Tatum (music)

A tatum is a feature of music that has been variously defined as: "the smallest time interval between successive notes in a rhythmic phrase",[1] "the shortest durational value [...] in music that [is] still more than incidentally encountered",[2] "the smallest cognitively meaningful subdivision of the main beat",[3] and "the fastest pulse present in a piece of music".[4] "In Western notation, tatums may correspond typically to sixteenth- or twenty-fourth-notes",[3] or thirty-second notes.[4]

More technically, a tatum is the "lowest regular pulse train that a listener intuitively infers from the timing of perceived musical events: a time quantum. It is roughly equivalent to the time division that most highly coincides with note onsets".[5] The tatum allows a musician's deviation from an ensemble's tempo (which may be implied or explicitly played) to be quantified: mathematically, "a deviation function determines the amount of time that an event metrically falling on a particular tatum should be shifted when performed".[1]

The existence of the tatum allowed human perception of music to be more closely modelled by algorithms.[6] This was important in the development of software for Echo Nest, which underlies several music streaming services.[6]

The term was coined by Jeff Bilmes in an MIT Master's thesis, Timing Is of the Essence, published in 1993, and is named after the influential jazz pianist Art Tatum, "whose tatum was faster than all others".[1][7]

Notes
  1. Bilmes, Jeff A. (1993), "Techniques to Foster Drum Machine Expressivity", Proc. Int. Comp. Music Conf., pp. 276–283, CiteSeerX 10.1.1.76.1189
  2. Klapuri, Anssi P. (2003), "Musical Meter Estimation and Music Transcription", Proc. Cambridge Music Processing Colloquium, pp. 40–45, CiteSeerX 10.1.1.77.8559
  3. Iyer, Vijay; Bilmes, Jeff; Wright, Matt; Wessel, David (1997), "A Novel Representation for Rhythmic Structure", Proceedings of the 23rd International Computer Music Conference. Thessaloniki, Hellas, CiteSeerX 10.1.1.26.9273
  4. McLeod, Andrew; Steedman, Mark (2018), "Meter Detection and Alignment of MIDI Performance", 19th International Society for Music Information Retrieval Conference. Paris, France, pp. 113–119, CiteSeerX 10.1.1.26.9273
  5. Tristan Jehan, Creating Music by Listening. PhD Thesis, MIT 2005, section 3.4.3
  6. Walker, Kyle (November 9, 2015). "How Machine Learning and Jazz Piano Luminary Art Tatum Power Online Radio". Inverse.
  7. Bilmes, Jeffery Adam (6 August 1993). "Timing is of the Essence" (PDF). washington.edu. Washington University. Retrieved 11 January 2017. When I asked Barry Vercoe if this concept had a term, he felicitously replied 'Not until now. Call it temporal atom, or tatom.' So, in honor of Art Tatum, whose tatum was faster than all others, I chose the word tatum.


gollark: There are GTech™ facilities there.
gollark: Well, had, they're obsolete now.
gollark: We already have those.
gollark: Actually, it's that they can run certain critical components of GTech™ bee synthesis engines.
gollark: You can't on my stuff, the screens are quite dark.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.