Teo Otto
Teo Otto (1904–1968) was a Swiss stage designer.[1] He trained in Kassel and Paris and in 1926 taught at the Bauhaus in Weimar.[2] In 1928 he became an assistant at the Berlin Staatsoper.[2] Following the Nazis' seizure of power in Germany, he returned to Switzerland where he was resident designer at the Zürich Schauspielhaus for 25 years.[2]
Theatre designs
- 1930: première of The Decision by Bertolt Brecht; directed by Slatan Dudow at the Großes Schauspielhaus in Berlin[3]
- 1941: première of Mother Courage and her Children by Bertolt Brecht; directed by Leopold Lindtberg at the Schauspielhaus Zürich[4]
- 1943: première of The Good Person of Szechwan by Bertolt Brecht; directed by Leonard Steckel at the Schauspielhaus Zürich[5]
- 1943: première of Life of Galileo by Bertolt Brecht; directed by Leonard Steckel at the Schauspielhaus Zürich[6]
- 1948: première of Mr Puntila and his Man Matti by Bertolt Brecht; directed by Kurt Hirschfeld and Brecht at the Schauspielhaus Zürich[7]
- 1949: Mother Courage and her Children by Bertolt Brecht; directed by Brecht and Erich Engel at the Deutsches Theater in Berlin[8]
- 1956: The Good Person of Szechwan by Bertolt Brecht; directed by George Devine at the Royal Court Theatre in London[5]
- 1956: The Good Person of Szechwan by Bertolt Brecht; directed by Eric Bentley at the Phoenix Theatre in New York City[5]
- 1957: The Visions of Simone Machard by Bertolt Brecht; directed by Harry Buckwitz at the Schauspiel Frankfurt[9]
gollark: But I don't think it's very sensible in either the "full state control of the economy" or "communes or something and magically getting along" senses.
gollark: People seem to disagree on how "communism" is actually defined a lot.
gollark: Do you have a version of that political compass which can actually be read?
gollark: 1. open python2. write code3. run code4. your code does not work5. all is suffering
gollark: > they are too moderateYes, how dare they not agree precisely with your specific something leaning views.
References
- Banham (1998, 830).
- Baugh (1994, 252).
- Baugh (1994, 240) and Willett (1997, xv).
- Needle and Thomson (1981, 143-144).
- Willett (1967, 51).
- Willett (1967, 47).
- Willett (1967, 52).
- Willett (1967, 48).
- Willett (1967, 54).
Sources
- Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge UP. ISBN 0-521-43437-8.
- Baugh, Christopher. 1994. "Brecht and Stage Design: the Bühnenbildner and the Bühnenbauer." In Thomson and Sacks (1994, 235-253).
- Needle, Jan and Peter Thomson. 1981. Brecht. Chicago: U of Chicago P; Oxford: Basil Blackwell. ISBN 0-226-57022-3.
- Thomson, Peter and Glendyr Sacks, eds. 1994. The Cambridge Companion to Brecht. Cambridge Companions to Literature Ser. Cambridge: Cambridge UP. ISBN 0-521-41446-6.
- Willett, John. 1967. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Third rev. ed. London: Methuen, 1977. ISBN 0-413-34360-X.
- ---. 1997. Introduction. Collected Plays: Three. By Bertolt Brecht. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen. ix-xxvi. ISBN 0-413-70460-2.
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