Ronald Pennell

Professor Ronald Pennell, artist, engraver and sculptor, was born and grew up in Birmingham. Receiving early training at the Moseley School of Art, and subsequently at Birmingham School of Art (1952-1956), he developed particular skill as an engraver.

Gem Engraving

In 1957 Pennell received a German scholarship to study gem engraving. Working under the gem-engraver Meister Hermann Waldmann in Idar-Oberstein, Pennell began an association with German and central European art and education which has lasted throughout his life. He later developed a close personal friendship and professional relationship with the Czech glass engraver Jiri Harcuba, as well as with teachers and students at the Prague Academy of Arts, Architecture and Design.[1]

On his return to England he was appointed lecturer at Birmingham College of Art where he met his wife, Betty, and taught metal engraving, drawing and design. In the same year he was elected a Fellow of the Royal Society of Arts. Pennell continued to maintain contacts in Germany, entering exhibition and design competitions.[2] However, in 1964, he and Betty decided to leave teaching to establish freelance studios in rural Herefordshire. Concentrating on developing his range of skills and repertoire, including the investigation of bronze medallic art, Pennell refrained from exhibiting his work until 1974, when he was offered a solo show[3] organised by the newly-restructured Crafts Council of Great Britain.[4]

Glass Engraving

In 1977, Pennell began to engrave on glass, adapting gem engraving techniques to a larger scale. Initially working with commercially available glass vessels, he later transferred to working on vessel blanks, free-blown to his specification by the glass artist Carl Nordbruch.[5] In addition to working on clear, colourless glass, Pennell broadened his approach to include cased, flashed and graal glasses. In 1979, he exhibited at the Corning Museum World Glass Exhibition and World Tour, which brought his work to international attention. He was also represented in the Corning Museum New Glass Review throughout the 1980s. His work displays a complex and idiosyncratic iconography, infused with a gentle and intelligent humour, in which an everyman figure (often represented by the artist, watched over by his Jack Russell terrier) engages with forces of nature which may be agrarian, or embodied in the forms of crocodiles, owls, women and mythical beings.[4]

Sculpture

Pennell also works as a sculptor, producing medals and reliefs in cast bronze,[6] examples of which are in the collections of the British Museum[7] and Goldsmiths' Hall in London. A group of larger scale animal sculptures in stained wood date mainly from the 1990s. He created a new series of figurative sculpture in cast glass following his professorship at the University of Wolverhampton.

Exhibitions and Collections

Since 1974, Pennell has exhibited extensively in Britain, Europe, the United States and Japan, including regular exhibitions this century in London and internationally with Contemporary Applied Arts.[8] In 1999 a comprehensive retrospective exhibition of his work, Modern Myths: The Art of Ronald Pennell in Glass and Bronze organised by Wolverhampton Art Gallery toured the UK.[9] In 2013 he and Betty held a joint exhibition, Gardens – Myths – Magic, at the Ruthin Craft Centre.[10] His work is held in public and private collections throughout the world, including those of the Toyama Glass Art Museum, which holds the most significant public collection of Pennell's work, The Victoria & Albert Museum; The National Museum of Applied Arts, Prague; The Musée Nationale des Arts Decoratifs, Paris; Hokkaido Museum of Modern Art; Koganezaki Glass Museum, Japan; Ebeltoft Museum, Denmark; Corning Museum of Glass, Corning, New York; Nottingham Castle Museum; Norwich Castle Museum and many others.

Additional Information

Although leaving formal teaching in 1964, Ronald Pennell has maintained a career as an educator. He holds a Professorial Fellowship (from 1993) at the Academy of Arts, Architecture and Design in Prague, where he was also awarded the Gold Medal (1993) and the Highest Honour (1996). He was also Visiting Professor of Glass Studies at the University of Wolverhampton (1998-2001).

In 2005 Pennell was interviewed by the British Library for the National Life Stories Collection.

An extensive bibliography relating to Ronald Pennell's career until 1999 is listed in Modern Myths: The art of Ronald Pennell in glass and bronze, Antique Collectors’ Club, 1999. In 1988, The Welsh Arts Council commissioned a film 'Ronald Pennell – engraver' for the Arts Channel

References

1. Sylva Petrova, The relationship of Ronald Pennell to the history and current state of Central European thinking and culture, in Modern Myths: The art of Ronald Pennell in glass and bronze, Antique Collectors’ Club, 1999
2. Gesellschaft fur Goldschmeidekunst, Hamburg, 1961
3. Crafts Council of Great Britain. Ronald Pennell Rock Crystal Engraving, London, Crafts Council Gallery and Touring, 1974
4. Dan Klein, The Art of Ronald Pennell, in Modern Myths: The art of Ronald Pennell in glass and bronze, Antique Collectors’ Club, 1999
5. "Living and Breathing Glass - Bethan Christopher". 12 July 2012.
6. Mark Jones, The Medallic Art of Ronald Pennell, in Modern Myths: The Art of Ronald Pennell in Glass and Bronze, Antique Collectors Club,1999
7. P Attwood, 'Acquisitions of medals (1983-1987)', British Museum Occasional Paper 78, London, 1991
8. "Contemporary Applied Arts: Ronald Pennell". www.caa.org.uk.
9. Modern Myths: The art of Ronald Pennell in glass and bronze, Antique Collectors’ Club, 1999
10. Gardens – Myths – Magic: Betty Pennell – Ronald Pennell, Ruthin Craft Centre, The Centre for the Applied Arts, Ruthin, Denbighshire.