Shirley Barrett

Shirley Barrett (born 1961) is an Australian film director, screenwriter and novelist. Her first film Love Serenade won the Caméra d'Or at the 1996 Cannes Film Festival.[1] She has written and directed two other feature films Walk the Talk (2000) and South Solitary (2010). Barrett's script for South Solitary was awarded multiple prizes, including the Queensland Premier’s Prize and the West Australian Premier’s Prize.[2] Her first novel Rush Oh! (2016) was shortlisted for the 2016 Indie Awards for Debut Fiction and the 2016 Nita May Dobbie Award, and long-listed for the 2016 Baileys Womens Prize for Fiction. Her second novel The Bus on Thursday was released in 2018.

Shirley Barrett

Filmmaker Novelist
Born1961
Melbourne, Australia
Years active1988–present

Early life and education

Barrett was born in Melbourne in 1961.[3] In 1985, she moved to Sydney, where she studied screenwriting at the Australian Film, Television and Radio School (AFTRS).[3] In 1988, during her final year at the AFTRS she made a short film entitled Cherith which won the Australian Film Institute Award for Best Short Fiction.[4]

Television

Barrett began her career in television “with production work on the Logies.”[4] After meeting Verity Lambert, she was given the opportunity to direct for a television series The Boys From the Bush.[3] She continued working in television during the 1990s and 2000s, directing episodes for various television series including Love My Way, Wild Boys, Offspring and A Place to Call Home.

Film

Love Serenade

Shirley Barrett's first feature Love Serenade (1996) “was a film that explored, “how women can get completely the wrong idea about some men.”[3] It was shot almost entirely on location in Robinvale, Victoria. The story concerns two young sisters who develop a fierce and competitive crush on their neighbour, a brooding and self-centred radio personality. The film humorously incorporates "small town constrictions with visual flights of fancy".[4] The sisters are played by Miranda Otto and Rebecca Frith and George Shevtsov stars as the washed up deejay. [5] The film was generally well-received, with Variety describing it as “one of the most striking, fully formed and assured debuts in years.”[3] It won the Camera D'Or (Best First Feature) at Cannes film Festival 1996, and Barrett was awarded Best New Director at the Vallodolid International Film Festival 1996.

Walk the Talk

Her second feature Walk the Talk (2000) was also inspired by the location in which the film is set;[4] Walk the Talk in this case, the Gold Coast , Queensland. "Shirley had met Carter Edwards, a variety circuit veteran who appears in the film as Marty".[4] This encounter "came in handy when Walk the Talk started to develop as a script".[4] [4] The film is "about dreamers and schemers, isolation and redemption, populated with iconic places and people",[4] and stars Salvatore Coco as Joey, a desperately ambitious young man and Sacha Morler as his girlfriend Bonita.[6] After winning a large settlement from an accident that leaves Bonita paraplegic, Joey starts a talent agency hoping to "make his mark on the world".[4] Joey encounters Nikki Raye (Nikki Bennett), “a variety club singer”[4] and decides to represent her as an agent in attempts to thrust her, and himself into the limelight. The characters that Shirley Barrett created in Walk the Talk are "relegated to the fringes of a hero's journey".[4] The comedic effect of the film emerges through the "desperation of these people living on the margins".[4] Variety described it as "a bitingly funny, hard-hitting and yet compassionate examination of a bunch of losers on the fringe of showbiz."[7]

South Solitary

Barrett's third feature South Solitary (2010) is "another tale of outcasts".[5] The film stars Miranda Otto (who starred in Love Serenade) as Meredith a lonely young woman. This time around, she situates the actress "on an island in 1927, tending to a lighthouse so isolated that the only way of communicating with the mainland is via carrier pigeon".[5] In the film, Meredith and “her uncle George (Barry Otto), a lighthouse keeper who has come to replace the previous one.”[5] They arrive on the desolate island and meet the island’s inhabitants, a family consisting of the mother Alma (Essie Davis), her husband Stanley (Rohan Nichol) and their daughter Nettie (Annie Martin).[5] Similar to her character's romantic perils in Love Serenade, "Meredith is desperate for some kind of connection with men",[5] which drives her to have an affair with Stanley. As the film continues, "the population of the island dwindles to two",[5] leaving Meredith in the company of Fleet (Marton Csokas), "a returned First World War soldier recovering form shell shock".[5] Meredith is searching and longing for companionship while Fleet "shies away from the confusion and misunderstandings of human contact".[5] Despite this tension between the characters, they develop affections for one another.

Novels

Rush Oh!

Barrett's first novel Rush Oh! (2015) is set in Eden, N.S.W. in 1908. It tells the story of a family of whalers and their unusual relationship with a pod of killer whales. It is based on a true story.

The Bus on Thursday

Barrett's second novel The Bus on Thursday (2018) tells the story of a young woman recently recovering from breast cancer who takes a job as teacher in a tiny school in a remote country town, where she finds herself set upon by demons.

Personal life

Barrett is married to Chris Norris.[8] They have two daughters. She currently resides in Sydney, Australia.[4]

Filmography

As writer

As director

Other writings
  • 2015 — Rush Oh! (novel)
  • 2018 — The Bus On Thursday (novel)

Awards

Won

Nominated
Shortlisted
  • 2016 Indie Awards for Debut Fiction Rush Oh!
  • 2016 Nita May Dobbie Literary Award Rush Oh!
Long-listed
  • 2016 Baileys Womens Prize for Fiction Rush Oh!
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gollark: Arguably a game is "more fun" if it's fair and stuff.
gollark: I'm saying - no, CBs are not intrinsically better, but they're given trade value - the ability to get stuff you like - so that affects balance.
gollark: I'll rephrase that. To have some sort of meaningful discussion about game balance, we need to define better somehow.

References
  1. "Festival de Cannes: Love Serenade". festival-cannes.com. Retrieved 20 September 2009.
  2. "Curtis Brown". curtisbrown.co.uk. Retrieved 5 October 2015.
  3. Elley, Derek. "Shirley Barrett". Retrieved 5 October 2015.
  4. Engall, Priscella (2002). "Shirley Barrett Thinks Positive Thoughts About Delusion". Metro. Retrieved 20 September 2015.
  5. Krauth, Kristen (2010). "Meredith Had a Little Lamb". Metro. Retrieved 20 September 2015.
  6. Engall, Priscella (2002). "Shirley Barrett". Metro. Retrieved 20 September 2015.
  7. Stratton, David (21 August 2000). "Walk the Talk". Variety. Retrieved 27 November 2018.
  8. Caroline Baum, "Shirley Barrett", The Age, 19 September 2015, Spectrum, p. 24
  9. "1996 Cannes Film Festival". www.infoplease.com. Retrieved 10 December 2017.
  10. "41th Valladolid International Film Festival — Seminci 1996 — FilmAffinity". FilmAffinity. Retrieved 10 December 2017.
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