Shelly Silver

Shelly Silver (born 1957 in Brooklyn, NY) is an American artist who works with film, video, and photography. Her art has been exhibited and broadcast throughout the U.S., Europe and Asia. She is Associate Professor of Visual Arts at Columbia University School of the Arts.

This article is about an artist and professor. For the politician, see Sheldon Silver.
Shelly Silver
Born1957
Brooklyn, New York
EducationCornell University
OccupationArtist, professor
Websitehttp://shellysilver.com

Biography

Silver attended Cornell University, graduating in 1980 with a B.A. in Intellectual History, and a B.F.A. in Mixed Media and subsequently attended the Whitney Museum of American Art Independent Studio Program.[1] She has worked as a commercial video editor. In the 1990s, she lived in Germany, France, and Japan.

Silver has taught video art at the German Film and Television Academy, the New York University Tisch School of the Arts, The Cooper Union for the Advancement of Science and Art, and presently at Columbia University. She has received awards and fellowships from the Guggenheim Foundation, the NEA, NYSCA, NYFA, the DAAD, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. She currently lives in New York City.[2]

Art

Silver uses a mixture of fiction, documentary, and experimental genres to investigate questions of cultural identity. She experiments with perspective, exploring the power dynamics that exist between filmmakers and their subjects. Her role as a traveler and an outsider inspired the works she made abroad, such as Former East/Former West (1994) and 37 Stories About Leaving Home (1996). Her recent work centers on New York’s Chinatown.[3]

Meet the People (1986)

The film consists of testimonials from fourteen individuals representing average New Yorkers talking about their daily lives. The film mimics the documentary genre, but at the end of the film, the credits reveal that all fourteen subjects are actors reading from a script written by Silver.[4]

Former East/Former West (1994)

Consisting of hundreds of street interviews done in Berlin two years after the Reunification, this documentary is a portrait of citizen attitudes about what it means to be German at that particular moment in history.[5]

37 Stories About Leaving Home (1996)

Silver blends interviews with Japanese women describing their lives with a folktale of a young woman who is stolen by an Oni who is later saved by her mother.[6]

small lies, Big Truth (1999)

In this work Silver pairs audio of narrators (four couples) reading the testimonials of Monica Lewinsky and President Bill Clinton as published in the Starr Report with found footage of zoo animals.[7]

suicide (2003)

This feature-length fictional film follows a filmmaker through malls, airports, and train stations in Central America, Asia, and Europe as she searches for a reason to live. The role of the filmmaker is played by Silver herself.[8]

What I’m Looking For (2004)

A series of photographs representing the results of a request posted to an online dating service: “I'm looking for people who would like to be photographed in public revealing something of themselves...”[9]

TOUCH (2013)

Silver constructs the fictional story of a gay man who has returned to New York after fifty years to care for his dying mother. The narration of the film is an essay told from the man’s point of a view, an amalgam of research and interviews.[10]

Exhibitions

Silver’s art has been exhibited in venues such as the Museum of Modern Art, the International Center of Photography, the Museum of Contemporary Art, Los Angeles, the Yokohama Museum of Art, the Pompidou Centre, the Kyoto National Museum, the Institute of Contemporary Arts, the Museo Reina Sofia, and the London, Singapore, New York, Moscow, and Berlin film festivals. Her work has been broadcast on BBC/England, PBS/USA, Arte, Planete/Europe, RTÉ/Ireland, SWR/Germany, and Atenor/Spain.[11]

Complete Filmography
YearTitleLength
1986Meet the People16min.
1989Things I Forget to Tell Myself2min.
1990We4min.
1989getting in.3min.
1991The Houses That Are Left52min.
1994April 210min.
1994FragmentsVarious
1994Former East/Former West62min.
199637 Stories About Leaving Home52min.
1999small lies, Big Truth19min.
2003170min.
2003suicide70min.
2004What I'm Looking For15min.
2008in complete world53min.
20095 Lessons and 9 Questions About Chinatown10min.
2013TOUCH68min.
2015 The Lamps 4min.
2017 A Strange New Beauty 51min.
gollark: However, if you claim God is not responsible for your actions based on free will, it is necessary.
gollark: Sure!
gollark: I mean, maybe not the reading thing, I can't say much about that... presumably-book.
gollark: Yes, what waterlubber said.
gollark: You're just asserting that.

References
  1. "Archived copy". Archived from the original on 2014-02-03. Retrieved 2014-02-01.CS1 maint: archived copy as title (link)
  2. <"Archived copy". Archived from the original on 2010-11-22. Retrieved 2014-02-05.CS1 maint: archived copy as title (link)>
  3. <http://www.eai.org/artistTitles.htm?id=256>
  4. Sarrazin, Stephen. Shelly Silver: Video. Museum for Art & History, 2001, p. 30-35.
  5. <Wilder, Charly. The Berlin Wall: How Today’s Art Reflects 20 Years of Memories. Esquire Magazine, August 19, 2009.>
  6. <Huber-Sigwart, Ann. Dialogue: Shelly Silver. n.paradoxa, International Feminist Art Journal, January 2002. Volume 9.>
  7. <Smith, Roberta. Art in Review. The New York Times, December 12, 1997.>
  8. <Scott, A.O. Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds. The New York Times, July 23rd, 2003>
  9. <Bellour, Raymond. The Time in Movement. Viva Fotofilm, 2010, p 207-212>
  10. <https://www.faz.net/asv/blinkvideo/portrait-in-the-neighboring-rooms-shelly-silver-and-fantasy-verite-12639310-p2.html>
  11. <http://www.imaionline-katalog.de/servlet/return/Silver-Shelly_Bio_GB.pdf?oid=53806&contenttype=application/pdf>
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