Spanish gallery

The Spanish gallery, also called Spanish museum was a gallery of Spanish painting created by French King Louis Philippe I in 1838, shown in the Louvre, then dismantled in 1853.[1]

Louis-Philippe, roi des Français de 1830 à 1848, 1841, par Franz Xaver Winterhalter.

Historical context

Until the French Revolution, Spanish art was seldom shown or known in France. it appeared at the Louvre with the Napoleonic Wars and the looting politics of Vivant Denon. However, stolen art pieces were given back by France after the Congress of Vienna (1814-1815).

Louis Philippe decided in 1835 to found a Spanish painting gallery in the Louvre. He had several motivations:

  • He wanted to rebuild contacts with the Spanish branch of the Bourbon dynasty (the relationship with the Spanish branch had been degraded by the Napoleonic Wars), and therefore put himself in the context of the European Royal families to legitimize his new power,
  • He also wanted to use the Spanish paintings as a model to renovate French painting, away from the current Neoclassicism of the times.

Beginning in 1810, French occupation and repression in Spain made it highly unstable. The secularization of religious orders facilitated the selling of their art pieces outside of the Spanish territory.

In 1835, he founded an "artistic mission" directed by Baron Isidore Taylor, which was in charge of constituting quickly a vast collection of Spanish paintings.[2][3] Taylor acquired a huge collection of hundreds of paintings from primitive paintings to the Spanish Golden Age. Many of the paintings he acquired were unknown from the public because they came from religious collections.

The "Spanish Gallery" opened to the public on 7 January 1838, accompanied by a lot of Royal marketing and publicity. Louis Philippe stressed the point that the collection was acquired on his own founds. The collection counted for example 81 Zurbaran, 39 Murillo, 28 Ribera, 23 Cano, and 19 Velázquez. Many paintings attracted the admiration of the public.

However, the collection, which counted 450 paintings, was criticized for its inconsistency. Taylor sent "en masse" the paintings, without any preliminary selection, and nobody in the Louvre had the required expertise to operate this selection. Masters as Murillo and Zurbaran were shown alongside much smaller artists.

Dispersion and influence
Le Christ en croix adoré par deux donateurs, from El Greco.

After the death of Louis Philippe, the collection was dismantled in London, from 6 to 8 May 1853, during an auction in Christie's.[4] Only one painting was forgotten in the reserves and remained in the Louvre (The deploration of Christ by Jaume Huguet). One of the painting came back later to the Louvre in 1908: "Le Christ en croix adoré par deux donateurs" from El Greco, bought from the Prades town for 25000 francs. Nowadays only these two paintings from the initial collection are shown in the Louvre.[5]

This collection was seen by many artists and intellectuals of the time and influenced them. Édouard Manet wrote to Charles Baudelaire, concerning Velazquez, in a letter from the 14 September 1865: "he is the greatest painter of all times.[6][7]

gollark: Yeeees.
gollark: You probably want RLE and a way to refer back to previous code.
gollark: That's only a 60%ish saving.
gollark: Although you probably wouldn't want to repeat some instructions very much.
gollark: 4 bits, with 3 for instruction and 1 for repeating that instruction some number of times specified by the next byte/nybble?

References
  1. "Manet... Velázquez... The French Taste for Spanish Painting". Musée d'Orsay. Retrieved 2018-01-21.
  2. "TAYLOR Isidore Justin dit le Baron". appl-lachaise.net. Retrieved 2018-01-21. Louis Philippe le charge en 1835 d’acquérir des tableaux en Espagne pour permettre l’ouverture de la Galerie espagnole du Musée du Louvre en 1838.
  3. "Taylor, barón Isidore-Justin" (in Spanish). Museo del Prado. Retrieved 2018-01-21. En el mismo año se abrió en París la Galería Española de Luis Felipe, con unas cuatrocientas obras españolas. Hasta su venta final en 1853, aquella colección ejerció una influencia considerable sobre el gusto artístico de Francia, aunque también recibió críticas acerbas en la prensa. Gran parte del texto de Taylor sobre el Real Museo de Madrid constituye realmente una vindicación de la Galería Española de París.
  4. Bruno Foucart (April–May 2015). "L'éphémère musée espagnol du roi des Français" (PDF). Louvre. Retrieved 2018-01-21. La collection de Louis-Philippe, acquise grâce au zèle du baron Taylor, rendue au roi déchu par une République trop vertueuse, a joué un rôle majeur dans l’histoire de l’art
  5. "Domenico Theotocopoulos, dit EL GRECO: Le Christ en croix adoré par deux donateurs". Louvre. Retrieved 2018-01-21.
  6. "Manet / Velázquez: The French Taste for Spanish Painting". www.19thc-artworldwide.org. Retrieved 2018-01-21.
  7. "Manet - Velazquez : la leçon espagnole". Le Parisien. 2002-09-17. Retrieved 2018-01-21. A son ami Baudelaire, Manet écrira : « C'est le plus grand peintre qu'il y ait jamais eu. »

Bibliography
  • Bruno Foucart (April–May 2015). "L'éphémère musée espagnol du roi des Français". Grande Galerie - Le Journal du Louvre. Louvre.CS1 maint: uses authors parameter (link) CS1 maint: date format (link)
  • Notice des tableaux de la Galerie Espagnole exposés dans les salles du Musée Royal au Louvre, Imprimerie de Crapelet, Paris, 1838 ; p. 117 archive
  • Collective, Manet - Velasquez : la Manière espagnole au XIXième, Réunion des Musées Nationaux, 2002 ISBN 2711844900
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.