Still Water

Still Water was a research and development laboratory at the New Media Department of the University of Maine that studied and built networks for artists, academics, and other creative professions. Still Water examined networking from technical, social, and political angles; specific areas of interest included online collaboration, indigenous sharing protocols, and limits placed on artistic remixes and filesharing by intellectual property law.[1]

Digital tools

Still Water has released social software intended to foster collaborative creation, distribution, and preservation of common culture. ThoughtMesh and The Pool are meant to connect digital scholars and creators, and have been described as incubators for artists[2] and students[3] that may serve as a means of evaluating academics working in new media.[4]

Still Water is also the current development team for the Variable Media Questionnaire, a tool that tracks strategies for preserving ephemeral artworks and has been proposed as a means of resurrecting obsolescent artistic[5] and scientific[6] media. Still Water also helped create the Cross-Cultural Partnership, a legal instrument meant to encourage ethical behavior across cultural divides, as when electronic musicians want to sample Native American chants or when Wabanaki elders and permaculture activists live and work together in Still Water's LongGreenHouse project.

Public events

Public events that Still Water has produced with these themes include the Code and Creativity[7] conferences (2003–present) and Connected Knowledge[8] conferences (2006–present). In 2004, Still Water co-organized the event Distributed Creativity with Eyebeam Atelier, which merged conversations during a six-week period from the email discussion lists Creative Commons (USA), Rhizome.org (USA), DATA (Ireland), Sarai (India), and Fibreculture (Australia).

gollark: PotatoS actually has transparent compression for some data now, so that it can save space on your disk and use it to store backups of osmarks.tk instead.
gollark: The Marion Wheeler one.
gollark: What's that picture from?
gollark: Have people here read the thing picked as SCP-5000? It's pretty good.
gollark: SCP-3125 best SCP.

References
  1. Berwick, Carly (2002-12-01). "Net Gains". ARTNews. Archived from the original on 2009-10-16. Retrieved 2009-05-29.
  2. McCune, Zachary (2008-06-28). "Q + A with Jon Ippolito and John Bell on Open Source Art". Berkman Center for the Internet and Society. Harvard University. Retrieved 2009-05-29.
  3. Delio, Michelle (2003-12-16). "Copyright Doesn't Cover This Site". Wired News. Retrieved 2009-05-29.
  4. Foster, Andrea (2008-05-30). "New-Media Scholars' Place in 'the Pool' Could Lead to Tenure". The Chronicle of Higher Education. Retrieved 2009-05-29.
  5. McQueen, M.P. (2007-05-16). "Perishable Art: Investing in Works That May Not Last". The Wall Street Journal. Retrieved 2009-05-29.
  6. Kobler, Ben (2003-04-23). "Jon Ippolito: Rescuing Digital Culture from the Future". NASA Information Science & Technology Colloquium Series. Archived from the original on 2004-02-04. Retrieved 2009-05-29.
  7. "Still Water Recent Projects, University of Maine". Retrieved 2009-06-20.
  8. "Connected Knowledge Web site". Retrieved 2009-06-20.
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