Institute Catalog of Motion Pictures Produced in the United States. University of California Press. 1997. p. 103. ISBN 978-0-520-20970-1. Horror film. Inspired by: Edgar Allan Poe, "The Pit and the Pendulum," in The Gift (Philadelphia. 1843). Forty years after Count Regula is beheaded and dismembered for murdering 12 virgins. Baroness Lilian von Brandt, her maid, Babette, and ...
  12. Robert W. Pohle; Douglas C. Hart; Christopher Lee (1983). The Films of Christopher Lee. Scarecrow Press. p. 115. ISBN 978-0-8108-1573-5. However, a green-blooded supernatural creature named Anatol (Lange) greets them, and explains that he intends to revive Count Regula. In due course, Anatol accomplishes just this —with blood. Finally, the travelers meet Count Regula, ...
  13. Alan G. Frank (1976). Monsters & Vampires. Cathay Books. p. 47. ISBN 978-0-86178-119-5. Lee is Count Regula, executed by being hanged, drawn and quartered for the murder of a dozen virgins and brought to life again by the transfusion of green blood provided by his faithful retainer Anatol! Lee is Count Regula, executed by being hanged, drawn and quartered for the murder of a dozen virgins and brought to life again by the transfusion of green blood provided by his faithful retainer Anatol! The movie had some good chilled moments, particularly a ghostly ride through a literally dead forest, with branches filled with severed limbs and torsos.
  14. "Von Kaspar Hauser bis Harry Potter: Rothenburg ob der Tauber ist beliebte Filmkulisse". Tagblatt.de (in German).
  15. "NATUR, GESCHICHTE UND KINDERABENTEUER - DER TEUTOBURGER WALD". Bad Pyrmont. Der Standort der Adlerwarte zwischen Externsteine und Hermannsdenkmal zog in kürzester Zeit viele Besucher an. In den fünfziger Jahren erlangte die Adlerwarte Weltruhm durch die bekannten Filme wie "Die Schlangengrube und das Pendel"
  16. Patricia Allmer; Emily Brick; David Huxley (2012). European Nightmares: Horror Cinema in Europe Since 1945. Columbia University Press. p. 182. ISBN 978-0-231-16209-8.
  17. LEONARD R. N. ASHLEY (21 June 2012). Halloween. Xlibris Corporation. p. 478. ISBN 978-1-4691-7950-6.
  18. Film-Dienst. 46. Katholisches Institut für Medieninformationen, Katholische Filmkommission für Deutschland. 1993. p. 7. Deutscher Versuch eines Horrorfilms nach E. A. Poe, eher lachhaft als gruselig
  19. James Arena (13 December 2011). Fright Night on Channel 9: Saturday Night Horror Films on New York's WOR-TV, 1973-1987. McFarland. p. 50. ISBN 978-0-7864-8891-9.
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