Sergio Asti

Sergio Asti (born 1926) is an Italian designer and architect, primarily known for his industrial designs for firms such as Zanotta, Gabbianelli, Salviati, FontanaArte, Artemide, and Knoll.

Sergio Asti
Born1926 (1926)
Milan, Italy
EducationPolytechnic University of Milan
Occupation
  • industrial designer
  • architect

Life and career

Asti was born in Milan. After receiving his laurea in architecture at the Polytechnic University of Milan, he opened his own design studio in 1956. That same year he became one of the founders of the Associazione per il Disegno Industriale.[1][2]

While still a student he designed a soda syphon for Saccab which became an icon of 1950s Italian design. It was nominated for a Compasso d'Oro in 1956, exhibited at the Milan Triennial exhibition in 1957, and later at the Museum of Modern Art in New York.[3] It is in the permanent collection of the Triennale di Milano museum. He went on to win the Compasso d'Oro in 1962 for his glass vase "Marco" manufactured by Salvati, examples of which are in the permanent collections of the Museum of Modern Art and the Victoria and Albert Museum.[4][5][6]

Other designs by Asti include the "Dada" ceramic teapot held in the Philadelphia Museum of Art, "Boca" stainless steel flatware held in the Rhode Island School of Design Museum and the Cooper Hewitt Museum, and the "Daruma" lamp held in the Museum of Modern Art.[7][8][9][5] Although primarily known for his industrial and interior designs, Asti also designed several buildings, including private houses in Brienno and Arenzano, the latter with his frequent collaborator Sergio Favre (1927–1967).[10][11]

  • "Boca" stainless steel flatware (1976)
  • Villa Testa, Arenzano (1960)
  • "Daruma" glass lamps (1968)
gollark: - If a foreign country's relations with our own are poor, it should be removed from all maps and not acknowledged by government policy.
gollark: - I think markets are a reasonably good resource allocation system, and to ensure liquidity would support requiring any property someone owns whatsoever to be put up for auction if someone requests it.
gollark: - I believe our country should construct its own god to reduce reliance on foreign imports, and maintain a stock of reality anchors to remove other gods if necessary.
gollark: - I think that consumption, possession, distribution and production of all drugs should be legal everywhere for everyone at all times.- I support an improved tax system, where everyone in the country is directly billed `country's yearly operating expenses / population` each year, to increase fairness.
gollark: - I believe we should end racial discrimination by replacing computer monitors with 1-bit black and white displays so race cannot be distinguished.

References
  1. s.n. (21 January 2014). "Sergio Asti". Corriere della Sera. Retrieved 29 October 2018 (in Italian).
  2. Byars, Mel (2004). "Asti, Sergio". The Design Encyclopedia, p. 37. L. King. ISBN 087070012X
  3. Annicchiarico, Silvana (2000). 100 Oggetti del Design Italiano: Collezione Permanente del Design Italiano, La Triennale di Milano, p. 325. Gangemi Editore. ISBN 8849247052 (in Italian).
  4. Associazione per il Disegno Industriale. "VII edizione Premio Compasso d'Oro". Retrieved 29 October 2018 (in Italian).
  5. Museum of Modern Art. "Sergio Asti". Retrieved 29 October 2018.
  6. Victoria and Albert Museum. "Marco". Retrieved 29 October 2018.
  7. Philadelphia Museum of Art. "Sergio Asti". Retrieved 29 October 2018.
  8. Rhode Island School of Design Museum. "Boca Decorata Knife", 1976". Retrieved 29 October 2018.
  9. Cooper Hewitt, Smithsonian Design Museum. "Sergio Asti". Retrieved 29 October 2018.
  10. Università Iuav di Venezia Library. "Villa sul lago di Como: progetto di Sergio Asti". Retrieved 29 October 2018 (in Italian).
  11. De Seta, Cesare (1981). L'architettura del Novecento, pp. 286, 292. UTET. ISBN 880203575X
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