Sandra Brewster

Sandra Brewster (born 1973)[1] is a Canadian visual artist based in Toronto. Her work is multidisciplinary in nature, and deals with notions of identity, representation and memory; centering Black presence in Canada. [2]

Sandra Brewster
Born1973
Toronto, Ontario
NationalityCanadian
EducationYork University
University of Toronto

Early life

Brewster was born to a Guyanese immigrant family and grew up in Pickering, Ontario.[1] She completed her Bachelor of Fine Arts at York University in 1997 and her Master of Visual Studies at University of Toronto in 2017.[1] Her thesis exhibition, titled A Trace | Evidence of time past, was shown at the Art Museum at the University of Toronto.[3]

Career and work

Brewster's early works focused on traditional portraiture. She later transitioned towards drawings and metallic sculptures. Her work has been exhibited in Canada, the US, the Caribbean and South Africa.[4] She was an artist-in-residence in Brazil, Canada, Trinidad and Tobago and South Africa, and her work has been published in numerous magazines, including Caribbean Beat and The Walrus.[5][6]

One of Brewster's most prominent bodies of work is Smiths – a series of drawings that question identity and representation. Smiths began in 2014 when Brewster started cutting pages with the name "Smith" from phone books, and transposed these pages over afro-headed, faceless individuals. The series combines the varied personalities, desires, and personal stories of these people by applying a unified visual treatment, which removed any sense of individuality.[5] Brewster eventually developed these drawings into a series of paintings that illustrate the impact of gun violence on young black men in Toronto.[1]

In addition to her artistic practice, Brewster has worked as a Visual Art Facilitator in Toronto and was also a Program Coordinator for Sketch, a community arts enterprise that uses art to engage street involved and homeless youths. She has also served on the Board of Directors of Gallery 44 in Toronto, and has been on the Advisory Committee for the Art Gallery of York University.[7]

Exhibitions

Brewster's work has been shown in several group exhibitions, including alongside artists Nadijah Robinson and Curtia Wright in "No Vacancy" – a 2017 show about displacement held at the Scarborough Arts’ Bluffs Gallery and curated by Alyssa Fearon. [8] Her work was also included in the 2017 exhibition, "Position As Desired", curated by Kenneth Montague of The Wedge Collection (Wedge Curatorial Projects)[9] and held at the Art Gallery of Windsor. Other group exhibitions include Undomesticated, at Koffler Gallery, Toronto, 2019;[10] Here we are Here: Black Canadian Contemporary Art organized by the Royal Ontario Museum, Toronto, where it was on display in 2018[11] before touring to the Montreal Museum of Fine Arts in 2018[12] and the Art Gallery of Nova Scotia in 2019[13]; Are You My Mother? at the Dunlop Art Gallery, Regina, 2019[14]; and Position As Desired: Exploring African Canadian Identity at the Windsor Art Gallery in 2017[15]. Her solo exhibitions include Town Girls Beneath at YYZ Artists' Outlet, Toronto, 2019;[16] "Sandra Brewster: Blur" at the Art Gallery of Ontario, 2019;[17] "It’s all a blur", Georgia Scherman Projects at the 2017 Scotiabank CONTACT Photography Festival[18]; and "Mohammeds", at Alice Yard in 2013. Her work appears on the cover of publications including (Small Axe 29, 2009)[7] and Thicker Than Water (Peekash Press, 2018).

Awards

Sandra Brewster was awarded the title of Artist in Education by the Ontario Arts Council in 2009.[4] She was awarded the Gattuso Prize for an outstanding featured solo exhibition It's all a blur in the CONTACT Photography Festival in 2017.[3] Brewster is also a recipient of the Artist Prize from the Toronto Friends of the Visual Arts (2018). [19]

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References
  1. "Sandra Brewster". The Canadian Encyclopedia.
  2. "Sandra Brewster: Blur". Art Gallery of Ontario. Retrieved 2020-06-26.
  3. "Here We Are Here: Black Canadian Contemporary Art". Royal Ontario Museum.
  4. Brewster, Sandra (2019). "Sandra Brewster | About". sandrabrewster.com.
  5. Issue 121, Nicholas Laughlin (2013-05-01). "Sandra Brewster: the shape of a name". Caribbean Beat Magazine. Retrieved 2020-06-09.
  6. "Sandra Brewster". The Patch Project. Archived from the original on 2017-03-21.
  7. "SANDRA BREWSTER | About". Retrieved 2019-03-16.
  8. InsideToronto.com. "Childhood curiosity about Kingston Road motels inspired 'No Vacancy'". www.insidetoronto.com. Retrieved 2017-03-17.
  9. "Position As Desired/Exploring African Canadian Identity: Photographs from the Wedge Collection". Royal Ontario Museum. Retrieved 2020-06-26.
  10. "Koffler Centre of the Arts - Undomesticated". kofflerarts.org. Retrieved 2020-03-08.
  11. "Here We Are Here: Black Canadian Contemporary Art". Royal Ontario Museum. Retrieved 2020-03-08.
  12. "Here We Are Here: Black Canadian Contemporary Art". Montreal Museums. Retrieved 2020-03-08.
  13. "Here We Are Here: Black Canadian Contemporary Art | Art Gallery of Nova Scotia". www.artgalleryofnovascotia.ca. Retrieved 2020-03-08.
  14. "Are You My Mother?". Dunlop Learning. Retrieved 2020-03-08.
  15. Windsor Art Gallery. "Position as Desired".
  16. "SANDRA BREWSTER: Town Girls Beneath". YYZ ARTISTS' OUTLET. 2019-09-10. Retrieved 2020-03-08.
  17. "Sandra Brewster: Blur". Art Gallery of Ontario. Retrieved 22 October 2019.
  18. "Scotiabank CONTACT Photography Festival". scotiabankcontactphoto.com. Archived from the original on 2017-05-09. Retrieved 2019-03-16.
  19. "Sandra Brewster: Blur". Art Gallery of Ontario. Retrieved 2020-06-26.
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