Roland Hermann

Roland Hermann (born 17 September 1936)[1][2] is a German operatic baritone and former professor at the Hochschule für Musik Karlsruhe.[1] A member of the Opernhaus Zürich, he performed leading roles internationally, not only in standard repertoire but also in world premieres and rarely performs works, such as Schoenberg's Moses.

Roland Hermann
Born (1936-09-17) 17 September 1936
Bochum, Germany
Education
Occupation
Organization

Life

Born in Bochum, Hermann studied at the University of Freiburg, the Hochschule für Musik Mainz and the Musikhochschule Frankfurt. He completed his vocal training with Margarete von Winterfeldt, Paul Lohmann and Flaminio Contini. In 1961 he was awarded first prize in a competition of German radio stations.[1]

Hermann made his opera debut as Count Almaviva in Mozart's Le nozze di Figaro at the Theater Trier in 1967.[1] He became a member of the ensemble of the Opernhaus Zürich in 1968, with guest contracts to the Bavarian State Opera in Munich and the Cologne Opera. He appeared the Teatro Colón in Buenos Aires as Jochanaan in Salome by Richard Straussin 1974, as Pollux in Rameau's Castor et Pollux at the Oper Frankfurt in 1980, as Golo in Debussy's Pelléas et Mélisande at La Scala in Milan in 1986, and appeared also in Paris and Berlin, among others. Engagements as a soloist with orchestras and as lieder singer led him to concert halls in Europe, the United States where he made his debut with the New York Philharmonic Orchestra in 1983, and to the Far East.[1]

Repertoire

In addition to the usual leading baritone roles - the title role in Mozart's Don Giovanni, Wolfram in Wagner's Tannhäuser, Germont in Verdi's La Traviata and Amfortas in Wagner's Parsifal - he sang in rarely performed works:, including the title role in Marschner's Der Vampyr and Busoni's Doktor Faust, Schumann's Genoveva, Moses in Schönberg's Moses und Aron, and in Werner Egk's Peer Gynt. Hermann also sang leading roles in world premieres, including Rudolf Kelterborn's Der Kirschgarten (Zürich 1984) and York Höller's Der Meister und Margarita (Paris 1989).[1]

gollark: Then I have no idea how it works, yay!
gollark: Oh, it's one of those evil `fail`-using things?
gollark: The world shall burn in nuclear fire.
gollark: `some code` and `other code` are placeholders, I mean.
gollark: `some` and `other` aren't functions taking code, just placeholders.

References
  1. Kutsch, K. J.; Riemens, Leo (2012). Hermann, Roland. Großes Sängerlexikon (in German) (4th ed.). Walter de Gruyter. p. 2051–2052. ISBN 978-3-59-844088-5.
  2. Pipers Enzyklopädie des Musiktheaters, Index-Band.
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