Susan Smith-Pinelo

Susan Smith-Pinelo is an African-American artist noted for her work in video and performance. She lives and works in Washington, DC.[1]

Susan Smith-Pinelo
NationalityAmerican
Alma materOberlin College (BFA), Columbia University (MFA)
Known forcontemporary art, video

Education

Smith-Pinelo received a B.F.A. from Oberlin College in 1991.[2] She received a M.F.A. from Columbia University[3] in 2000.

Work

Susan Smith-Pinelo's work challenges conceptions of black identity and gender in rap music,[4] and is particularly concerned with questioning the misogyny of the genre.[5] For example, her 2001 Studio Museum in Harlem installation Sometimes has a close-up video of a black woman's breasts with a necklace saying "ghetto" around her neck dancing to music which sounds through the museum. Sometimes plays with form in order to "confront perceptions of black identity and femininity."[6]

Awards and fellowships

Among the honors which Susan Smith-Pinelo has earned are:

Joan Sovern Sculpture Award (1999)[2]

Selected exhibitions

Susan Smith-Pinelo’s work has been featured in exhibitions at numerous galleries and institutions including:[7]

  • Musée d'Art Moderne de la Ville de Paris, Paris, France Playback (2007)
  • Zachęta National Gallery of Art, Warsaw, Poland black alphabet (2006)
  • Bronx Museum of the Arts, New York City, USA Music/Video (2006)
  • Museum Villa Stuck, Munich, Germany One Planet Under A Groove (2003)
  • Longwood Arts Project, New York City, USA DL: The “Down Low” in Contemporary Art (2003)
  • The Corcoran Gallery of Art, Washington, DC, USA Fantasy Underfoot - The 47th Biennial Exhibition (2002)
  • Carnegie Museum of Art, Pittsburg, USA Forum - Hello, My Name Is... (2002)
  • Bronx Museum of the Arts, New York City, USA One Planet Under a Grove: Hip Hop and Contemporary Art (2001)
  • Los Angeles Contemporary Exhibitions, Los Angeles, USA "Third Annual Altoids Curiously Strong Collection" (2001)[8]
  • The Studio Museum in Harlem, New York City, USA Freestyle (2001)

Collections

Smith-Pinelo's work is held in permanent collections including:[2]

  • Norton Family Foundation, Los Angeles, USA
  • Altoids Curiously Strong Collection/New Museum of Contemporary Art, New York, USA
gollark: What can I do with these germanium windows?
gollark: If there's any ambiguity, just have the CPU meddle with power management and fry itself.
gollark: If you leave the source behind, it's copying.
gollark: Triple fault immediately.
gollark: Yes, because someone randomly redefined it in a confusing way at some point.

References

  1. Rubin, Courtney (August 2002). "High Voltage". Washingtonian Magazine. 37 (11): 46–7.
  2. "Susan Smith-Pinelo". Kenny Schachter Rove. Archived from the original on 17 August 2004. Retrieved 2 March 2016.
  3. "Visual Arts Alumni Archive: Susan Smith-Pinelo". Columbia University School of the Arts. Retrieved 2 March 2016.
  4. Murray, Derek (2001). "Home to Harlem". International Review of African American Art. 17 (4): 48–51.
  5. Murray, Derek Conrad (2004). "Hip-Hop vs. High Art: Notes on Race as Spectacle". Art Journal. 63 (2): 4–19.
  6. Murray, Derek (2001). "Home to Harlem". International Review of African American Art. 17.
  7. "Susan Smith-Pinelo , US". ArtFActs. Retrieved 1 March 2016.
  8. "Third Annual Altoids Curiously Strong Collection". Los Angeles Contemporary Exhibitions. Retrieved 3 March 2016.
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