Secun de la Rosa

Secun de la Rosa (Barcelona, December 23, 1969) is a Spanish actor and theatre author and director.

Secun de la Rosa
Secun de la Rosa presenting the movie The Bar at the Berlinale 2017
Born
Secundino Benjamín Juan de la Rosa Márquez Ailagas de Carvajal

(1969-12-23) December 23, 1969
Barcelona
OccupationActor, theatre director and comedian

He studied drama in Cristina Rota's atelier, and although he's popular thanks to his humorist roles in cinema and TV, he has worked as author-director in several theatrical production. He has been awarded and nominated for these plays and he has also received the 2003 Premio al mejor actor de la Unión de Actores as an actor.

Filmography

Feature film
  • La pequeña Suiza (2019) as Don Anselmo
  • El tiempo de los monstruos, by Félix Sabroso (2015)*
  • Negociador (El problema número uno), by Borja Cobeaga (2014)
  • Pancho, el perro millonario, by Tom Fernández (2014)
  • Hablar, by Joaquín Oristrell (2014)
  • Las brujas de Zugarramurdi, by Álex de la Iglesia (2013)
  • Del lado del verano, by Antonia San Juan (2012)
  • Cinco metros cuadrados, como Nacho. Dir. Max Lemcke (2011)
  • Lobos de Arga, by Juan Martínez Moreno (2011)
  • Casual day (2007) by Max Lemcke.
  • Encerrados en la mina by David Serrano.
  • El síndrome de Svensson (2006) by Kepa Sojo.
  • Los dos lados de la cama (2005) by Emilio Martínez Lázaro.
  • Las aventuras de Pocholo y Borjamari (2004) by Juan Cabestany, Enrique Lavigne.
  • El chocolate del loro (2004) by Ernesto Martín.
  • Hay motivo (2004) by Joaquín Oristrell.
  • Incautos (2004) by Miguel Bardem.
  • Los abajo firmantes(2003) by Joaquín Oristrell.
  • Días de fútbol (2003) by David Serrano.
  • El otro lado de la cama (2002) by Emilio Martínez Lázaro.
  • Noche de reyes by Miguel Bardem.
  • Peor imposible (2002) by José Semprúm/David Blanco.
  • Aunque tú no lo sepas (2000) by J.V. Cordova.
  • Me da igual(2000) by David Gordon.
  • Vadene via by Max Vianchi, Ana Pamplons

Short films
  • Flotando (2018) by Frankie De Leonardis.
  • Desaliñada (2001) by Gustavo Salmerón.
  • Postales de la India (2000) by Juanjo Díaz Polo.
  • Al rojo vivo by Raúl Muñoz.

TV

Theatre
  • El rincón de la borracha by Secun de la Rosa.
  • Los openheart by Andrés Lima.
  • Pensar amb els ulls by Joan Brossa.
  • Radio para, by Secun de la Rosa.
  • Obedecedor by Amparo Valle.
  • El homosexual de Copi by Gustavo Tambascio.
  • Lorca Cía. Lluis Pascual.
  • Susrealismos Cía. Caracalva.
  • Te odio by Juanjo Díaz Polo.
  • A las tantas by Secun de la Rosa.
  • Anoche por poco sueño contigo, Cía. Caracalva
  • Bola de sebo Alberto San Juan, Cia.Animalario .
  • Oración, Fernando Arrabal Cía. Madera 17.
  • Esperando al zurdo, by Cristina Rota.
gollark: Thus, my probably horribly flawed way to categorize it is that magic is where the universe/setting is weirdly interested in sentient beings/life/humans/etc, and generally more comprehensible to them.
gollark: I was thinking about this a lot a while ago, and determined that magic wasn't really an aesthetic since there are a few stories which have basically everything be "magic" which does identical things to technology.
gollark: There isn't *that* much difference between "magic" and "weird physics".
gollark: I don't actually know what you could do with this *except* apioformize some cryptography.
gollark: I mean, in big-O terms, it is "just as fast", sure.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.