Samuel Schellink

Samuel Schellink (1 August 1876 – 20 December 1958) was a Dutch pottery decorator, painter, engraver, ceramist, pastelist, and author of watercolors and gouaches. His active period was between 1891 and 1958.[1]

Samuel Schellink
Born(1876-08-01)1 August 1876
Utrecht, Netherlands
Died20 December 1958(1958-12-20) (aged 82)
The Hague, Netherlands
NationalityDutch
Known forpottery painter, engraver, aquarellist
MovementArt Nouveau

Work
Porcelain vase decorated by Schellink in 1914, currently at the Rijksmuseum Amsterdam

Sam Schellink (alias J. Schelling, Sam Schellink, or Schellink Junior) was an autodidact and began his career in Utrecht, where he worked until 1892, when he moved to The Hague. In that same year, he joined N.V. Haagsche Plateelbakkerij Rozenburg[2]

as a painter apprentice. He would later go on to be the painter of their eggshell porcelain, for which he would become well-known.[3] During this time, he developed the signature topics of his work which include still life, flowers, birds and, less prominently, landscapes.[4] He remained with Rozenburg until 1914, when they went bankrupt.

As a consequence and for a brief period, he focused on painting and entering the art trade. However, in 1918, he joined Tegel en Fayencefabriek Amphora in Oegstgeest, where he again worked as a pottery painter. Schellink's last employer was Plateelbakkerij Goedewaagen in Gouda, where he fulfilled the same role of pottery decorator.

Personal life

In 1901, he married Johanna Sophia Bruens in The Hague, with whom he had a daughter. After the death of his first wife in 1927, he married Wilhelmina Gerardina Johanna Smits,[5] who had been his housekeeper.

Mentions in literature
  • Scheen 1969-1970
  • Scheen 1981, p. 457 (as: Schellink, Samuel ('Sam')*)[6]
  • Jacobs 2000, vol. 5, p. 290 (as: Schellink, Samuel (Sam))
  • J. Romijn, 'Rozenburg en Sam Schellink', newsletter of the Vrienden van de Nederlandse Ceramiek nr. 51, 1968, p. 31-34
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gollark: Not a feature now.
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gollark: 'Tis Safe-class: it's entirely safe if kept in a box somewhere.

References
  1. "Sam Schellink". Netherlands Institute for Art History. RKD. Retrieved 1 October 2018.
  2. "Rozenburg (up to about 1914)". Serviezendomein. Retrieved 1 October 2018.
  3. Judith Miller (2004). Art Nouveau. Dorling Kindersley Limited. p. 114. ISBN 978-1-4053-0251-7. Retrieved 1 October 2018.
  4. Popper, John A. (1983). "The Rozenburg Factory: an exercise in Anglo-Dutch co-operation". The Journal of the Decorative Arts Society 1890-1940. 7 (7): 34–41. JSTOR 41806272.
  5. digitale stamboom Den Haag
  6. Mentioned here as a "plateelschilder," or pottery painter
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