Sailor Beware! (play)

Sailor Beware! is a comic play by Philip King and Falkland Cary. After a repertory company production in Worthing in 1954, it opened in the West End of London on 16 February 1955 and ran for 1,231 performances.

From the 1955 London production: left to right Peggy Mount, Ann Wilton, Myrette Morven, Jean Burgess and Sheila Shand Gibbs

The play depicts the successful attempt by a young sailor to curb the tyrannical ways of his prospective mother-in-law. It was the first London appearance by Peggy Mount, who achieved immediate celebrity in the role of the domineering Mrs Hornett. The play spawned a film adaptation and a stage sequel, and has been revived on several occasions.

History

The co-author, Philip King, had written an earlier hit comedy, See How They Run (1945), and had collaborated with Falkland Cary on five plays.[1] Their Sailor Beware! was first produced by the Worthing repertory company in 1954. The cast included Peggy Mount and Richard Coleman, who retained their original roles when the play was presented at the Strand Theatre, London the following year.[2] The success of the West End production established Coleman as "a reliable and good-looking juvenile lead", according to The Times,[3] and Mount became what The Daily Mirror called "The toast of the town … the actress London is raving about".[4] The play ran at the Strand until 22 February 1958, a total of 1,231 performances.[5]

Plot

The Hornett household is dominated by Emma, the tyrannical wife of Henry, sister-in-law of Edie, and mother of Shirley. Able Seaman Albert Tuffnell is in love with Shirley, but he views the prospect of marrying into her family with concern. He is an orphan and has never known home life. He decides to shock Mrs Hornett into recognising how badly she behaves to other people. By pretending to jilt Shirley on their wedding morning he sets off a chain of events that lead family, neighbours and even the vicar to tell Emma what they think of her. She is duly chastened and all ends happily, though not without a hint that Shirley has the potential to become as formidable a wife as her mother has been.[6][7]

Original London cast
  • Edie Hornett – Ann Wilton
  • Emma Hornett – Peggy Mount
  • Mrs Lack – Myrette Morven
  • Henry Hornettt – Cyril Smith
  • Albert Tufnell, AB – Richard Coleman
  • Carnoustie Bligh, AB – James Copeland
  • Daphne Pink – Jean Burgess
  • Shirley Hornett – Sheila Shand Gibbs
  • The Rev Oliver Purefoy – Anthony Marlow
Source: The Times.[6]

Reception

The notices for the play were good, and those for the cast – particularly for Mount – still better. The Times called the comedy "simple but successful".[6] In The Illustrated London News, J. C. Trewin predicted a long run, and commented that he laughed despite himself: "The farce may be preposterous [but] in its broad way it sweeps along the audience."[7] In The Observer, Kenneth Tynan wrote that although the theme of the play was "as ancient as its development, whereby the husband-to-be jilts his bride", the authors' dialogue was "authentic suburban poetry".[8] He said of Mount's performance, "She scorches the earth about her … The savage impatience of Miss Mount's acting must be seen to be believed".[8] Tynan, Trewin and Philip Hope-Wallace in The Manchester Guardian all praised the other members of the cast, who in the words of the Times critic, "each contribute a nicely judged share to the comedy.[6][9]

Later versions

The play was adapted for the cinema under the same title in 1956, with Mount and Cyril Smith playing their original stage roles.[10] A stage sequel, Watch It, Sailor, opened in London in February 1960 and was well reviewed, although Kathleen Harrison as Emma was found less imposing than Mount had been in the original play.[11] It ran until June 1961, and was filmed in the same year.[12] Sailor Beware became a staple of provincial repertory, and received a London revival at the Lyric Theatre, Hammersmith in 1991 with Jane Freeman as Emma and Colin Hurley as Albert.[13] A 1992–93 tour of Britain starred Jane Freeman and Kathy Staff.[14]

Notes
  1. "Philip King", Contemporary Authors Online, Gale, 19 April 2002 (subscription required)
  2. Hayward, Anthony "Obituary: Richard Coleman", The Independent, 14 February 2009, pp. 50–51
  3. "Richard Coleman – Lives online", The Times, 20 January 2009, p. 60
  4. Whitcombe, Noel. "The Toast of the Town", The Daily Mirror, 19 February 1955, p. 2
  5. Gaye, p. 1537
  6. "Strand Theatre – 'Sailor Beware'", The Times, 17 February 1955, p. 12
  7. Trewin, J C. "The World of the Theatre", The Illustrated London News, 5 March 1955, p. 416
  8. Tynan, Kenneth. "Versatility", The Observer, 20 February 1955, p. 13
  9. Hope-Wallace, Philip. "'Sailor Beware!' – A Successful Comedy at the Strand", The Manchester Guardian, 17 February 1955, p. 5
  10. "Sailor Beware", British Film Institute, retrieved 13 September 2015
  11. "Return of the Hornetts", The Times, 25 February 1960, p. 4
  12. "Theatres", The Times, 27 June 1961, p. 2
  13. Nightingale, Benedict. "Mount scaled with true wit", The Times, 21 May 1991, p. 18
  14. "On release", The Guardian, 23 October 1993, p. C4
gollark: It's too late to stop in any case.
gollark: Excellent. You were scheduled to around now.
gollark: Do you realize the implications of this?
gollark: I don't actually obey linear time, so you should.
gollark: It wasn't trained on Macron but it picks it up few-shot fine due to the sheer elegance of it.

References
  • Gaye, Freda (ed.) (1967). Who's Who in the Theatre (fourteenth ed.). London: Sir Isaac Pitman and Sons. OCLC 5997224.CS1 maint: extra text: authors list (link)
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