Symphony No. 3 (Garayev)

Gara Garayev's Symphony No. 3 was composed in 1964. It was the last of the composer's three numbered symphonies and it marks a development from his two previous contributions to the genre, composed in the mid-1940s during his studies in the Leningrad Conservatory under Dmitri Shostakovich.[1] It was one of the first serial symphonies composed in the Soviet Union, fusing the twelve-tone technique with Azerbaijani folk music influences in the ashug tradition in the frame of a classical structure, attempting to find to new ways of artistic expression, new principles of form and construction, and, most notably, new means of expressive musical language and wanting to prove that strictly following the twelve-tone technique it is possible to write nationalistic music, and not simply nationalistic, but specifically ashug according to the composer.[2]

The symphony is scored for a chamber orchestra and it lasts c. 25 minutes, consisting of four movements:

  1. Allegro moderato
  2. Allegro vivace
  3. Andante
  4. Allegro

Recordings
gollark: The results I saw from pressing it pretty fast manually were consistent with both it not moving you up much and what it actually was.
gollark: I pressed it very fast but that was bees.
gollark: Just made you go up, but not very high.
gollark: ... Yes, I was.
gollark: Perhaps.

References
  1. List of works Archived 2006-04-14 at the Wayback Machine in Onno van Rijen's Shostakovich & other Soviet composers page
  2. Booklet notes by Anastasia Belina to the Russian Philharmonic - Yablonsky Naxos release, 8.570720
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.