Polyptych

A polyptych (/ˈpɒlɪptɪk/ POL-ip-tik; Greek: poly- "many" and ptychē "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts; pentaptych five; hexaptych six; heptaptych (or septych in Latin) seven; octaptych eight parts; enneaptych nine; and decaptych has ten parts.

This article is about the art format. For the medieval document concerning lands, see Polyptych (document).
Opened view of the Ghent Altarpiece: Jan van Eyck (1432). There is a different view when the wings are closed.

Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes.

Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers of Edo period Japan.

Some medieval manuscripts are polyptychs, particularly Carolingian works, in which the columns on the page are framed with borders that resemble polyptych paintings.

Examples
gollark: *I* could take some time out of my busy minoteaur-making schedule to make macron, I suppose.
gollark: Interesting. Why?
gollark: ubq is going to make *both* to mock you.
gollark: ubq, *your* arbitrary input on this arbitrary and nigh-meaningless technical choice?
gollark: You don't have the authority.

See also
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