Sylvia Olden Lee

Sylvia Olden Lee (June 29, 1917 – April 10, 2004) was an American vocal coach and accompanist. She was the first African-American to be employed by the Metropolitan Opera. Her fields of expertise were European classical music and Negro spirituals.

Biography

Lee was born in Meridian, Mississippi. Her father, James Clarence Olden, was a member of the Fisk Quartet, which included Roland Hayes. She studied piano and organ at Howard University and Oberlin Conservatory.

Among the highlights of her career:

  • She was invited to play at the White House for the inauguration of Franklin Delano Roosevelt (1933).
  • In 1942, she toured with Paul Robeson.
  • In 1954, after being hired as vocal coach for the Metropolitan Opera, she was the impetus for the historic invitation to African-American contralto Marian Anderson to perform in Giuseppe Verdi's Un Ballo in Maschera.
  • In 1956, she began studies with famed German tenor Gerhard Huesch.

Lee taught at a number of universities, including the Curtis Institute of Music.

Lee's brother was the prominent African-American graphic designer Georg Olden. In 2017, Lee was commemorated in a concert at Carnegie Hall, sponsored by the Foundation for the Revival of Classical Culture. [1]

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gollark: This is of course silly, because:- there are many more possible gods than the rewards-you-for-belief-in-your-specific-thing- it is possible that a god will punish you for "insincere" wager-driven belief
gollark: Basically, it's the idea that, since there's a chance of god existing, and if they do you'll get infinite happiness if you do believe or infinite suffering if you don't, but if they don't exist you'll not lose much by believing anyway.
gollark: I can provide a brief summary I guess.
gollark: Religion informs people's actions. *It is relevant*.

References

  1. "Tribute to Sylvia OIden Lee". Carnegie Hall. Retrieved 23 September 2018.

Further reading

  • Sylvia Olden Lee & Elizabeth Nash. The Memoirs of Sylvia Olden Lee: Premier African-American Vocal Coach. Edwin Mellen Press, 2001.
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