Susan Lipper

Susan Lipper (born 1953) is an American photographer,[1] based in New York City.[2] Her books include Grapevine (1994), for which she is best known, Trip (2000) and Domesticated Land (2018).[3]

Lipper has said all of her work is "subjective documentary";[4] the critic Gerry Badger has said many describe it as "ominous".[3]

She is the recipient of a Guggenheim Fellowship.[5] Her work is held in the collections of the Metropolitan Museum of Art[1] and New York Public Library in New York City,[6] and the National Portrait Gallery, London[7]

Life and work

Lipper received an MFA in photography from Yale University in 1983.[8] She uses a medium format camera, a Hasselblad, sometimes with attached flash.[9][10]

For about 20 years she has been visiting and photographing a tiny community in Grapevine Hollow in the Appalachian Mountains in West Virginia, eastern United States.[4][11] The photographs she made there between 1988 and 1994, in collaboration with her subjects the residents, became her first book Grapevine.[4][3] The critic Gerry Badger has written that "Community, family, and gender relationships seem to be at the core of her investigation."[3] Lipper's collaborative approach distinguishes Grapevine from social documentary photography;[3] she describes it as "subjective documentary".[4]

Trip, made between 1993 and 1999, paired photographs of urban landscapes and interiors—made whilst driving back and forth between New York City and Grapevine Hollow—with writing by Frederick Barthelme.[3][12] Domesticated Land was made between 2012 and 2016 in the California desert.[2][12]

Publications

Publications by Lipper
  • Grapevine. Manchester, UK: Cornerhouse, 1994. ISBN 0948797134.
  • Trip. Photographs by Lipper with accompanying short texts by Frederick Barthelme.
    • Stockport, UK: Dewi Lewis, 2000. ISBN 1899235523.
    • Brooklyn, New York: powerHouse, 2000. ISBN 1576870510.
  • Bed and Breakfast. Country life 4. Brighton, UK: Photoworks, 2000. ISBN 9780951742730. Edited by Val Williams. With an essay by David Chandler. Edition of 1000 copies.
  • Domesticated Land. London: Mack, 2018. ISBN 9781912339037.

Publications with contributions by Lipper
  • How We Are: Photographing Britain from the 1840s to the Present. Edited by Val Williams and Susan Bright. London: Tate, 2007. ISBN 978-1-85437-714-2.

Awards

Collections

Lipper's work is held in the following permanent public collections:

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References
  1. "Untitled". Metropolitan Museum of Art. Accessed 25 March 2018.
  2. "Photographers whose work I like - No31/ Susan Lipper". Harvey Benge, 28 June 2016. Accessed 26 March 2018.
  3. Gerry Badger. "Far from New York City: The Grapevine Work of Susan Lipper". The Pleasures of Good Photographs. Aperture Foundation. pp. 166–178. ISBN 978-1-59711-139-3.
  4. O'Hagan, Sean (13 October 2010). "Interview: 'The mystery is enough': Susan Lipper on the Grapevine series". The Guardian. Retrieved 25 March 2018.
  5. "Susan Lipper". John Simon Guggenheim Memorial Foundation. Retrieved 25 March 2018.
  6. "Photographers in The New York Public Library's Photography Collection". New York Public Library. Accessed 26 March 2018.
  7. "Susan Lipper (1953-), Photographer". National Portrait Gallery, London. Accessed 25 March 2018.
  8. Tara, Wray (25 March 2016). "Doin' Work, Flash Interviews With Contemporary Photographers: Susan Lipper". HuffPost. Retrieved 25 March 2018.
  9. Susan Harris-Edwards, "Grapevine: Photographs by Susan Lipper". History of Photography, Vol. 19, no. 2 (1995) 180–81. Accessed 26 March 2018.
  10. Susan Lipper, "ICP Lecture Series 2010: Susan Lipper Grapevine: Photographs by Susan Lipper". International Center of Photography. Accessed 26 March 2018.
  11. Hilton, Tim (6 February 1994). "Exhibitions / If you go down to the woods today: Susan Lipper's sympathetic photographs show a society in decline. Candida Hofer's go even further, taking the people out altogether". The Independent. Retrieved 25 March 2018.
  12. info@mackbooks.co.uk. Domesticated Land by Susan Lipper.
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