Sculpt (film)

Sculpt is a 2016 social science fiction film written and directed by Loris Gréaud.

Synopsis

Sculpt is scarcely a social science fiction movie. It depicts an international market organized around new shapes and experiences, all the more sought-after as they are almost unattainable. Thought recording and fascination for the inner space are no longer fantasies but truly the object of a global market, which thrives on a quest for these moments of pure intensity, beauty experiences, thought, and obsessions.

The movie recounts how this ecosystem, equipped with new traders, middlemen, buyers, collectors and producers, is structured, and how this elite group sets up experiences whose unique object is a search for the masterpiece of this nature. No one suspects what is woven behind those « objects » as its counterpoint gets organized in parallel: a black market of impure experiences; a violent and dystopian world.

The movie follows the thoughts of a man whom we don’t know much about. He seems to be constantly developing the very concept of what experiencing beauty, thought, or obsession can be, despite the risks that the subjects are exposed to in the long term. Convinced that he can enact the rules of this new world, he will soon discover that the inner space limits and the market representing them are now just as one.[1]

Project (solo exhibition at LACMA)

Sculpt, produced for the LACMA, is Loris Gréaud’s first major exhibition project to take place on the west coast of the United States, as well as being his first feature-length film. Michael Govan, the LACMA CEO and Wallis Annenberg Director, said that “Gréaud is rethinking cinema in form, content, and its relationship to audience.”

For the presentation of this film, LACMA’s Bing Theater was reconfigured for only one audience member at a time.[2] Each screening will therefore turn into a unique one-person experience, with the movie seemingly watching its visitor as it is watched. Screenings took place thanks to the generous loan of the film from Voodoo Queen Priestess Miriam Chamani who has permitted its distribution solely at LACMA. In this chrysalid state, the film is on loan for an unspecified time.[3][4]

Distribution

A series of bootlegs and stolen clips from the movie occasionally reappear via a black market, during illegal screenings throughout the world, as far as the Dark Net abyss.[5]

Cast
gollark: We were not "designed". We're the output of blind optimization processes.
gollark: > also we kiiiiiiiinda should die of easily preventable diseasesÅAAAAAAAAAÅAAAAAAAAAAAAÆÆÆÆÆÆÆÆÆÆ
gollark: The last backup was made in 2012.
gollark: I like not dying of easily preventable diseases, and having a house, and internet connectivity, and reliable food and water.
gollark: no.

References
  1. "ABOUT - Sculpt Film". Sculpt Film (in French). Retrieved 2016-10-10.
  2. "Willem Dafoe, Charlotte Rampling's 'Sculpt' Admitting One Guest Per Screening". The Hollywood Reporter. Retrieved 2016-10-10.
  3. "Loris Greaud: Sculpt | LACMA". www.lacma.org. Retrieved 2016-10-10.
  4. "Loris Gréaud: Sculpt - Announcements - e-flux". www.e-flux.com. Retrieved 2016-10-10.
  5. Moshakis, Alex (2016-08-16). "Why Loris Gréaud and Willem Dafoe made a film few will see". The Guardian. ISSN 0261-3077. Retrieved 2016-10-10.
  6. "Cast Archives - Sculpt Film". Sculpt Film (in French). Retrieved 2016-06-17.
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