Sudhendu Roy

Sudhendu Roy (1921–1999) was a noted Indian film director, art director and production designer in Hindi cinema, most known for his realistic art direction in auteur Bimal Roy's films, like Sujata (1959), Madhumati (1959) and Bandini (1963), and glitzy work in films Subhash Ghai's Karz (1980) and Karma (1986) to Yash Chopra's Silsila (1981), Chandni (1989) and Lamhe (1991).[1] He won the Filmfare Award for Best Art Direction thrice for, Madhumati (1959), Mere Mehboob (1964) and Sagina (1975).

Sudhendu Roy
Born1921
Pabna, East Bengal, British India
Died1999
Mumbai
Occupationfilm director, art director, production designer
Years active1948–1999
Known forMadhumati (1959), Bandini (1963), Saudagar (1973)

He also directed Hindi films like Uphaar (1971) and Saudagar (1973), both of which were India's official entry to the Academy Award for Best Foreign Language Film.[2][3]

Early life

Sudhendu Roy was born and brought up in Pabna (now in Bangladesh), where his father Puranchandra Roy was a lawyer by profession from East Bengal, who was also a writer and even took part in the freedom movement, and wanted his son to study law, young Roy had other plans, so he took his admission fees to join a law college in Kolkata, and ran away from home, never to go back.[4][5]

Career

A self-taught man, he started his career as a commercial artist. He struggled for some years, and later joined Bengali cinema in Kolkata as an art director. After meeting, Parimal Roy, brother and cameraman of film director, Bimal Roy, he did Anjangarh (1948) produced by New Theatres and directed by Bimal Roy. The film was a commercial success and thus started a collaboration which lasted the rest of Bimal Roy's film career. In the following years he worked with directors like Tapan Sinha and Hiten Choudhary. Finally Bimal Roy left Kolkata in early 1950s, and shifted to Hindi cinema, he too shifted base to Mumbai as a part of his team, making his debut in Hindi cinema with Biraj Bahu (1954), Madhumati (1958), Yahudi (1958), Sujata (1959) and Bandini (1963), after this Bimal Roy died in 1966, though made a small film Benazir (1964).[1][4][5]

At the peak of his career as an art director, he was offered, Uphaar (1971) by Tarachand Barjatya of Rajshri Productions, the film was based on Rabindranath Tagore's story Samapti and had Jaya Bachchan in her first solo lead. Later it was chosen India's entry to the Academy Award for Best Foreign Language Film. This was followed by Saudagar (1973), based on Bengali story, Ras by Narendranath Mitra and starring Nutan, Amitabh Bachchan and Padma Khanna as leads, the film was not a commercial success, but received much critical acclaim,[6] and also became India's entry to the Academy Award for Best Foreign Language Film. His two others films, based on his own stories, Sweekar (1973) and Jeevan Mukt (1977). Lastly, he made a romantic comedy, Aap Ki Khatir (1977) with Vinod Khanna and Rekha as lead, featuring hit song, Bombai se Aaya Mera Dost.[5]

Thereafter, he continued working as a production designer for the next two-decade, cross genres and collaborating as new generation of film directors, Subhash Ghai and Yash Johar, in films like Don (1978), Karz (1980), Shakti (1982), Karma (1986), Chandni (1989), Agneepath (1990), Lamhe (1991) and Darr (1993).

Personal life

While working in film industry, he befriended noted art director Ganesh Basak, who worked on Bimal Roy's film, Do Bigha Zameen (1953) and Nagina (1986).[7] Later Roy married his sister Krishna.[5] Out of their three children, his youngest daughter,[8] Sharmishta Roy is also an art director in Hindi cinema, and assisted him in her early career, before starting independently, receiving Filmfare Award for Dil To Pagal Hai (1998), Kuch Kuch Hota Hai (1999), Kabhi Khushi Kabhie Gham (2002).[1][9] and the National Film Award for Best Production Design for Meenaxi: A Tale of Three Cities (2003).[10] His son Krishnendu runs an animation studio, and one daughter, Sumona, lives in Canada.[5]

Filmography
Director
Art Director
Writer

Awards
gollark: <@236831708354314240> PyPy
gollark: Is there some status light on Pi Zeros which comes on even if there's no SD card?
gollark: You know what, you're probably right, oh well.
gollark: I guess it probably does depend a lot, but for quite a lot of user-facing stuff, near-infinite divisibility (infinite with bignums) and no precision issues on small numbers are probably good.
gollark: Much.

References
  1. "10 unsung stars of Indian cinema". India Today. 25 December 2008. Retrieved 17 March 2013.
  2. Robert A. Osborne (1973). Academy awards Oscar annual. ESE California. p. 1959. Retrieved 27 July 2012.
  3. India News and Feature Alliance (1973). The States. India News and Feature Alliance. p. 29. Retrieved 27 July 2012.
  4. Gulzar, p. 671
  5. Rajiv Vijayakar (6 May 2011). "The art of the matter". Screen, Express Group. Retrieved 17 March 2013.
  6. "Saudagar (1973)". The Hindu. 10 January 2013. Retrieved 17 March 2013.
  7. Ganesh Basak on IMDb
  8. "Set and match". Rediff.com. 23 March 1999. Retrieved 18 March 2013.
  9. Sharmishta Roy on IMDb
  10. "51st National Film Awards" (PDF). Directorate of Film Festivals. Archived from the original (PDF) on 21 August 2013. Retrieved 29 January 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.