Sheila Dabney

Sheila Dabney is an American actor, best known for her co-starring role in the 1987 lesbian feminist film She Must Be Seeing Things alongside Lois Weaver and directed by Sheila McLaughlin.[1]

Sheila Dabney
OccupationActress

In 1984, Dabney won an Obie Award for her performance as Sarita in Maria Irene Fornés' play Sarita.[2]

Theater
  • Performer, The Bacchae (1980) at Circle in the Square Theatre[3]
  • Performer, The Three Travels of Aladdin With the Magic Lamp (1982) at La MaMa Experimental Theatre Club[4]
  • Performer, Hot Lunch Apostles (1983) at La MaMa Experimental Theatre Club[5]
  • Performer, Conjur Woman (1983) at La MaMa Experimental Theatre Club[6]
  • Performer, Jerusalem (1983), a work-in-progress, at La MaMa Experimental Theatre Club[7]
  • Performer, Sarita (1984), produced by INTAR Theatre[8]
  • Performer, Hot Lunch Apostles (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Pedro Paramo (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Harm's Way (1985) at La MaMa Experimental Theatre Club[10]
  • Performer, Big Mouth (1985) at La MaMa Experimental Theatre Club[11]
  • Performer, Cotton Club Gala (1985) at La MaMa Experimental Theatre Club[12]
  • Performer, Fragments of a Greek Trilogy (1987) at La MaMa Experimental Theatre Club[13]
  • Performer and musical composition and direction, Mythos Oedipus and Dionysus Filius Dei (1989) at La MaMa Experimental Theatre Club[14]
  • Performer and additional music and arrangements, Tancredi and Erminia (1993) at La MaMa Experimental Theatre Club[15]
  • Performer, Conjur Woman (2008) at La MaMa Experimental Theatre Club[16]
  • Musical director and performer, Red Noir (2009) at the Living Theatre[17]

Filmography
gollark: See, I like capitalism but dislike much of how the government works.
gollark: And because of that complexity you need to throw money at lawyers to deal with legal things and may have to settle for a bad outcome *even if you're innocent*.
gollark: The current legal system is in my opinion one of the worst aspects of our society, as the law is so large and complicated that one person literally cannot understand it all and they can be imprisoned due to not knowing.
gollark: You don't need to actually *do* anything. The communist revolution is just inevitable...
gollark: After the communist revolution we'll just make people delete eevil capitalist data.

References
  1. Gwendolyn Audrey Foster (1 January 1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Publishing Group. pp. 251–. ISBN 978-0-313-28972-9.
  2. "Two Works Share Obie". NYT. 22 May 1984. Retrieved 25 July 2014.
  3. "The Bacchae Broadway @ Circle in the Square Theatre - Tickets and Discounts | Playbill". Playbill. Retrieved 2018-03-16.
  4. Gussow, Mel (1982-10-20). "Musical: 'three Travels of Aladin'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  5. La MaMa Archives Digital Collections, "Program for 'Hot Lunch Apostles' (1983)." Retrieved 2018-03-16.
  6. La MaMa Archives Digital Collections, "Program for 'Conjur Woman' (1983)." Retrieved 2018-03-16.
  7. La MaMa Archives Digital Collections, "Invitation: 'Jerusalem' (1983)." Retrieved 2018-03-16.
  8. Sofer, Andrew. “Maria Irene Fornes: Acts of Translation.” A companion to twentieth-Century American drama, edited by David Krasner, Blackwell, 2007, pp. 440–455.
  9. Holden, Stephen (1984-03-29). "Theater: Poetry Pair". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  10. Gussow, Mel (1985-11-21). "The Stage: 'harm's Way,' by Max Wellman". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  11. Holden, Stephen (1985-05-09). "Theater: 'big Mouth'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  12. Gussow, Mel (1986). "Stage: Musical Revue, 'cotton Club-Gala'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  13. Gussow, Mel (1987). "Stage: 'greek Trilogy' Returns to La Mama". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  14. La MaMa Archives Digital Collections, "Show File: 'Mythos Oedipus' and 'Dionysus Filius Dei' (1989)." Retrieved 2018-03-16.
  15. Bruckner, D. j r (1993-12-16). "Theater in Review". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  16. Webster, Andy (2008-02-06). "Conjur Woman - Review - Theater". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  17. "Living Theatre Announces Four-Week Extension of Red Noir | Playbill". Playbill. Retrieved 2018-03-03.



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