Sodom and Gomorrah (play)

Sodom and Gomorrah
	The Sodomites struck with blindness (Genesis 19:11) ; illustrations of 1728 by Gerard Hoet
Written by	Jean Giraudoux
Characters	Lia, Jean, Ruth, ; Jacques, Luc, Martha, ; Pierre, Judith, Salome, ; Athalie, Samson, Dalila
Date premiered	11 October 1943
Place premiered	Théâtre Hébertot in Paris
Original language	French
Subject	Divine retribution for human failure
Genre	Tragedy
Setting	Biblical city of Sodom

Sodom and Gomorrah (French title: Sodome et Gomorrhe) is a play by French dramatist Jean Giraudoux (1882–1944). Composed as a tragedy set in the biblical city of Sodom, the play was first published in 1943.

History

Although Giraudoux was a prolific writer before World War II, Sodome et Gomorrhe was his only new work produced during the German occupation.[1] The play was first translated into English by Herma Briffault in Barry Ulanov's Makers of the Modern Theatre (1961).[2][3]

Synopsis

One of Giradoux's darkest works, the themes and lessons of Sodom and Gomorrah are "deeply pessimistic".[4] The play explores the fundamental differences between man and woman, their different expectations and the unlikelihood of their satisfaction. The plot begins with an angel proclaiming that the people of the two cities will be destroyed unless they can show among themselves an example of true love. The characters of Lia and Jean are introduced as the best evidence, but over the course of the play their fidelity erodes, ending with Lia's seemingly wanton betrayal of Jean. Lasting love of any kind appears impossible. Inevitably, divine judgment condemns the two cities, and mankind itself, for failing to prove the existence of even one happy couple.[1]

Original production

Sodom and Gomorrah was first performed on 11 October 1943[5] in Paris at the Théâtre Hébertot in a production by Georges Douking.[6] With a cast that included the popular French stars Edwige Feuillère as Lia and Gérard Philipe as Jean, this original production was a commercial success and ran for over two hundred performances.[1]

gollark: Which is also not the same as intelligence.

gollark: You're just ASSERTING things.

gollark: ...

gollark: ... measured how I mean...

gollark: Based on what?

References

Bradby, David (1984). Modern French Drama, 1940–1990. Cambridge: Cambridge University Press. p. 18. ISBN 0-521-40271-9. Retrieved 25 May 2012.
Cohen, Robert (1968). Jean Giraudoux; Three Faces of Destiny. Chicago: University of Chicago Press. p. 159. ISBN 0-226-11248-9.
Ulyanov, Barry (1961). Makers of the Modern Theatre. New York: McGraw-Hill. pp. v, 429ff. OCLC 272719.
Bédé, Jean Albert; Edgerton, William B., eds. (1980). Columbia Dictionary of Modern European Literature. New York: Columbia University Press. p. 311. ISBN 0-231-03717-1. Retrieved 25 March 2012.
Grossvogel, David I. (1961). 20th Century French Drama. New York: Columbia University Press. p. 342. OCLC 756447778.
Inskip, Donald (1958). Jean Giraudoux, The Making of a Dramatist. New York: Oxford University Press. p. 182. OCLC 518905.

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[Bradby18-1] Bradby, David (1984). Modern French Drama, 1940–1990. Cambridge: Cambridge University Press. p. 18. ISBN 0-521-40271-9. Retrieved 25 May 2012.

[2] Cohen, Robert (1968). Jean Giraudoux; Three Faces of Destiny. Chicago: University of Chicago Press. p. 159. ISBN 0-226-11248-9.

[3] Ulyanov, Barry (1961). Makers of the Modern Theatre. New York: McGraw-Hill. pp. v, 429ff. OCLC 272719.

[Columbia311-4] Bédé, Jean Albert; Edgerton, William B., eds. (1980). Columbia Dictionary of Modern European Literature. New York: Columbia University Press. p. 311. ISBN 0-231-03717-1. Retrieved 25 March 2012.

[5] Grossvogel, David I. (1961). 20th Century French Drama. New York: Columbia University Press. p. 342. OCLC 756447778.

[6] Inskip, Donald (1958). Jean Giraudoux, The Making of a Dramatist. New York: Oxford University Press. p. 182. OCLC 518905.