Sanjeev–Darshan

Sanjeev–Darshan is a film song composer duo[1] in the Bollywood film industry of India. The duo derives its name from the first names of its two principals, Sanjeev Rathod and Darshan Rathod. Sanjeev and Darshan are the sons of Hindi film song composer Shravan Rathod, who himself paired with music director Nadeem as the duo Nadeem-Shravan, to create super-hit music soundtracks in the 1990s. Their first released soundtrack was for the 1999 film Mann.[2][3][4]

Sanjeev Darshan
Genres90's Classics, Filmi, Dance, Electro-Pop
Occupation(s)Composer, film score, singer
Years active1999–present

Early life

Sanjeev was trained under Pandit Kallika Prasad, while younger brother Darshan picked up several instruments on his own. Their grandfather, Pandit Chhaturbhuj Rathod was an avid promoter of classical as well as semi-classical music. Born to a musical family, singer Vinod Rathod and musician and singer Roop Kumar Rathod are their paternal uncles.

Music career

Sanjeev–Darshan made their debut as music directors for a film by Mahendra Shah and Vimal Kumar which was never released. In 1998, they composed a Gujarati album for the Shree Swaminarayan Gadi Sansthan. Indra Kumar had been with the duo at their initial recording and he went on to compose around forty tunes with them. In 1999, he invited them to compose music for his film Mann, starring Aamir Khan and Manisha Koirala . The film was an average success but its songs became hugely popular. All the songs of Mann were copied from other popular hits, a Malaysian singer also filed a case against them for copying his song, and then Ivan won the case later. "Nasha ye pyar ka nasha hain" song copied from Toto Cutungo's "l'italiano" song.

Discography

YearFilmNotes
1999MannFirst released film.
2000Deewane
Hamara Dil Aapke Paas Hai
Khiladi 420
2001Aashiq
Style
Bal – The Power
2002Rishtey
Kitne Door Kitne Paas
Yeh Raaste Hain Pyaar Ke
Pyaasa
Karz: The Burden of Truth
2003Xcuse Me
Aanch
Parwana
Talaash: The Hunt Begins...
2004Suno Sasurjee
2005Fun – Can Be Dangerous Sometimes
Yudh
Shreeman Chanakya
2006Mohabbat Ho Gayi Hai Tumse
2010Unakkaga En KadhalTamil film
2011U R My Jaan
2013Grand Masti
Satya 2
2015NH10
2016Beiimaan Love
2018Yamla Pagla Deewana: Phir Se
Bhaiaji Superhit
2019Amavas
Ghost
2020V For Viktor
gollark: You can just hand out what some random people think is absolutely *needed* first, then stick the rest of everything up for public use, but that won't work either! Someone has to decide on the "needed", so you get into a planned-economy sort of situation, and otherwise... what happens when, say, the community kale farm decides they want all the remaining fertilizer, even when people don't want *that* much kale?
gollark: Planned economies, or effectively-planned-by-lots-of-voting economies, will have to implement this themselves by having everyone somehow decide where all the hundred million things need to go - and that's not even factoring in the different ways to make each thing, or the issues of logistics.
gollark: Market systems can make this work pretty well - you can sell things and use them to buy other things, and ultimately it's driven by what consumers are interested in buying.
gollark: Consider: in our modern economy, there are probably around (order of magnitude) a hundred million different sorts of thing people or organizations might need.
gollark: So you have to *vote* on who gets everything?

References

  1. Morcom, Anna (30 November 2007). Hindi film songs and the cinema. Ashgate Publishing, Ltd. pp. 28–. ISBN 978-0-7546-5198-7. Retrieved 28 September 2011.
  2. "'Inspiration' Or Theft?". The Viewspaper.
  3. "Criminal Composers. Why do they steal? – Planet Bollywood Features". planetbollywood.com.
  4. "itwofs.com – chronicles of plagiarism in indian film music". itwofs.com.
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