Snövit Hedstierna

Snövit "Snow" Hedstierna is a Swedish-born film director, visual artist, performance artist and university teacher.[1][2]

Snövit Hedstierna
Born
Mina Linda Snövit Hedstierna

(1980-03-27)March 27, 1980
Stockholm, Sweden
EducationConcordia University
Known forVisual Art, Performance Art
Websitehttp://www.snowwhite.se

Her subject matters include power structures, gender issues, existential questions and intimacy.

Education

Snövit Hedstierna holds a Master of Fine Arts from Concordia University in Montreal, Canada, and a degree from Valand Academy in Gothenburg, Sweden. She holds further formal qualifications in related fields such as photography, communication and advertising.

Approach

Her work frequently includes and builds upon the lived experience of non-conforming individuals ("in the periphery"[3]), which she re-contexutalizes using established artistic frameworks such as film, photography, performance and dance. She seeks to transcend formal categories of artistic expression by creating experiential spaces that engage the audience in a variety of sensory and conceptional modalities, most notably intimate touch.

One of her most influential works incorporates extensive sociological research: over a period of 3 years, she conducted 250 in-depth interviews with female/queer/ transgender and gender fluid individuals from all Nordic countries.

Subject Matters

Her work has focused on gender rights as a main topic since 2013, beginning with her graduation show from Valand Academy where she displayed the photo series Practices of Looking, and the related group performance Another View, which was considered controversial for its depictions of nudity.[4][5] Snövit Hedstierna has created several exhibitions where the audience has been invited to participate in different ways. One was her thesis show at Valand, To Give and To Hold, a 48 hours long durational performance where the artist offered her body as spoon for anyone in the audience saying "she rather spoon with someone than shoot someone" as a comment to the growing otherness in society.[6] During late September 2015 Snövit Hedstierna exhibited a one-on-one performance and installation in the "Dream a Dream" solo show at the Abteilung für Alles Andere. The artist described the exhibition as "A guided sleep meditation in an experimental and transcendental environment, now and forever."[7][8] During Manifesta11 in Zürich 2016, she performed the piece A source of Values in which the audience were invited to wash her naked body with a sponge, soap and water. She exhibited the video installation Sisterhood at the Pane Per Poveri pavilion at The Venice Biennale 2015 (La Biennale di Venezia).

Notable Exhibitions

Between 2014-2016 she conducted the three years long research project An Issue of Structure, in which she compared The World Economic Forum's “Global Gender Gap Report” and the FRA-report with in-depth interviews from 250 female/queer/ transgender/gender fluid people, to shed light on personal experiences of gender and gender affiliations in the Nordic countries. The work resulted in several installations in so called "episodes" that the artist have been exhibiting between 2016-2017 around the Nordic Countries.

During mid September 2015 she exhibited in Los Angeles alongside artists such as Kim Gordon, Kathleen Hanna and Barbara Kruger as she participated in Jessie Askinazi and Rose McGowan's Yes All Women art show, named after the #YesAllWomen hashtag.[9] Hedstierna contributed with photography and also with the epic performance You Are Not Alone which got reviewed as "bare and gutting".[10]

During 2018 she again participated in Manifesta12 in Palermo by showing the piece Achievement of falling at the collateral event Politics of Dissonance. During 2018 the artist is working on the production of four new feature films within the speculative dystopian sci-fi genre, accompanied by a VR-movie to be released in September 2018.

Earlier exhibitions include Manifesta12 Politics of dissonance,[11] Norrtälje Konsthall,[12] Mengi (Reykjavik),[13] Malmö Konsthall,[14] Skövde Konsthall,[15] Göteborgs Konsthall,[16][17] Strömstad Konsthall,[18][19] Göteborg International Biennal for Contemporary Art,[20] and Norrtälje Konsthall.[21][22] [23]

Activism

In 2017, the Swedish art magazine Konstnären published an open statement by the artist about her experiences of sexual assault within the art world, which evoked a larger debate. She has since been an active participant in the #metoo movement, focussing mainly on her experience within the Scandinavian art scene. She participated in several talks and debates in both Norway, Sweden and Denmark during 2017-2018.[24]

gollark: And it's good to learn about languages outside your normal programming paradigms.
gollark: I don't actually use it for anything practical whatsoever. It's just neat.
gollark: map/filter > for loops
gollark: I also learned a bit of Haskell and other functional languages some years back, so now I use higher order functions everywhere.
gollark: I also avoid leaving blank lines in my code, or making lines too short, so it fits on my screen better.

References
  1. Hedstierna, Snövit (8 July 2014). "The Greater Harm". Retrieved 16 December 2015.
  2. Ulvenäs, Carl-Johan (14 October 2014). "Snövit Hedstierna Talks About Her Art and Looking at Your Genitals". Retrieved 16 December 2015.
  3. Hagdahl, Nora (12 February 2019). "Snövit Hedstierna: Her practice often starts from existential, feminist and queer perspectives". Nuda Paper by Jelena Loutchko & Pedro Cardoso. Retrieved 28 March 2019.
  4. Schreiber, Johanna (9 May 2013). "Konstbråk om students nakenbilder". Expressen. Retrieved 7 November 2015.
  5. Ulvenäs, Carl-Johan (14 October 2014). "The Penetrating World of Snövit Hedstierna". Vice. Retrieved 7 November 2015.
  6. Spektra (27 April 2013). "Konstnär "ligger sked" med besökare". Svenska Dagbladet. Retrieved 16 December 2015.
  7. "Abteilung für Alles Andere: Dream a Dream". Retrieved 16 December 2015.
  8. "Dream a Dream". Berlin Projekt. Retrieved 16 December 2015.
  9. "Yes All Women: An Interview With Photographer, Artist and Social Activist Jessie Askinazi". Autre. 20 August 2015. Retrieved 11 February 2017.
  10. Miller, Kelsey (26 September 2015). "How #YesAllWomen Became More Than A Hashtag". Refinery29. Retrieved 16 December 2015.
  11. "Politics of Dissonance". 6 July 2018. Retrieved 20 August 2018.
  12. Nordenberg, Helena (7 October 2016). "Snövit undersöker den svenska jämställdheten". Norrtälje Tidning. Retrieved 22 November 2016.
  13. Smala, Signe (17 October 2016). "Exhibition Tackles Gender Equality At Mengi". Reykjavik Grapevine. Retrieved 22 November 2016.
  14. ""24 Spaces – A Cacophony" at Malmö Konsthall". Contemporary Art Daily. Retrieved 16 December 2015.
  15. "Vernissage NORM.ALT". 13 September 2014. Retrieved 20 December 2015.
  16. "Kvinnokön på konsthall". 15 May 2013. Retrieved 20 December 2014.
  17. "Konsthallen – Frames and stages – Akademin Valand, masters i fri konst". Göteborgs-Posten. 22 May 2013. Retrieved 20 December 2015.
  18. Snövit Hedstierna på Konsthallen Lokstallet i Strömstad on YouTube
  19. "Strömstads kommun snövit hedstierna - pressmeddelanden". 6 July 2014. Retrieved 20 December 2015.
  20. "GIBCA Extended Teaser. In connection to Göteborgs kulturkalas, participants of GIBCA Extended present videos, performances and music at the roof terrasse of Mornington Hotel". 15 August 2013. Retrieved 20 December 2015.
  21. "Årets utställningar". 11 September 2015. Archived from the original on 5 December 2015. Retrieved 20 December 2015.
  22. "#METOO, men #NOTSURPRISED". 11 September 2015. Retrieved 20 August 2018.
  23. Anne (6 November 2016). "Current Nordic exhibition allows you to walk through gendered power structures". Art Reveal Magazine. Retrieved 20 August 2018.
  24. "#MeToo mærkes i kunstverdenen". 6 December 2017. Retrieved 20 August 2018.
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