Tahir Salahov
Tahir Salahov (Azerbaijani, in full: Tahir Teymur oğlu Salahov, Russian: Таир Теймур Салахов; born 29 November 1928, Baku) is a Soviet, Azerbaijani and Russian painter and draughtsman. First Secretary of the Union of Artists of the USSR (1973–1992), Vice-President of the Russian Academy of Arts, member of over 20 academies and other creative organizations throughout the world, including academies of art of France, Spain, Germany, Austria, etc.
Tahir Salahov | |
|---|---|
 | |
| Born | Tahir Teymur oğlu Salahov 29 November 1928 Baku, Azerbaijan SSR, Soviet Union |
| Nationality | Azerbaijani |
| Movement | Realism |
Biography
His father Teymur Salahov had been a victim of Stalin's repressions, having been arrested in 1937 and executed shortly after. His mother Sona was left to bring up four children on her own but the family didn't learn of their father's death until 1956 after Stalin's death.[1]
Tahir Salahov studied at the Azimzade Art College in Baku in 1945–1950 and the Surikov Moscow Art Institute in 1951–1957. Salahov won an early recognition: his diploma work, The Shift is Over, was exhibited in 1957 at the Moscow All-Union Art Exhibition and received public and critical acclaim. He became one of the leading representatives of the so-called "severe style" (Russian: "суровый стиль"), a trend in Soviet art of the 1960s that aimed to set off a hard, publicist, realist view against the ceremonial "polished reality" of the Joseph Stalin era. Salahov's compositions on the life and work of the Baku oil-workers (e.g. "Repair Men", 1961, Mustafayev Azerbaijan State Museum of Art, Baku) and portraits, e.g., of Azerbaijani composer Kara Karayev (1960, Tretyakov Gallery, Moscow), and Soviet composer Dmitri Shostakovich (1976, Tretyakov Gallery, Moscow), are characterized by a forcefulness and lack of idealization. Salahov chose a sparing palette of contrasting red, black, light- and dark-grey tones and gave colored plains a decorative function.
His later works are more peaceful and lyrically contemplative, and Eastern influences are more apparent, as in Portrait of Grandson Dan (1983, Azerbaijan State Museum of Art), in which the composition and colouring are subordinate to the flowing rhythms of Eastern medieval miniatures. His lines became smoother and more melodious, his palette more sophisticated. Many of his most successful works are associated with his impressions of foreign countries (e.g., Mexican Corrida; 1969, Mustafayev Azerbaijan State Museum of Art). He also produced expressive drawings and stage designs. In 1998, Salahov was appointed an Academician of the National Academy of Arts of the Kyrgyz Republic, alongside fellow artists Durdy Bayramov, Suhrob Kurbanov, Turgunbai Sadykov, and Erbolat Tolepbai.
Today Salahov lives in Moscow, where he is a professor and has a studio at the Moscow Art Institute.
Awards
Gallery
For You, Humanity! (1961)
See also
External links
- Salahov’s paintings at AZgallery.org
- "Tahir Salahov, A Hint of Red - Pushing the Limits of Socialist Realism" by Azad Sharifov and Jean Patterson in Azerbaijan International, Vol 7:2 (Summer 1999), pp. 51-54.]
- "Oil Rocks in the Caspian: Birthplace to a New Trend in Soviet Art," by Betty Blair in Azerbaijan International, Vol. 14:2 (Summer 2006), pp. 46–55
- "Deafening Silence: Waiting 18 Years for Father to Return Home" by Tahir and Zarifa Salahov in Azerbaijan International, Vol. 13.4 (Winter 2005), pp. 80–87.
- Salahov in Russian Academy of Arts (in Russian)
- Azeri Artists Take on the World
