Shaji Kumar
Shaji Kumar is an Indian cinematographer, who has worked in the Malayalam and Tamil film industries.[1]
Shaji Kumar | |
|---|---|
 | |
| Born | |
| Nationality | Indian |
| Occupation | Director of photography |
| Years active | 2002—present |
Career
Shaji Kumar began his career as a cinematographer for Malayalam films, He has frequently collaborated with leading Indian filmmakers like Shaji Kailas, Joshiy, Vinayan and Vysakh, before moving on to balance those commitments alongside Tamil films. In the Tamil film industry, Shaji has extensively collaborated with actor Prashanth for his films. Shaji received critical acclaim for his work in Ponnar Shankar (2011), while he also shot Mambattiyan (2011) and Saahasam (2016).[2][3]
Filmography
- Uthaman (2001)
- Valkannadi(2002)
- Pakalppooram (2002)
- Kanmashi (2002)
- Ammakilikkoodu (2003)
- Pattanathil Sundaran (2003)
- Njan Salperu Ramankutty (2004)
- Vellinakshatram (2004)
- Sathyam (2004)
- Vesham (2004)
- Athbhutha Dweepu (2005)
- Naran (2005)
- Yes Your Honour (2006)
- Mahha Samudram (2006)
- Baba Kalyani (2006)
- July 4 (2007)
- Nasrani (2007)
- Cycle (2008)
- Veruthe Oru Bharya (2008)
- Robin Hood: Prince of Thieves (2009)
- Red Chillies (2009)
- Pokkiri Raja (2010)
- Kanagavel Kaaka (2010)
- Toofan (2010)
- Ponnar Shankar (2011)
- Seniors (2011)
- Doctor Love (2011)
- Mambattiyan (2011)
- The King & the Commissioner (2012)
- Mallu Singh (2012)
- Madirasi (2012)
- Simhasanam (2012)
- Sringaravelan (2013)
- Sound Thoma (2013)
- Rajadhi Raja (2014)
- Ring Master (2014)
- Cousins (2014 film)
- Saahasam (2016)
- Pulimurugan (2016)
- Ramaleela (2017)
- Mohanlal (2018)
- Odiyan (2018)[4]
- Madhura Raja (2019)
- Ittymaani: Made in China (2019)
- SG 250 (2021)
Awards
- 2016: Best Cinematographer – Pulimurugan[5]
gollark: With the same hashing algorithm and same format, or...?
gollark: That's actually one of the best ways to put it if you want people to spend several seconds wondering "what?".
gollark: Also also, "convention over configuration" being stupid. Yes, the choice of four spaces vs two isn't too significant, but being able to choose means you'll have code you can possibly read a bit more easily, and also public/privateness via *capitalization* just (in my opinion) looks ugly and is annoying if you want to change privacy.
gollark: i.e. generic slices/maps/channels but not actual generics, == being ***maaaaagic*** (admittedly like in most languages, I think), and `make`/`new`.
gollark: Also, as well as that, how it just special-cases stuff instead of implementing reusable solutions.
References
- https://reelisticviews.com/2016/11/14/pulimurugan-review-a-visual-wonder-with-problematic-contents/
- http://www.rediff.com/movies/report/south-review-ponnar-shankar/20110411.htm
- http://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/Ponnar-Shankar/movie-review/7998113.cms
- http://indianexpress.com/article/entertainment/malayalam/mohanlal-says-his-next-film-odiyan-will-be-a-visual-treat-4586166/
- Asiavision Awards#Winners 2016
External links
- Shaji Kumar on IMDb
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