Saint-Georges de Bouhélier

Stéphane-Georges Lepelletier de Bouhélier (Rueil 19 May 1876 – Montreux 20 December 1947) known as Saint-Georges de Bouhélier, was a French poet and dramatist.

Saint-Georges de Bouhélier by Charles Gir (1919)

He was the son of Edmond Lepelletier.[1]

Works

Chant d'apothéose pour Victor Hugo (for the Hugo centenary) with music by Gustave Charpentier (1902)
adaption of Sophocles' Oedipus Rex, directed by Firmin Gémier at the Cirque d'Hiver in 1919, London 1920[2][3]

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gollark: From the clickbaity title, this seems like one of those things which could easily go horribly wrong.

gollark: It's apparently related to the emission spectra of the metal ions in it.

References

Jolly, Jean, ed. (1960), "Lepelletier (Edmone)", dictionnaire des parlementaires français de 1889 à 1940, Presses universitaires de France, retrieved 2017-12-08
The New Statesman - Volume 15 - Page 197 1920 "Saint-Georges de Bouhélier was an adaptation of Sophocles which aimed at giving the story a “larger, a more popular, a more human signification.” But if you set about to rejuvenate a work of art, to renew its appeal, to make it more human, ..."
The London Stage 1920–1929: A Calendar of Productions J. P. Wearing - 0810893029 2014 Page 38 "Saint-Georges de Bouhélier was present for the 20/6 performance. The 21/6 matinée was in aid of the Save-the Children Fund and specifically Serbian children. New Age noted that “the attendance was miserably small” for the matinée. 20.225 ..."

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[1] Jolly, Jean, ed. (1960), "Lepelletier (Edmone)", dictionnaire des parlementaires français de 1889 à 1940, Presses universitaires de France, retrieved 2017-12-08

[2] The New Statesman - Volume 15 - Page 197 1920 "Saint-Georges de Bouhélier was an adaptation of Sophocles which aimed at giving the story a “larger, a more popular, a more human signification.” But if you set about to rejuvenate a work of art, to renew its appeal, to make it more human, ..."

[3] The London Stage 1920–1929: A Calendar of Productions J. P. Wearing - 0810893029 2014 Page 38 "Saint-Georges de Bouhélier was present for the 20/6 performance. The 21/6 matinée was in aid of the Save-the Children Fund and specifically Serbian children. New Age noted that “the attendance was miserably small” for the matinée. 20.225 ..."