Roger Matton

Roger Matton OC (18 May 1929 – 7 June 2004) was a Canadian composer,[1] ethnomusicologist, and music educator. As a composer his works are characterized by their association with folklore and folk music.[2]

Early life and education

Born in Granby, Quebec, Matton was trained at the Conservatoire de musique du Québec à Montréal where he was a pupil of Claude Champagne (composition), Isabelle Delorme (music theory), and Arthur Letondal (piano). He pursued further studies in Paris with Nadia Boulanger, Olivier Messiaen, and Andrée Vaurabourg. He then studied ethnology at the National Museum of Canada with Marius Barbeau.

Career

Matton started his career working for the Canadian Broadcasting Corporation as a composer in both radio and television. In 1956 he joined the staff of Université Laval where he worked as a researcher and ethnomusicologist in the UL's folklore archives through 1976. He transcribed roughly 300 Acadian songs between 1957 and 1959.[3] Among his students was composer Alain Gagnon.

In 1965 he was awarded the Prix de la création at the Congrès du spectacle. In 1966 the Montreal Symphony Orchestra included his Mouvement symphonique II in their concert repertoire for their 1966 tour of the Soviet Union, making it one of the first symphonic works by a Canadian composer to be performed in that nation. Soon after his Concerto for Two Pianos and Orchestra was performed and recorded by the Toronto Symphony and released in the United States by Capital Records.[4]

Matton was awarded the Calixa-Lavallée Award in 1969 and in 1984 he was named an Officer of the Order of Canada.

Selected compositions
  • Te Deum[5]
  • Mouvement symphonique II, 1962[6][7]
  • "Concerto for Two Pianos and Orchestra", 1964[8]
  • “Danse brésilienne”

Sources
  1. Begins with the Oboe: A History of the Toronto Symphony Orchestra. University of Toronto Press; 2002. ISBN 978-0-8020-3588-2. p. 80, 104.
  2. "L'héritage musical du Québec". L'Action National, January 2014. by Luc Bellemare
  3. Ethnologies francophones de l'Amérique et d'ailleurs. Presses Université Laval; 1997. ISBN 978-2-7637-7548-7. p. 15–18.
  4. Kit Morgan. Canadian Assns Renew Drive to Promote Its Local Talent. BillBoard, Nielsen Business Media, Inc.; 29 July 1967. ISSN 0006-2510. p. 48.
  5. Culture vivante. Vol. Issues 11-19. 1969. p. 53.
  6. Canadian Broadcasting Corporation. International Service. Thirty-four Biographies of Canadian Composers. the Corporation; 1964. p. 60–61.
  7. MusiCanada. Vol. Issues 17-29. The Centre; 1969. p. 4.
  8. Fanfare. Vol. 16, Issue 5. J. Flegler; 1993. p. 383.
gollark: █, as in "██% of server members are instances of GPT-[REDACTED]"?
gollark: I don't think we ever use those.
gollark: *All* of it?
gollark: Apiobee you, [REDACTED].
gollark: ...
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.