Sara Ontañón
Sara Ontañón was a Spanish film editor active from the late 1930s through the 1960s.[1][2][3][4]
Sara Ontañón | |
|---|---|
| Born | Sara Ontañón Fernandez 1907 Santander, Spain |
| Died | 1968 Madrid, Spain |
| Occupation | Film editor |
| Relatives | Santiago Ontañón (brother) |
Selected filmography
- La primera aventura (1965)
- Los elegidos (1964)
- Man of the Cursed Valley (1964)
- El balcón de la Luna (1962)
- The Reprieve (1961)
- Días de feria (1960)
- Alfonso XII y María Cristina (1960)
- Con la vida hicieron fuego (1959)
- Dos caminos (1954)
- El cerco del diablo (1952)
- Cielo negro (1951)
- La guitarra de Gardel (1949)
- Bambú (1945)
- Lola Montes (1944)
- Eloísa está debajo de un almendro (1943)
- Castillo de naipes (1943)
gollark: The car also has the possibility of weird software bugs, and much less processing power than a human.
gollark: They would have to, well, be safer than humans, for that to work.
gollark: You just throw data at them and train them, and they can sometimes break in bizarre ways, and you have no way to tell why.
gollark: I'm not sure I would entirely trust neural-network-type "AI" things for that.
gollark: And updating it when lanes are changed should, without bureaucracy in the way, take something like 10 seconds.
References
- "Sara Ontañón". www.rescatandosombras.es. Retrieved 2019-06-01.
- Camarero, Gloria (2002-09-10). La mirada que habla (in Spanish). Ediciones AKAL. ISBN 9788446019961.
- Gubern, Román; Hammond, Paul (2012-01-04). Luis Buñuel: The Red Years, 1929–1939. University of Wisconsin Pres. ISBN 9780299284732.
- Labanyi, Jo; Pavlović, Tatjana (2015-12-21). A Companion to Spanish Cinema. John Wiley & Sons. ISBN 9781119170136.
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