Savacou (sculpture)

Savacou is an aluminium sculpture of a stylised bird by the Jamaican sculptor Ronald Moody. It is sited on the campus of the University of the West Indies in Mona, Jamaica.

Savacou
ArtistRonald Moody
Year1964
Typesculpture
MediumAluminium
Dimensions213[1] cm (??)
LocationUniversity of the West Indies, Mona, Jamaica

Commissioning

The sculpture was commissioned by the Epidemiological Research Unit in London to be sited in front of the Epidemiological Research Unit on the campus of the University College of the West Indies.[2]

Extensive discussions on the commission took place between Moody, Professor A. L. Cochrane, director of the London unit, and Dr W. E. Miall, director of the Mona research unit.[3] The statue was a gift from Cochrane to the Unit, rather than a gift to Miall in order to generate more press attention.[4]

Moody was unaware of any surviving statues of the god Savacou and initially had planned to depict the god in the form of a heron with a similar pointy-headed look to other ritual bird depictions that had survived;[5] but, having considered the proposed site, the design was changed to that of a larger abstract parrot-shape with alterations to the legs and base.[6][3]

At the time of the commission Moody had been interested in his West Indian background and was working in concrete, but subsequent to producing Savacou he changed medium.[1] Savacou is the most famous work from this period of his career.[7] Early in the design process the work was rejected by the Royal Academy.[8] A maquette of the sculpture was made in 1963[6] and the sculpture cast in the summer of 1964. The cast sculpture was first exhibited in August and September 1964 on the lawn of the Commonwealth Institute, generating radio, television and filmed coverage.[2][9] The statue was shipped to Jamaica but was damaged in transit and required repair before siting.[3]

Description

The sculpture depicts the bird incarnation of Savacou (from the Carib word Sawaku meaning heron),[10] the god of storms and thunder who 'blows the lightning through a great reed'.[6][11] The design is an abstract parrot shape[6] with the shape of the bird's comb hinting at the gods later metamorphosis into a star.[2] The sculpture reflects and attempts to create pride in Taino traditions.[12]

The design of the sculpture was later adapted as Carib War Bird for the flyleaf of the journal Savacou.[13]

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See also

References
  1. Ronald Moody (1900–1984) Artist Biography, Tate.
  2. "Brief article on ‘Savacou’ by Ronald Moody [1964–5]", Tate.
  3. Subject file relating to sculpture, Savacou. Tate.
  4. "Letter from Ronald Moody to Professor A L Cochrane of the Epidemiological Research Unit (South Wales) 26 March 1964", Tate.
  5. "Letter from Ronald Moody to Dr Miall of the Epidemiological Research Unit (Jamaica) 18 May 1963" Archived 4 March 2016 at the Wayback Machine, Tate.
  6. Savacou Maquette, African and Asian Visual Artists Archive.
  7. "Ronald Moody", Diaspora Artists.
  8. "Letter from Professor A L Cochrane of the Epidemiological Research Unit (South Wales) to Ronald Moody, 26 April 1963", Tate.
  9. "Letter from Ronald Moody to Professor A L Cochrane of the Epidemiological Research Unit (South Wales) 6 September 1964", Tate.
  10. Shared Visions: Celebrating the 50th Anniversary of the University of the West Indies, Central Bank of Trinidad and Tobago, Catalogue, p. 19, Canoe Press, University of the West Indies, 1997.
  11. Rendel Harris, Boanerges, Cambridge University Press, 1913, p. 24.
  12. "Ronald Moody (1900-1984)", Petrine Archer [.com].
  13. Eddie Chambers, Black Artists in British Art: A History from 1950 to the Present, I.B.Tauris, 2014 (ISBN 9781780762715), p. 69.
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