Samuel Waermö

Samuel Waermö (born 1968) is a successful international Swedish songwriter and music producer with a big number of accomplishments and hits and a number of chart-topping #1 hits (33 #1 at the charts) mostly in Europe and East Asia. Since 2008 he runs his own publishing company called SWEMUSIC ( webadress: swemusic.com)

He is co-written songs with Michael Garvin, Randy Goodrum, Desmond Child, Andreas Carlsson, Jörgen Elofsson and Pelle Nylen[1] Samuel Waermö was also involved in the production of 6 songs on the Bon Jovi hugely successful album Bounce.

Songs

  • Wang Leehom – "My Heart Holds the Love" (Taiwan)
  • Scandal'us – "High on your Love" (Australia - Platinum)
  • John Farnham – "When I Can't Have You" (Australia - 3x platinum)
  • Whatfor – "Un peu de patience" (France Popstars)
  • Alexander Klaws – "Break Free" (Germany - 2x platinum)
  • Daniel Lindström – "Break Free" (Sweden - Platinum)
  • BoA – "Quincy" (Japan - Japan Record Award nomination)
  • BoA – "Love Can Make a Miracle" (South Korea)
  • Rosa López – "La Esencia de Tu Voz" (Spain - 2x platinum)
  • Bon JoviBounce (album) (4.5m copies sold)
  • K One – "Power Generation" (Taiwan)
  • Elena Paparizou – "Mambo" (Greece - platinum)
  • Mink – "Glory of Life" (Japan - #1 USA Billboard Dance Chart)
  • Tobias Regner – "She's So" (German Idol winner)
  • Clay Aiken – "Lonely No More" (USA - gold)
  • NEWS – "My Only World" (Japan)
  • Kanjani EightGlorious (album) (Japan)
  • Arashi – "To Be Free" (Japan - 2x platinum)
  • Kis-my-ft2 – "Everybody Go" (Japan - platinum)

Awards

Samuel was for awarded for best pop song in Taiwan for the song "My Heart Hold the Love" performed by Leehom Wang

In 1998, he won a Grammy in Japan for best pop song . He also got another Grammy in 2004 for the song "Quincy", with the artist BoA in Japan, with the single selling over 1.3 million copies.

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gollark: For example, a train station I'm aware of has a ticket office with 4 people at desks and basically no activity, even though they mostly just act as bad frontends for the automatic ticket system, for which there are also (not very good) automatic ticket machines.
gollark: There are some things which I think probably should be automated but aren't, though, and I think that's mostly just because some people want there to be humans around for whatever reason and pressure to "preserve jobs".
gollark: Oops, I said knowledge work twice.
gollark: In some cases it's probably possible but it would have drawbacks or isn't cost-effective yet.

References

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