Seduction: The Cruel Woman

Seduction: The Cruel Woman (Verführung: Die grausame Frau) is a 1985 West German film, directed by Elfi Mikesch and Monika Treut, who both also wrote the screenplay. Wanda is played by Mechthild Großmann. The film was inspired by Leopold von Sacher-Masoch's Venus in Furs.

Seduction: The Cruel Woman
Seduction: The Cruel Woman DVD cover

Synopsis

Wanda is a dominatrix who runs a gallery in Hamburg. She lures men and women of all types into her sadomasochistic world where audiences pay for the privilege of seeing her humiliate her slaves. The end is an ultimate mix of eros and thanatos.

And when she is eventually gunned down, not by her American female lover whom she turns into an assistant-Mistress and not by her older tender shoe-fetishist motherly concerned lover either, but by — of all people — her husband (who is also her slave), the supreme joy on her face is absolutely ineffable.

— Miodrag Kojadinović, "Seduction: The Cruel Woman I Could Have Been", Angles magazine, Vancouver, January 1994

Cast
gollark: If the probability of false positives is low relative to the number of possible keys, it's probably fine™.
gollark: I don't think you can *in general*, but you'll probably know in some cases what the content might be. Lots of network protocols and such include checksums and headers and defined formats, which can be validated, and English text could be detected.
gollark: But having access to several orders of magnitude of computing power than exists on Earth, and quantum computers (which can break the hard problems involved in all widely used asymmetric stuff) would.
gollark: Like how in theory on arbitrarily big numbers the fastest way to do multiplication is with some insane thing involving lots of Fourier transforms, but on averagely sized numbers it isn't very helpful.
gollark: It's entirely possible that the P = NP thing could be entirely irrelevant to breaking encryption, actually, as it might not provide a faster/more computationally efficient algorithm for key sizes which are in use.

See also


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