Rudolf Adler

Rudolf Adler (born May 25, 1941 in Brno, Czechoslovakia) is a Czech film director, screenwriter and pedagogue.[1][2]

Rudolf Adler
Born(1941-05-25)25 May 1941
Brno, Czechoslovakia
OccupationFilm director, pedagogue
Years active1978–present
Spouse(s)Jarmila Adler Šlaisov

Education

Rudolf Adler studied film directing at the Film and TV School of the Academy of Performing Arts in Prague, graduating in 1966. Concomitantly Adler wrote the libretto for composer Zdeněk Pololáník's ballet Mechanismus; their collaborative work premiered at the FX Šalda Theater, Liberec, in 1964.[2]

Career

When Czechoslovakia hosted joint Warsaw Pact military maneuvers in September 1966, Rudolf Adler, then an Army filmmaker, was sent to south South Bohemia to document war games.[3]:168

At a time when Czechoslovakia's communist regime sought control of the arts, making it difficult if not impossible for the public to gain access to unofficial ideas and expressions, Adler, alongside colleagues Ivan Balaďa and Vladimír Drha, pushed the borders of the possible—some of their films qualify as avant-garde and/or auteur films.[4]:157

Among has directed more than 100 films.[5] Among them are Strepy pro Evu (1978), Chlapská dovolenka (1988), and the documentary Masks, Jesters, Demons (2002), in which he and cowriter Ludvík Baran examine historic, ritualistic uses of face masks in the Czech lands and throughout the world.[6] As script editor and supervising editor, he contributed to I, Olga Hepnarová, a 2016 winner of Czech Lion and Czech Film Critics' awards.[7]

FAMU

Since the late 1980s Adler has taught documentary filmmaking at the Film and TV School of the Academy of Performing Arts in Prague (FAMU), serving at different times in capacities of professor and department head.[1]

In Audiovizuální a Filmová výchova ve vyučování (2018), his textbook for film educators, Adler praises American director Godfrey Reggio, cinematographer Ron Fricke and composer Philip Glass for their collaboration on the philosophical documentary Koyaanisqatsi (1982), which he describes as "formulated with absolute precision and congenial expression."[8]:60

gollark: For ++exec.
gollark: Yes, ABR uses it.
gollark: TIO's API is weird, I used it once.
gollark: No, I think it's just got V in front of "lang" for some reason.
gollark: LyricLy is evidently #4.

References
  1. Svatoš, J., "Pedagog Rudolf Adler: Prožitky jsme vyměnili za informace", Xantypa, November, 2016.
  2. Rudolf Adler—Životopis / Informace, Filmová databáze.
  3. Lovejoy, A. O., Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak (Bloomington, IN: Indiana University Press, 2015), p. 168.
  4. Karl, L., & Skopal, P., eds., Cinema in Service of the State: Perspectives on Film Culture in the GDR and Czechoslovakia, 1945-1960 (New York & Oxford: Berghahn Books, 2015), p. 157.
  5. Staff, "Filmař Adler: Do Znojma se jednou vrátím", Deník, October 11, 2007.
  6. "Masks, Jesters, Demons—Masky, šašci, démoni", Česká televize.
  7. Rudolf Adler, IMDb.
  8. Adler, R., Audiovizuální a Filmová výchova ve vyučování (Prague: Gymnázium a Hudební škola hlavního města Prahy, 2018), p. 60.

Rudolf Adler, Česko-Slovenská filmová databáze.

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