Sigri Welhaven

Sigri Welhaven (4 May 1894 – 20 December 1991) was a Norwegian artist and sculptor.[1]

Sigri Welhaven (ca. 1935)

Biography

Welhaven was born in Kristiania (now Oslo), Norway. She was the daughter of Hjalmar Welhaven (1850–1922) and Margrethe Backer (1851–1940), and the sister of the painter Astri Welhaven Heiberg (1881–1967). She studied at the Norwegian National Academy of Craft and Art Industry (later Oslo National Academy of the Arts) and then at the Norwegian National Academy of Fine Arts. She debuted at the Autumn Exhabitation at Oslo in 1911.

She lived in Paris from 1919 to 1939. In 1937, her work was exhibited at the International Exposition in Paris. She designed busts of Thorvald Lammers (1916), Halvdan Koht (1939), Sem Sæland (1940) and Hauk Aabel (1945). She also created a number of sculptures featuring wild animals including Gutten på delfinen in bronze from 1921 at Amaldus Nielsens plass in Oslo and Gutten og skilpadden in bronze from 1929 at Torshovsparken in Oslo. She is represented in the National Gallery of Norway with Elefantgruppe from 1965.[2][3]

Personal life

Welhaven was married three times; in 1913 to Jean Heiberg (1884–1976), in 1920 to Peter Krag (1885–1939), and in 1940 to Carl Pihl Schou (1892–1952). She was the mother of three children.

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gollark: > Some may argue that the CDC originally claimed that masks were ineffective as a way to retain the already-small supply of masks for healthcare providers and medical officials. Others may argue that the CDC made this claim due to ever-developing research around the virus. I am arguing, however, that the CDC made the claim that masks are ineffective because the CDC’s sole purpose is to provide scientific legitimation of the U.S. as a eugenicist project through medical genocide. As outlined in this essay, the CDC has a history of releasing deadly information and later backtracking on it when the damage has already been done.
gollark: > Choosing to tell the public that supplies that could benefit everyone is ineffective, rather than calling for more supplies to be created—in the midst of a global pandemic, no less—is eugenics. Making the conscious decision to tell the general public that something is ineffective when you have not done all of the necessary research, especially when medical officials are using the very same equipment, is medical and scientific genocide.
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References
  1. Glenny Alfsen. "Sigri Welhaven". Norsk kunstnerleksikon. Retrieved 1 February 2018.
  2. "Sigri Welhaven". Store norske leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 22 January 2011.
  3. Alfsen, Glenny. "Sigri Welhaven". In Helle, Knut (ed.). Norsk biografisk leksikon (in Norwegian). Oslo: Kunnskapsforlaget. Retrieved 22 January 2011.


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